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Eye of the Sixties: Richard Bellamy and the Transformation of Modern Art
Par Judith E. Stein. 2016
In 1959, Richard Bellamy was a witty, poetry-loving beatnik on the fringe of the New York art world who was…
drawn to artists impatient for change. By 1965, he was representing Mark di Suvero, was the first to show Andy Warhol’s pop art, and pioneered the practice of “off-site” exhibitions and introduced the new genre of installation art. As a dealer, he helped discover and champion many of the innovative successors to the abstract expressionists, including Claes Oldenburg, James Rosenquist, Donald Judd, Dan Flavin, Walter De Maria, and many others. The founder and director of the fabled Green Gallery on Fifty-Seventh Street, Bellamy thrived on the energy of the sixties. With the covert support of America’s first celebrity art collectors, Robert and Ethel Scull, Bellamy gained his footing just as pop art, minimalism, and conceptual art were taking hold and the art world was becoming a playground for millionaires. Yet as an eccentric impresario dogged by alcohol and uninterested in profits or posterity, Bellamy rarely did more than show the work he loved. As fellow dealers such as Leo Castelli and Sidney Janis capitalized on the stars he helped find, Bellamy slowly slid into obscurity, becoming the quiet man in oversize glasses in the corner of the room, a knowing and mischievous smile on his face.Born to an American father and a Chinese mother in a Cincinnati suburb, Bellamy moved to New York in his twenties and made a life for himself between the Beat orbits of Provincetown and white-glove events like the Guggenheim’s opening gala. No matter the scene, he was always considered “one of us,” partying with Norman Mailer, befriending Diane Arbus and Yoko Ono, and hosting or performing in historic Happenings. From his early days at the Hansa Gallery to his time at the Green to his later life as a private dealer, Bellamy had his finger on the pulse of the culture. Based on decades of research and on hundreds of interviews with Bellamy’s artists, friends, colleagues, and lovers, Judith E. Stein’s Eye of the Sixties rescues the legacy of the elusive art dealer and tells the story of a counterculture that became the mainstream. A tale of money, taste, loyalty, and luck, Richard Bellamy’s life is a remarkable window into the art of the twentieth century and the making of a generation’s aesthetic.--"Bellamy had an understanding of art and a very fine sense of discovery. There was nobody like him, I think. I certainly consider myself his pupil." --Leo CastelliHow About Never—Is Never Good for You?: My Life in Cartoons
Par Bob Mankoff. 2014
Memoir in cartoons by the longtime cartoon editor of The New YorkerPeople tell Bob Mankoff that as the cartoon editor…
of The New Yorker he has the best job in the world. Never one to beat around the bush, he explains to us, in the opening of this singular, delightfully eccentric book, that because he is also a cartoonist at the magazine he actually has two of the best jobs in the world. With the help of myriad images and his funniest, most beloved cartoons, he traces his love of the craft all the way back to his childhood, when he started doing funny drawings at the age of eight. After meeting his mother, we follow his unlikely stints as a high-school basketball star, draft dodger, and sociology grad student. Though Mankoff abandoned the study of psychology in the seventies to become a cartoonist, he recently realized that the field he abandoned could help him better understand the field he was in, and here he takes up the psychology of cartooning, analyzing why some cartoons make us laugh and others don't. He allows us into the hallowed halls of The New Yorker to show us the soup-to-nuts process of cartoon creation, giving us a detailed look not only at his own work, but that of the other talented cartoonists who keep us laughing week after week. For desert, he reveals the secrets to winning the magazine's caption contest. Throughout How About Never--Is Never Good for You?, we see his commitment to the motto "Anything worth saying is worth saying funny."Banksy: The Man Behind the Wall
Par Will Ellsworth-Jones. 2012
While hiding from the limelight, Banksy has made himself into one of the world's best-known living artists. His pieces have…
fetched millions of dollars at prestigious auction houses. He was nominated for an Academy Award for his film Exit Through the Gift Shop. Once viewed as vandalism, his work is now venerated; fans have gone so far as to dismantle the walls that he has painted on for collection and sale.But as famous as Banksy is, he is also utterly unknown—he conceals his real name, hides his face, distorts his voice, and reveals his identity to only a select few. Who is this man that has captivated millions? How did a graffiti artist from Bristol, England, find himself at the center of an artistic movement? How has someone who goes to such great lengths to keep himself hidden achieved such great notoriety? And is his anonymity a necessity to continue his vandalism—or a marketing tool to make him ever more famous?Now, in the first ever full-scale investigation of the artist, reporter Will Ellsworth-Jones pieces together the story of Banksy, building up a picture of the man and the world in which he operates. He talks to his friends and enemies, those who knew him in his early, unnoticed days, and those who have watched him try to come to terms with his newfound fame and success. And he explores the contradictions of a champion of renegade art going to greater and greater lengths to control his image and his work.Banksy offers a revealing glimpse at an enigmatic figure and a riveting account of how a self-professed vandal became an international icon—and turned the art world upside down in the process.American Smoke: Journeys to the End of the Light
Par Iain Sinclair. 2013
The visionary writer Iain Sinclair turns his sights to the Beat Generation in America in his most epic journey yet"How…
best to describe Iain Sinclair?" asks Robert Macfarlane in The Guardian. "A literary mud-larker and tip-picker? A Travelodge tramp (his phrase)? A middle-class dropout with a gift for bullshit (also his phrase)? A toxicologist of the twenty-first-century landscape? A historian of countercultures and occulted pasts? An intemperate WALL-E, compulsively collecting and compacting the city's textual waste? A psycho-geographer (from which term Sinclair has been rowing away ever since he helped launch it into the mainstream)? He's all of these, and more." Now, for the first time, the enigma that is Iain Sinclair lands on American shores for his long-awaited engagement with the memory-filled landscapes of the American Beats and their fellow travelers. A book filled with bad journeys and fated decisions, American Smoke is an epic walk in the footsteps of Malcolm Lowry, Charles Olson, Jack Kerouac, William Burroughs, Gary Snyder, and others, heated by obsession (the Old West, volcanoes, Mexico) and enlivened by false memories, broken reports, and strange adventures. With American Smoke, Sinclair confirms his place as the most innovative of our chroniclers of the contemporary.Tove Jansson: Life, Art, Words
Par Boel Westin. 2024
An in-depth, perceptive account of the unconventional life of the Moomins&’ beloved creator, now available in the United States Tove…
Jansson achieved fame as the creator of the Moomins, beloved by generations of readers around the world. Remarkably, the Moomins were only part of the prodigious creative output of this Finnish-Swedish writer and artist. Jansson&’s work also includes short stories and five novels for adults, as well as paintings, murals, and book illustrations. In this acclaimed biography, Boel Westin relies on numerous conversations with Jansson and unprecedented access to her journals, letters, and personal archives to present an engrossing and comprehensive review of the life and world of Scandinavia&’s best-loved author. As Westin&’s meticulous research makes clear, Jansson&’s artistic and literary works reflected what was most important to her: the love of family and nature and the desire to pursue her art. Guided by her personal motto, &“Love and work,&” Jansson seized both with uncompromising joy. And while her romantic relationships with men proved unfulfilling, she found those with women—especially with her longtime partner, the artist Tuulikki Pietilä—both grounding and inspiring. Westin weaves together the many threads of Jansson&’s rich, complex life: an education interrupted to help her family; the bleak war years and her emergence as a painter; the decades of Moominmania across books, newspaper comic strips, merchandise, and adaptations; her later fictions, including her popular The Summer Book; and her time with Pietilä on the solitary island of Klovharu. Tove Jansson: Life, Art, Words offers fans and admirers around the world the most complete portrait of the writer Philip Pullman described as &“a genius, a woman of profound wisdom and great artistry.&”David Smith: The Art and Life of a Transformational Sculptor
Par Michael Brenson. 2014
“An essential account of America’s greatest sculptor . . . [A] magnum opus.” —Marjorie Perloff, The Times Literary SupplementThe landmark…
biography of the inscrutable and brilliant David Smith, the greatest American sculptor of the twentieth century. David Smith, a pioneer of Abstract Expressionism, did more than any other sculptor of his era to bring the plastic arts to the forefront of the American scene. Central to his project of reimagining sculptural experience was challenging the stability of any identity or position—Smith sought out the unbounded, unbalanced, and unexpected, creating works of art that seem to undergo radical shifts as the spectator moves from one point of view to another. So groundbreaking and prolific were his contributions to American art that by the time Smith was just forty years old, Clement Greenberg was already calling him “the greatest sculptor this country has produced.” Michael Brenson’s David Smith: The Art and Life of a Transformational Sculptor is the first biography of this epochal figure. It follows Smith from his upbringing in the Midwest, to his heady early years in Manhattan, to his decision to establish a permanent studio in Bolton Landing in upstate New York, where he would create many of his most significant works—among them the Cubis, Tanktotems, and Zigs. It explores his at times tempestuous personal life, marked by marriages, divorces, and fallings-out as well as by deep friendships with fellow artists like Helen Frankenthaler and Robert Motherwell. His wife Jean Freas described him as “salty and bombastic, jumbo and featherlight, thin-skinned and Mack Truck. And many more things.” This enormous, contradictory vitality was true of his work as well. He was a bricoleur, a master welder, a painter, a photographer, and a writer, and he entranced critics and attracted admirers wherever he showed his work. With this book, Brenson has contextualized Smith for a new generation and confirmed his singular place in the history of American art.When Harry Met Pablo: Truman, Picasso, and the Cold War Politics of Modern Art
Par Matthew Algeo. 2024
Truman and Picasso were contemporaries and were both shaped by and shapers of the great events of the twentieth century—the…
man who painted Guernica and the man who authorized the use of atomic bombs against civilians. But in most ways, they couldn't have been more different. Picasso was a communist, and probably the only thing Harry Truman hated more than communists was modern art. Picasso was an indifferent father, a womanizer, and a millionaire. Truman was utterly devoted to his family and, despite his fame, far from a rich man. How did they come to be shaking hands in front of Picasso's studio in the south of France? Truman's meeting with Picasso was quietly arranged by Alfred H. Barr Jr., the founding director of New York's Museum of Modern Art and an early champion of Picasso. Barr knew that if he could convince these two ideological antipodes, the straight-talking politician from Missouri and the Cubist painter from MÁlaga, to simply shake hands, it would send a powerful message, not just to reactionary Republicans pushing McCarthyism at home, but to the whole world: modern art was not evil. Truman author Matthew Algeo retraced the Trumans' Mediterranean vacation and visited the places they went with Picasso, including Picasso's villa, Picasso's ceramics studio in Vallauris, and ChÂteau Grimaldi, a museum in Antibes.A rigorous history with a heartwarming center, When Harry Met Pablo intertwines the biographies of Truman and Picasso, the history of modern art, and twentieth-century American politics, but at its core it is the touching story of two old men who meet for the first time and realize they have more in common—and are more alike—than they ever imagined.Tove Jansson: Work and Love
Par Dr Tuula Karjalainen. 2013
The definitive illustrated biography of one of the most unique and beloved children's authors of the 20th century, the creator…
of the Moomins. Tove Jansson (1914-2001) led a long, colourful and productive life, impacting significantly the political, social and cultural history of 20th-century Finland. And while millions of children have grown up with Little My, Snufkin, Moomintroll and the many creatures of Moominvalley, the life of Jansson - daughter, friend and companion - is more touching still. This book weaves together the myriad qualities of a painter, author, illustrator, scriptwriter and lyricist from fraught beginnings through fame, war and heartbreak and ultimately to a peaceful end.Warhol: A Life As Art
Par Blake Gopnik. 2020
The definitive biography of a fascinating and paradoxical figure, one of the most influential artists of his—or any—age To this…
day, mention the name “Andy Warhol” to almost anyone and you’ll hear about his famous images of soup cans and Marilyn Monroe. But though Pop Art became synonymous with Warhol’s name and dominated the public’s image of him, his life and work are infinitely more complex and multi-faceted than that. In Warhol, esteemed art critic Blake Gopnik takes on Andy Warhol in all his depth and dimensions. “The meanings of his art depend on the way he lived and who he was,” as Gopnik writes. “That’s why the details of his biography matter more than for almost any cultural figure,” from his working-class Pittsburgh upbringing as the child of immigrants to his early career in commercial art to his total immersion in the “performance” of being an artist, accompanied by global fame and stardom—and his attempted assassination. The extent and range of Warhol’s success, and his deliberate attempts to thwart his biographers, means that it hasn’t been easy to put together an accurate or complete image of him. But in this biography, unprecedented in its scope and detail as well as in its access to Warhol’s archives, Gopnik brings to life a figure who continues to fascinate because of his contradictions—he was known as sweet and caring to his loved ones but also a coldhearted manipulator; a deep-thinking avant-gardist but also a true lover of schlock and kitsch; a faithful churchgoer but also an eager sinner, skeptic, and cynic. Wide-ranging and immersive, Warhol gives us the most robust and intricate picture to date of a man and an artist who consistently defied easy categorization and whose life and work continue to profoundly affect our culture and society today.The Years with Ross
Par James Thurber. 1957
From iconic American humorist James Thurber, a celebrated and poignant memoir about his years at The New Yorker with the…
magazine’s unforgettable founder and longtime editor, Harold Ross“Extremely entertaining. . . . life at The New Yorker emerges as a lovely sort of pageant of lunacy, of practical jokes, of feuds and foibles. It is an affectionate picture of scamps playing their games around a man who, for all his brusqueness, loved them, took care of them, pampered and scolded them like an irascible mother hen.” —New York TimesWith a foreword by Adam Gopnik and illustrations by James ThurberAt the helm of America’s most influential literary magazine from 1925 to 1951, Harold Ross introduced the country to a host of exciting talent, including Robert Benchley, Alexander Woollcott, Ogden Nash, Peter Arno, Charles Addams, and Dorothy Parker. But no one could have written about this irascible, eccentric genius more affectionately or more critically than James Thurber, whose portrait of Ross captures not only a complex literary giant but a historic friendship and a glorious era as well. "If you get Ross down on paper," warned Wolcott Gibbs to Thurber," nobody will ever believe it." But readers of this unforgettable memoir will find that they do.Offering a peek into the lives of two American literary giants and the New York literary scene at its heyday, The Years with Ross is a true classic, and a testament to the enduring influence of their genius.The See-Through House: My Father in Full Colour
Par Shelley Klein. 2020
'A charming account of a daughter, a house and a fastidious dad' Sunday TimesShelley Klein grew up in the Scottish…
Borders, in a house designed on a modernist open-plan grid. With colourful glass panels set against a forest of trees, it was like living in a work of art. Her father, Bernat Klein, was a textile designer whose pioneering colours and textures were a major contribution to 1960s and 70s style.Thirty years on, Shelley moves back home to care for her father, now in his eighties: the house has not changed and neither has his uncompromising vision - or his distinctive way of looking at the world. Told with great tenderness and humour, this is Shelley's account of looking after an adored yet maddening parent and a piercing portrait of the grief that followed his death. 'A sad, funny, utterly fascinating book about families, home and how to say goodbye' Mark Haddon'Original, moving and bracingly honest... often hilarious' Blake Morrison, Guardian'It is strange that grief should produce such a life-affirming book, but it has. Read it for the solace it contains, or for its captivating descriptions. Either way, it's a delight' TelegraphRoy Lichtenstein: How Modern Art Was Saved by Donald Duck (Penguin Specials)
Par Alastair Sooke. 2013
A Penguin Special on Roy Lichtenstein by Alastair Sooke - read in 2 hours or less'Why, Brad darling, this painting…
is a masterpiece! My, soon you'll have all of New York clamoring for your work!' Roy Lichtenstein - architect of Pop art, connoisseur of the comic strip, master of irony and prophet of popular culture. From exhilarating images of ice-cool jet pilots in dog fights, to blue-haired Barbie dolls drowning in scenes of domestic heartache, Lichtenstein's instantly recognisable paintings, with their Ben-Day dots and witty one-liners, defined the art of a generation. But how did a jobbing, unassuming painter of the Fifties become a world-famous Pop artist whose work today sells for millions? What do his paintings really tell us? And what is his legacy?This book, by art critic and broadcaster Alastair Sooke, is a perfect introduction to the artist and his work. Spanning Lichtenstein's career, and explaining his unique style, it is a journey through the life of one of the twentieth century's greatest artists.Published in time for a major new retrospective of the work of Roy Lichtenstein.'Sooke is an immensely engaging character. He has none of the weighty self-regard that often afflicts art experts and critics; rather he approaches his subjects with a questioning, open, exploratory attitude' Sarah Vine, The Times'His shows are excellent - clever, lively, scholarly, but not too lecturey; he's very good at linking his painters with the world outside the studio, and at how these artists have affected the world today' Sam Wollaston reviewing 'Modern Masters', GuardianAlastair Sooke is deputy art critic of the Daily Telegraph. He has written and presented documentaries on television and radio for the BBC, including Modern Masters, an acclaimed BBC One series that chronicled modern art in the twentieth century. Since 2009 he has reported regularly for The Culture Show on BBC Two. He was educated at Christ Church, Oxford, and at the Courtauld Institute of Art, London.Michelangelo: His Epic Life
Par Martin Gayford. 2013
At thirty one, Michelangelo was considered the finest artist in Italy, perhaps the world; long before he died at almost…
90 he was widely believed to be the greatest sculptor or painter who had ever lived (and, by his enemies, to be an arrogant, uncouth, swindling miser).For decade after decade, he worked near the dynamic centre of events: the vortex at which European history was changing from Renaissance to Counter Reformation. Few of his works - including the huge frescoes of the Sistine Chapel Ceiling, the marble giant David and the Last Judgment - were small or easy to accomplish. Like a hero of classical mythology - such as Hercules, whose statue he carved in his youth - he was subject to constant trials and labours.In Michelangelo Martin Gayford describes what it felt like to be Michelangelo Buonarroti, and how he transformed forever our notion of what an artist could be.Leonardo Da Vinci
Par Kenneth Clark, Martin Kemp. 1939
The things i came here with: A memoir
Par Chris MacDonald. 2022
"Does it hurt?" When you're a tattoo artist, that's the most universal question. For Chris MacDonald, the answer is simple:…
hurts less than a broken heart . Those words are painted above the entrance to his shop, Under My Thumb Tattoos, as a reminder. Chris and his brothers were as wild as the wind, in their house among the fields of Alliston, Ontario, when their parents divorced. Shell-shocked, they were uprooted and brought to Toronto by their dad. Their mother's mental illness worsened in the aftermath, and she disappeared. As a teenager, Chris left home and found himself immersed in the city's underbelly, a world where drugs, skateboarding, and punk rock reigned. Between the youth shelters, suicidal thoughts, and haunted apartments, a light shined: and it was art. He eventually found himself following the path of his brother, Rob, and pursuing life as a tattooist. Then, at the height of a destructive summer, everything changed: he met Megan, the girl who would become his rock of ages. This remarkable memoir examines what tattooing means to MacDonald and traces the connection his artistic motives have to both his family and childhood. The Things I Came Here With is about how crucial our past is to understanding our future, but it's also a love letter to his daughter about the importance of expression, life's uncertainty, and beautyPortrait of a Woman: Art, Rivalry, and Revolution in the Life of Adélaïde Labille-Guiard
Par Bridget Quinn. 2024
Discover the story of Adélaïde Labille-Guiard—a long-ignored artist and feminist of eighteenth-century France—in this imaginative and illuminating biography from an…
award-winning writer.Born in Paris in 1749, Adélaïde Labille-Guiard rose from shopkeeper’s daughter to an official portraitist of the royal court—only to have her achievements reduced to ash by the French Revolution. While she defied societal barriers to become a member of the exclusive Académie Royale and a mentor for other ambitious women painters, she left behind few writings, and her legacy was long overshadowed by celebrated portraitist and memoirist Élisabeth Vigée-Lebrun.But Adélaïde Labille-Guiard’s story lives on. In this engaging biography, Bridget Quinn applies her insightful interpretation of art history to Labille-Guiard’s life. She offers a fascinating new perspective on the artist’s feminism, her sexuality, and her vision of the world. Quinn expertly blends close analyses of paintings with broader context about the era and inserts delicately fictionalized interpersonal scenes that fill the gaps in the historical record. This is a compelling and inspiring look at an artist too long overlooked.INSPIRING HISTORICAL NONFICTION: Despite numerous setbacks, Labille-Guiard built a legacy as an accomplished royal portraitist and a mentor to other young women artists of her era. This tale of solidarity, self-belief, and true passion for painting is sure to inspire contemporary creatives and women today. CREATIVE AND COMPELLING ART HISTORY BOOK: Bridget Quinn is an award-winning author and art historian who has spent years researching Adélaïde Labille-Guiard’s work and life. She vividly evokes both and weaves a compelling narrative at the intersection of art, gender, and politics. GORGEOUS ART REPRODUCTIONS THROUGHOUT: This biography features full-color images of artwork by Adélaïde Labille-Guiard, her rumored rival Élisabeth Vigée-Lebrun, and other artists of the era, including portraits of key players in the narrative. These images, interspersed throughout the book, offer valuable visual references to illuminate the engaging text even further.AN ARTFUL GIFT BOOK: Uniquely crafted and thoroughly researched, this volume makes an outstanding gift for art history enthusiasts and readers who love exploring untold stories in women's history.Perfect for:Readers of memoirs and biographiesHistory buffs and fans of historical fiction and nonfictionArtists, art lovers, museumgoers, and art history studentsFeminists and readers seeking feminist booksFrancophiles and those interested in the French RevolutionFans of Portrait of a Lady on Fire and other historical dramasA Life of Picasso Volume II: 1907 1917: The Painter of Modern Life (Life of Picasso #2)
Par John Richardson. 1988
John Richardson draws on the same combination of lively writing, critical astuteness, exhaustive research, and personal experience which made a…
bestseller out of the first volume and vividly recreates the artist's life and work during the crucial decade of 1907-17 - a period during which Pablo Picasso and Georges Braque invented Cubism and to that extent engendered modernism. Richardson has had unique access to untapped sources and unpublished material. By harnessing biography to art history, he has managed to crack the code of cubism more successfully than any of his predecessors. And by bringing a fresh light to bear on the artist's often too sensationalised private life, he has succeeded in coming up with a totally new view of this paradoxical man of his paradoxical work. Never before has Picasso's prodigious technique, his incisive vision and not least his sardonic humour been analysed with such clarity.Henri Matisse: A Second Life
Par Alastair Sooke. 2014
Henri Matisse by Alastair Sooke - an essential guide to one of the 20th century's greatest artists'One January morning in…
1941, only a fortnight or so after his seventy-first birthday, the bearded and bespectacled French artist Henri Matisse was lying in a hospital bed preparing to die.'Diagnosed with cancer, the acclaimed painter, and rival of Picasso, seemed to be facing his demise. Then something unexpected happened. After a life-saving operation that left him too weak to paint, and often too frail to even get out of bed, Matisse invented a ground-breaking and effortless new way of making art. The results rank among his greatest work.In an astonishing blaze of creativity, he began conjuring mesmerising designs of dazzling dancers and thrilling tightrope walkers, sensuous swimmers and mythical figures falling from the heavens. His joyful and unprecedented new works were as spontaneous as jazz music and as wondrous as crystal-clear lagoons. Their medium? Coloured paper and scissors.This book, by art critic and broadcaster Alastair Sooke, focuses on Matisse's extraordinary final decade, which he called 'a second life', after he had returned from the grave. Both a biography and a guide to Matisse's 'cut-outs', it tells the story of the valedictory flourish of one of the most important and beloved artists of the twentieth century.Published in time for a major Tate Modern retrospective.'Sooke is an immensely engaging character. He has none of the weighty self-regard that often afflicts art experts and critics; rather he approaches his subjects with a questioning, open, exploratory attitude' Sarah Vine, The Times 'His shows are excellent - clever, lively, scholarly, but not too lecturey; he's very good at linking his painters with the world outside the studio, and at how these artists have affected the world today' Sam Wollaston reviewing 'Modern Masters', GuardianAlastair Sooke is art critic of the Daily Telegraph. He has written and presented documentaries on television and radio for the BBC, including Modern Masters, The World's Most ExpensivePaintings, Treasures of Ancient Rome and, most recently, Treasures of Ancient Egypt. He is a regular reporter for The Culture Show on BBC Two. He is the author of Roy Lichtenstein: How Modern Art was Saved by Donald Duck.Christy Brown: The Life That Inspired My Left Foot
Par Georgina Louise Hambleton. 2007
Christy Brown was severely disabled with cerebral palsy, unable to use any part of his body other than his left…
foot. Doctors said he was a 'mental defective' and that he would never be able to lead any kind of normal life; Christy proved them wrong.His mother taught him to write using chalk on the worn floor of their small home, and Christy grew into a talented artist and writer. His 1954 memoir My Left Foot was made into an Oscar-winning film starring Daniel Day-Lewis, while his bestselling novel Down All the Days was described by the Irish Times as 'the most important novel since Ulysses'.Using previously unpublished letters and poems, this first authorised biography marks Christy Brown's importance as a writer and celebrates his indomitable spirit. His story proves that, with hope and determination, almost impossible odds can be overcome.Bernini
Par Howard Hibbard. 1965
Sculptor and architect Bernini was the virtual creator and greatest exponent of Baroque in 17th century Italy. He has left…
his greatest mark on Rome where Papal patronage provided him with enormous architectural commissions.