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Flaubert (Grandes biographies)
Par Henri Troyat. 1988
Qui est en réalité le père du roman moderne? Fidèle à la vie de Flaubert comme à son dessein littéraire,…
Troyat en restitue tous les timbres : exalté et sarcastique, cocasse et tendre.Emile Nelligan ((Célébrités canadiennes)
Par Réal Bertrand. 1980
Célébrités sont les premiers ouvrages à consulter pour les élèves du secondaire qui veulent impressionner leurs professeurs par la richesse…
de leurs références. Voilà une belle petite collection pour les beaux grands projets de recherche.Des histoires qui vous ressemblent (Secrets d'écriture)
Par Françoise Bourdin. 2022
Une réflexion sur le métier d'écrivain dans laquelle la romancière dévoile ses secrets d'auteure, notamment en matière de saga familiale.…
L'écriture est pour elle un moyen d'expression et la source ultime de bonheur.One in a millennial: On friendship, feelings, fangirls, and fitting in
Par Kate Kennedy. 2024
This program is read by the author. From pop culture podcaster and a voice of a generation, Kate Kennedy, a…
celebration of the millennial zeitgeist One In a Millennial is an exploration of pop culture, nostalgia, the millennial zeitgeist, and the life lessons learned (for better and for worse) from coming of age as a member of a much-maligned generation. Kate is a pop culture commentator and host of the popular millennial-focused podcast Be There in Five . Part-funny, part-serious, Kate navigates the complicated nature of celebrating and criticizing the culture that shaped her as a woman, while arguing that great depths can come from surface-level interests. With her trademark style and vulnerability, One In a Millennial is sharp, hilarious, and heartwarming all at once. She tackles AOL Instant Messenger, purity culture, American Girl Dolls, going out tops, Spice Girl feminism, her feelings about millennial motherhood, and more. Kate's laugh-out-loud asides and keen observations will have you nodding your head and maybe even tearing up. A Macmillan Audio production from St. Martin's PressL'amour à 10 sous: le roman sentimental québécois de l'après-guerre
Par Marie-Pier Luneau. 2023
Le Québec des années 1940 et 1950 représente l'âge d'or des "romans à dix sous", que l'on s'arrache un peu…
partout. Ces petits fascicules exposent de fabuleuses histoires d'amour entre des jeunes femmes à la beauté éclatante et des jeunes hommes promis à la richesse. On les reconnaît facilement à leurs couvertures aguichantes et à leurs titres accrocheurs, comme La chasse au mari, Les yeux caressants, Désirs audacieux ou encore La Belle de Boucherville... Ce nouvel imaginaire amoureux, centré sur le bonheur du couple, est exploré pour la première fois à travers les magnifiques illustrations d'un artiste méconnu, André L'ArchevêqueShakespeare was a woman & other heresies: How doubting the bard became the biggest taboo in literature
Par Elizabeth Winkler. 2023
An "extraordinarily brilliant" and "pleasurably naughty" (André Aciman) investigation into the Shakespeare authorship question, exploring how doubting that William Shakespeare…
wrote his plays became an act of blasphemy...and who the Bard might really be. The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard's biography is a "black hole," yet to publicly question the identity of the god of English literature is unacceptable, even (some say) "immoral." In Shakespeare Was a Woman and Other Heresies , journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo. Whisking you from London to Stratford-Upon-Avon to Washington, DC, she pulls back the curtain to show how the forces of nationalism and empire, religion and mythmaking, gender and class have shaped our admiration for Shakespeare across the centuries. As she considers the writers and thinkers—from Walt Whitman to Sigmund Freud to Supreme Court justices—who have grappled with the riddle of the plays' origins, she explores who may perhaps have been hiding behind his name. A forgotten woman? A disgraced aristocrat? A government spy? Hovering over the mystery are Shakespeare's plays themselves, with their love for mistaken identities, disguises, and things never quite being what they seem. As she interviews scholars and skeptics, Winkler's interest turns to the larger problem of historical truth—and of how human imperfections (bias, blindness, subjectivity) shape our construction of the past. History is a story, and the story we find may depend on the story we're looking for. "Lively" ( The Washington Post ), "fascinating" (Amanda Foreman), and "intrepid" (Stacy Schiff), Shakespeare Was a Woman and Other Heresies will forever change how you think of Shakespeare...and of how we as a society decide what's up for debate and what's just nonsense, just heresySurely you can't be serious: The true story of airplane!
Par David Zucker. 2023
This program is read by the authors (David Zucker, Jim Abrahams, and Jerry Zucker), Laura Orrico and Joe Praino, with…
special appearances by an all-star cast of comedy giants, including the film's stars, Julie Hagerty and Robert Hays, as well as Beau Bridges, Barry Diller, Michael Eisner, Peter Farrelly, Bill Hader, Jimmy Kimmel, John Landis, Patton Oswalt, Trey Parker, Molly Shannon, Sarah Silverman, Matt Stone, "Weird Al" Yankovic, Lee Bryant, Joyce Bulifant, Dick Chudnow, Ken Collins, Jon Davison, Marcy Goldman, Ross Harris, Hunt Lowry, Rich Markey, James Murray, Tom Parry, Lorna Patterson, Pat Proft, Arne Schmidt, Lloyd Schwartz, and Bob Weiss. "Sprinkled throughout are anecdotes from some of our most successful comedians today, like Weird Al, Bill Hader, and Jimmy Kimmel, telling the stories of what a comedy gamechanger this movie was. A funny and enjoyable listen about a cult classic. Certainly recommended for comedy fans, but also for those with an interest in Hollywood and movie making." — Booklist Surely You Can't Be Serious is an in-depth and hysterical look at the making of 1980s comedy classic Airplane! by the legendary writers and directors of the hit film. Airplane! premiered on July 2nd, 1980. With a budget of $3.5 million it went on to make nearly $200 million in sales and has influenced a multitude of comedians on both sides of the camera. Surely You Can't Be Serious is the first-ever oral history of the making of Airplane! by the creators, and of the beginnings of the ZAZ trio (Zucker, Abrahams, Zucker) – charting the rise of their comedy troupe Kentucky Fried Theater in Madison, Wisconsin all the way to premiere night. The directors explain what drew them to filmmaking and in particular, comedy. With anecdotes, behind the scenes trivia, and never-before-revealed factoids, these titans of comedy filmmaking unpack everything from how they persuaded Peter Graves to be in the movie after he thought the script was a piece of garbage, how Lorna Patterson auditioned for the stewardess role in the back seat of Jerry's Volvo, and how Leslie Nielsen's pranks got the entire crew into trouble, to who really wrote the jive talk. It also features testimonials and personal anecdotes from well-known faces in the film, television, and comedy sphere, proving how influential Airplane! has been from day one. Four decades after its release, Airplane! continues to make new generations laugh. Its many one-liners and visual gags have worked their way into the mainstream culture. This fully organic expansion of the ZAZ trio's fan-base, prompted solely by word-of-mouth, comes as no surprise to longtime fans. When all around us is in flux, laughter is priceless. A Macmillan Audio production from St. Martin's PressFirst things first: Hip-hop ladies who changed the game
Par Nadirah Simmons. 2024
This enlightening book reframes the history of hip-hop—and this time, women are given credit for all their trailblazing achievements that…
have left an undeniable impact on music. FIRST THINGS FIRST, hip-hop is not just the music, and women have played a big role in shaping the way it looks today. FIRST THINGS FIRST takes readers on a journey through some notable firsts by women in hip-hop history and their importance. Factual firsts like Queen Latifah becoming the first rapper to get a star on the Hollywood Walk of Fame, Lauryn Hill making history as the first rapper to win the coveted Album of the Year Award at the GRAMMYs, April Walker being the first woman to dominate in the hip-hop fashion game, and Da Brat being the first solo woman rapper to have an album go platinum, and metaphorical firsts like Missy Elliott being the first woman rapper to go to the future. (Trust me, she really did.) There are chapters on music legends like Nicki Minaj, Lil' Kim and Mary J. Blige , tv and radio hosts like Big Lez and Angie Martinez , and so many more ladies I would name but I don't want to spoil the book! There are games, charts and some fire images, too. Altogether, FIRST THINGS FIRST is a celebration of the achievements of women in hip-hop who broke down barriers and broke the mold. So the next time someone doesn't have their facts straight on the ladies in hip-hop, you can hit them with "first things first"The Dears: Lost in the Plot (Bibliophonic #1)
Par Lorraine Carpenter. 2011
Over a decade after the release of their first album, The Dears have weathered the indie fringes, the collapse of…
the music industry as we knew it and the near implosion of the band itself, with their creative vision and gang dynamic intact. The Dears: Lost in the Plot looks at how The Dears survived the fallout, and helped launch the acclaimed mid-aughts music scene in their hometown of Montréal. The Dears: Lost in the Plot is the first book in Invisible Publishing’s new Bibliophonic series. The Bibliophonic Series is a catalogue of the ongoing history of contemporary music. Each book is a time capsule, capturing artists and their work as we see them, providing a unique look at some of today’s most exciting musicians.Tiff: A life of timothy findley
Par Sherrill Grace. 2021
Timothy Findley (1930-2002) was one of Canada's foremost writers—an award-winning novelist, playwright, and short-story writer who began his career as…
an actor in London, England. Findley was instrumental in the development of Canadian literature and publishing in the 1970s and 80s . During those years, he became a vocal advocate for human rights and the anti-war movement. His writing and interviews reveal a man concerned with the state of the world, a man who believed in the importance of not giving in to despair, despite his constant struggle with depression. Findley believed in the power of imagination and creativity to save us. Tiff: A Life of Timothy Findley is the first full biography of this eminent Canadian writer. Sherrill Grace provides insight into Findley's life and struggles through an exploration of his private journals and his relationships with family, his beloved partner, Bill Whitehead, and his close friends, including Alec Guinness, William Hutt, and Margaret Laurence. Based on many interviews and exhaustive archival research, this biography explores Findley's life and work, the issues that consumed him, and his often profound depression over the evils of the twentieth-century. Shining through his darkness are Findley's generous humour, his unforgettable characters, and his hope for the future. These qualities inform canonic works like The Wars (1977), Famous Last Words (1981), Not Wanted on the Voyage (1984), and The Piano Man's Daughter (1995)On browsing
Par Jason Guriel. 2023
A defense of the dying art of losing an afternoon—and gaining new appreciation—amidst the bins and shelves of bricks-and-mortar shops.…
Written during the pandemic, when the world was marooned at home and consigned to scrolling screens, On Browsing 's essays chronicle what we've lost through online shopping, streaming, and the relentless digitization of culture. The latest in the Field Notes series, On Browsing is an elegy for physical media, a polemic in defense of perusing the world in person, and a love letter to the dying practice of scanning bookshelves, combing CD bins, and losing yourself in the stacksThe Revolt Against Humanity: Imagining a Future without Us
Par Adam Kirsch. 2023
In this blistering book about the history of an idea, one of our leading critics draws on his dazzling range…
and calls our attention to a seemingly inconceivable topic that is being seriously discussed: that the end of humanity's reign on Earth is imminent, and that we should welcome it. Kirsch journeys through literature, philosophy, science, and popular culture, to identify two strands of thinking: Anthropocene antihumanism says that our climate destruction has doomed humanity and we should welcome our extinction, while Transhumanism believes that genetic engineering and artificial intelligence will lead to new forms of life superior to humans. Kirsch's introduction of thinkers and writers from Roger Hallam to Jane Bennett, David Benatar to Nick Bostrom, Patricia MacCormack to Ray Kurzweil, Ian McEwan to Richard Powers, will make you see the current moment in a new light. The revolt against humanity has already spread beyond the fringes of the intellectual world, and it can transform politics and society in profound ways--if it hasn't already.Gaia-Ästhetiken entwerfen Figurationen der Erde und ihrer Lebensformen, welche die Menschen dezentrieren und den Fokus auf die Verbindungen zwischen Lebewesen…
untereinander und dem Unbelebten richten. Diese Ästhetiken sind der Gaia-Theorie entlehnt. In den 1970er Jahren bei der NASA entwickelt, wird sie von Bruno Latour und Isabelle Stengers in den Kontext des Anthropozäns gesetzt. Die Erde als Gaia ist eine mehr-als-menschliche Assemblage, in der die Menschen Knotenpunkte der Verantwortlichkeit darstellen. Filmische Ästhetiken können diese Knotenpunkte wahrnehmbar werden lassen, wie die Spielfilme I Am Legend (2007) und Planet of the Apes (2011-2017) zeigen. Die Filme präsentieren ihren Zuschauer_innen eine Welt in der Post/Apokalypse, in der die Filmfiguren mit dem Eindringen Gaias konfrontiert sind. Sie werden in der Post/Apokalypse kompostiert: Viren dringen in ihre Körper ein, zersetzen ihre Menschlichkeit und lassen sie zum Teil des mehr-als-menschlichen Gaia-Komposts werden.Immediacy: Or, The Style of Too Late Capitalism
Par Anna Kornbluh. 2023
Why speed, flow, and direct expression now dominate cultural styleContemporary cultural style boosts transparency and instantaneity. These are values absorbed…
from our current economic conditions of "disintermediation": cutting out the middleman. Like Uber, but for art. Immediacy names this style to make sense of what we lose when the contradictions of twenty-first-century capitalism demand that aesthetics negate mediation. Surging realness as an aesthetic program synchs with the economic imperative to intensify circulation when production stagnates. "Flow" is the ultimate twenty-first-century buzzword, but speedy circulation grinds art down to the nub. And the bad news is that political turmoil and social challenges require more mediation. Collective will, inspiring ideas, and deliberate construction are the only way out, but our dominant style forgoes them. Considering original streaming TV, popular literature, artworld trends, and academic theories, Immediacy explains the recent obsession with immersion and today&’s intolerance of representation, and points to alternative forms in photography, TV, novels, and constructive theory that prioritize distance, impersonality, and big ideas instead.The Epic World (Routledge Worlds)
Par Pamela Lothspeich. 2023
Reconceptualizing the epic genre and opening it up to a world of storytelling, The Epic World makes a timely and bold intervention…
toward understanding the human propensity to aestheticize and normalize mass deployments of power and violence. The collection broadly considers three kinds of epic literature: conventional celebratory tales of conquest that glorify heroism, especially male heroism; anti-epics or stories of conquest from the perspectives of the dispossessed, the oppressed, the despised, and the murdered; and heroic stories utilized for imperialist or nationalist purposes. The Epic World illustrates global patterns of epic storytelling, such as the durability of stories tied to religious traditions and/or to peoples who have largely "stayed put"; the tendency to reimagine and retell stories in new ways over centuries; and the imbrication of epic storytelling and forms of colonialism and imperialism, especially those perpetuated and glorified by Euro-Americans over the past 500 years, resulting in unspeakable and immeasurable harms to humans, other living beings, and the planet Earth. The Epic World is a go-to volume for anyone interested in epic literature in a global framework. Engaging with powerful stories and ways of knowing beyond those of the predominantly white Global North, this field-shifting volume exposes the false premises of "Western civilization" and "Classics," and brings new questions and perspectives to epic studies.Desire in Language presents a selection of Julia Kristeva’s essays that trace the path of an investigation, extending over a…
period of ten years, into the semiotics of literature and the arts. Probing beyond the claims of Sigmund Freud, Jacques Lacan, and others, Kristeva proposes and tests theories centered on the nature and development of the novel, and on what she has defined as a signifying practice in poetic language and pictural works. Desire in Language fully shows what Roman Jakobson has called Kristeva’s “genuine gift of questioning generally adopted ‘axioms,’ and her contrary gift of releasing various ‘damned questions’ from their traditional question marks.”Shakespeare on the Ecological Surface (Spotlight on Shakespeare)
Par Liz Oakley-Brown. 2024
Shakespeare on the Ecological Surface uses the concept of the ‘surface’ to examine the relationship between contemporary performance and ecocriticism.…
Each section looks, in turn, at the 'surfaces' of slick, smoke, sky, steam, soil, slime, snail, silk, skin and stage to build connections between ecocriticism, activism, critical theory, Shakespeare and performance. While the word ‘surface’ was never used in Shakespeare’s works, Liz Oakley-Brown shows how thinking about Shakespearean surfaces helps readers explore the politics of Elizabethan and Jacobean culture. She also draws surprising parallels with our current political and ecological concerns. The book explores how Shakespeare uses ecological surfaces to help understand other types of surfaces in his plays and poems: characters’ public-facing selves; contact zones between characters and the natural world; surfaces upon which words are written; and physical surfaces upon which plays are staged. This book will be an illuminating read for anyone studying Shakespeare, early modern culture, ecocriticism, performance and activism.Valencian Folktales, Volume 2: Enric Valor (Routledge Studies in Twentieth-Century Literature #2)
Par Paul Scott Derrick, Maria-Lluïsa Gea-Valor. 2024
Enric Valor (1911–2000) is one of the most important Valencian authors of the 20th century. He has been, until now,…
almost completely unknown to an English-speaking audience. Following the publication of Valencian Folktales (2023), this second collection of his tales will help to consolidate work done on Valor in English, opening up both his fiction and the specificity of Valencian culture to Anglophone readers. The stories included here offer a sampling of the various types of tales he wrote: magical-theme tales, local-color tales and tales with personified animals. Valor collected these stories from the inhabitants of small towns and villages in the south of the Valencian territory and later gave them a polished, literary reworking. They are characterized by a detailed and lyrical treatment of the landscape and natural habitat of the region and an entertaining sense of humor. The selection begins with an introduction written by Maria-Lluisa Gea-Valor, co-translator and the author’s granddaughter. It provides a brief background to Valor’s biography, discusses the selected tales in the context of the folklore tradition and examines issues of the translation process, ranging from general considerations to more specific aspects.The Elephant of Silence: Essays on Poetics and Cinema
Par John Wall Barger. 2024
“A poem is an act of faith because the poet believes in it,” contends John Wall Barger in The Elephant…
of Silence, a collection of essays exploring forms of knowing (and not knowing) that awaken a poetic mind. By considering poetry, film, and the intersections among aesthetic moments and our lives, Barger illuminates the foundations of poetic craft but also probes how to be alive, creative, and open in the world. Each piece investigates unanswerable questions and indefinable words: Lorca’s duende, Nabokov’s poshlost, Bashō’s underglimmer, Huizinga’s ludic, Tarkovsky’s Zona. Influenced by poets such as Glück and Ruefle, and filmmakers such as Kubrick and Lynch, Barger writes—first always sharing his own personal life stories—on the nature of perception, experience, and the human mind. With lyric eloquence and disarming candor, The Elephant of Silence tackles how to live an imaginative life, how to gravitate toward the silence from which art comes, and how the mystical is also the everyday.Shakespeare’s Forgotten Allegory posits three startling points: that we have today forgotten a cultural icon that helped to bring about…
the Renaissance; that this character, used to distil classical wisdom regarding how to raise children to become moral adults, consistently appeared in plays performed between 1350 and 1650; and that the character was often utilised by the likes of Shakespeare and Ben Jonson, and therefore adds a long-forgotten allegorical narrative to their works. This evidence-based reappraisal of some of the most iconic works in Western literature suggests that a core element of their content has been ‘lost’ for centuries. This text will appeal to anyone with an interest in late medieval and early modern drama, especially the works of Shakespeare; to those interested in the history of teaching and child-rearing; to anyone curious about the practical application of philosophy in society; to anyone that would like to know more about the crucial and defining period today known as the Renaissance, and how and why society was redesigned by those with influence; and to all those who would like to know more about how history, which though sometimes misplaced, continues to influenced our modern world.