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One in a millennial: On friendship, feelings, fangirls, and fitting in
Par Kate Kennedy. 2024
This program is read by the author. From pop culture podcaster and a voice of a generation, Kate Kennedy, a…
celebration of the millennial zeitgeist One In a Millennial is an exploration of pop culture, nostalgia, the millennial zeitgeist, and the life lessons learned (for better and for worse) from coming of age as a member of a much-maligned generation. Kate is a pop culture commentator and host of the popular millennial-focused podcast Be There in Five . Part-funny, part-serious, Kate navigates the complicated nature of celebrating and criticizing the culture that shaped her as a woman, while arguing that great depths can come from surface-level interests. With her trademark style and vulnerability, One In a Millennial is sharp, hilarious, and heartwarming all at once. She tackles AOL Instant Messenger, purity culture, American Girl Dolls, going out tops, Spice Girl feminism, her feelings about millennial motherhood, and more. Kate's laugh-out-loud asides and keen observations will have you nodding your head and maybe even tearing up. A Macmillan Audio production from St. Martin's PressFa Que
Par Patrice Desbiens. 2023
La poésie de Patrice Desbiens arrive à nous comme une offrande dans les mains d'un enfant. Fa que est un…
recueil qui ne fait pas exception aux précédents livres de cet auteur si remarquable et si simple à la fois : dans cette œuvre comme dans les autres, l'écriture aboutie de Desbiens voyage entre la quotidienneté et la lucidité, et ce, toujours avec précision et économie. Malgré son caractère discret, elle se révèle bien rythmée, imagée, parfois même flamboyante. Cette poésie, très sensible, intime, éminemment touchante à lire, tantôt frappe le lecteur de front, tantôt le réconforte. Elle relève à la fois de la spontanéité de la jeunesse et de la sagesse de ceux qui ont presque tout vécuJumeau jumelle (Récit)
Par Marisol Drouin. 2023
C'est un livre qui a été repris tant de fois, qui a déjà compté un millier de pages raturées. Et…
si c'était le dernier ? On y entre dans le temps du livre et dans le temps de la maladie : deux pièges monstrueux. Alors qu'une géante rouge grandit au centre du crâne de son frère, l'autrice tente de contenir les éclats de sa pensée. Son miroir jumeau lui renvoie les souvenirs de l'enfance, tout ce qui en elle a désiré que la vie soit magnifiée, sublimée. Elle n'a de cesse de réécrire encore et encore l'expérience de la peur et de la fragilitéIntroduction à la vie sans fin ((Papiers collés)é)
Par Vincent Lambert. 2023
Les vingt-cinq courts textes de Vincent Lambert réunis sous le titre envoûtant Introduction à la vie sans fin forment une…
sorte de grand roman initiatique de l'ère contemporaine. Ils interrogent notre rapport au monde à partir de sujets tantôt minuscules, tantôt majuscules, alternant entre des scènes de la vie quotidienne et les questions qui agitent l'humanité depuis toujoursCrâbe
Par Emilie Pedneault. 2023
En continuité avec l'œuvre de l'autrice Nord-Côtière, Crâbe raconte le déracinement nécessaire et la difficulté d'être au monde comme femme…
et comme mère. Le recueil explore l'ambiguïté de la maternité, qui ne répare qu'à moitié les traumatismes enfouis en soi. Malgré tout, de page en page, les mots tissent des images porteuses d'espoir et de métamorphoseAvec Troubles, nos ombres, Jennifer Bélanger aménage un espace sécuritaire où peuvent s'exprimer librement les personnes LGBTQ2IA+, hors des injonctions…
au bonheur et à la célébration. Ici, les ombres sont invitées à troubler la parole, avec leurs bagages remplis d'enfances difficiles, de traumatismes sociaux, de violences conjugales et de blessures encore vives qu'il importe de nommer pour valoriser nos expériences singulières, plurielles, complexesBleus et joies: carnets
Par Juliette Bélanger-Charpentier. 2023
Dans Bleus et joies, Juliette Bélanger-Charpentier recense comme dans un journal intime ses réflexions sur ce qui l'habite, la secoue,…
l'indigne et l'émeut. À travers une série de textes à l'intersection de la poésie et du récit, elle rend un hommage poignant aux creux de vagues, aux accalmies qui s'ensuivent et aux jours heureux qui continuent d'exister à travers les éclaboussuresMise en forme: récit
Par Mikella Nicol. 2023
Après une rupture amoureuse, Mikella Nicol s'entraîne intensivement pour se réapproprier sa vie. Dans le sillon de sa pratique, elle…
fera l'expérience des contradictions de l'industrie du fitness et de son idéal de beauté. À la croisée du récit autobiographique et de l'essai, déclaration de résistance au nom des portées disparues, Mise en forme témoigne d'une histoire intime et collective des corps, revendiquant le droit des femmes à disposer du leur et à circuler librementUncle of the year: & other debatable triumphs
Par Andrew Rannells. 2023
From the star of The Book of Mormon and Girls, candid, hilarious essays on anxiety, ambition, and the uncertain path…
to adulthood that ask: How will we know when we get there? &“With the unsparing eye of David Sedaris and the social wisdom of Nora Ephron, Andrew Rannells tackles the most foundational questions of growing up.&”—Lena Dunham In Uncle of the Year, Andrew Rannells wonders: If he, now in his forties, has everything he&’s supposed to need to be an adult—a career, property, a well-tailored suit—why does he still feel like an anxious twenty-year-old climbing his way toward solid ground? Is it because he hasn&’t won a Tony, or found a husband, or had a child? And what if he doesn&’t want those things? (A husband and a child, that is. He wants a Tony.) In deeply personal essays drawn from his life as well as his career on Broadway and in Hollywood, Rannells argues that we all pretend—for friends, partners, parents, and others—that we are constantly succeeding in the process known as &“adulting.&” But if this acting is leaving us unfulfilled, then we need new markers of time, new milestones, new expectations of what adulthood is and can be. Along the way, Rannells navigates dating, aging, mental health, bad jobs, and much more. In his essay &“Uncle of the Year,&” he explores the role that children play in his life, as a man who never thought having kids was necessary or even possible—until his siblings have kids and he falls in love with a man with two of his own. In &“Always Sit Next to Mark Ruffalo,&” he reveals the thrills and absurdities of the awards circuit, and the desire to be recognized for one&’s work. And in &“Horses, Not Zebras,&” he shares the piece of wisdom that helped him finally come to terms with his anxiety and perfectionism. Filled with honest insights and a sharp wit, Uncle of the Year challenges us to take a long look at who we&’re pretending to be, who we know we are, and who we want to becomeRaw dog: The naked truth about hot dogs
Par Jamie Loftus. 2023
One of BookPage 's Best Audiobooks of 2023 "Loftus is a charming narrator...goofy, engaging, and always game to do a…
silly voice." — The New York Times "There's something terribly irresistible about her narration, which is often incredibly funny." — BookPage Part travelogue, part culinary history, all capitalist critique—comedian Jamie Loftus's debut, Raw Dog , will take you on a cross-country road trip in the summer of 2021, and reveal what the creation, culture, and class influence of hot dogs says about America now. "Wise and funny" —ANDY RICHTER "Gonzo yet vulnerable" —GABE DUNN "Hot dog Moby-Dick " —BRANSON REESE "Revealing, funny, sad, horny, and insatiably curious" —SARAH MARSHALL "A wild ride" —ROBERT EVANS "Deeply incisive and hilariously honest" —JACK O'BRIEN Hot dogs. Poor people created them. Rich people found a way to charge fifteen dollars for them. They're high culture, they're low culture, they're sports food, they're kids' food, they're hangover food, and they're deeply American, despite having no basis whatsoever in America's Indigenous traditions. You can love them, you can hate them, but you can't avoid the great American hot dog. Raw Dog: The Naked Truth About Hot Dogs is part investigation into the cultural and culinary significance of hot dogs and part travelog documenting a cross-country road trip researching them as they're served today. From avocado and spice in the West to ass-shattering chili in the East to an entire salad on a slice of meat in Chicago, Loftus, her pets, and her ex eat their way across the country during the strange summer of 2021. It's a brief window into the year between waves of a plague that the American government has the resources to temper, but not the interest. So grab a dog, lay out your picnic blanket, and dig into the delicious and inevitable product of centuries of violence, poverty, and ambition, now rolling around at your local 7-Eleven. "One of the freshest and most insightful new comedic voices of this decade." —LINDSAY ELLIS A Macmillan Audio production from Forge BooksUn cynique chez les lyriques: Denys Arcand et le Québec
Par Carl Bergeron. 2012
C'est un portrait sensible du cinéaste que l'auteur ébauche ici à travers une lecture et une interprétation serrées de son…
travail, des premiers films pour l'ONF jusqu'aux films de consécration. [...] Dans une langue claire et élégante, Carl Bergeron remonte aux sources intimes du cynisme philosophique d'Arcand et montre au contraire la filiation trouble et émouvante qui n'a cessé d'unir celui-ci à son pays natal, dans une tension permanente entre le sentiment d'appartenance et la nécessité de faire une oeuvre. En complément de lecture, un Denys Arcand attentif lui fait écho par des annotations mordantes et éclairantes, évoquant tantôt des anecdotes, proposant tantôt des explications sur son parcoursAdieu les crevettes
Par Charlotte Francœur. 2023
À l'intérieur d'une petite boîte, trois avortons, trois disparues fantasmées, surnommées crevettes, vivotent. Non-mère de cette non-vie, la narratrice choisit…
le vide du ventre afin d'échapper au destin tragique de celles qui l'ont précédée. Car au bal des absentes, la mort rôde inlassablement. Recueil de deuil, de colère et de compassion, Adieu les crevettes est une reprise de pouvoir sur les rouages filiaux qui enchaînent, une ode à l'amour maternel et à la liberté de choixSoul boom: Why we need a spiritual revolution
Par Rainn Wilson. 2023
In this New York Times bestseller, comedic actor, producer, and writer Rainn Wilson explores the problem-solving benefits that spirituality gives…
us to create solutions for an increasingly challenging world. The trauma that our world experienced in recent years—as result of both the pandemic and societal tensions that threaten to overwhelm us—has been unprecedented and is not going away anytime soon. It is clear that existing political and economic systems are not enough to bring the change that the world needs. In this book, Rainn Wilson explores the possibility and hope for a spiritual revolution, a "Soul Boom" in order to address today's greatest issues—mental health, racism and sexism, climate change, and economic injustice. For Wilson, this is very serious and essential pursuit, but he brings great humor and his own unique perspective to the conversation. He feels that, culturally, we've thrown the baby out with the bathwater—and that bathwater is spirituality, Faith and the Sacred. The baby is us, and we are in need of profound healing and a unifying understanding of the world that religion provides. Sharing his experience of losing his father during the summer of 2020 as well as his personal struggles with addiction and mental health, Wilson is an empathetic narrator and thinker who readers will appreciate and trust. Wilson's approach to spirituality—the non-physical, eternal aspects of ourselves—is relatable and will apply to people of all beliefs, even the skeptics. Filled with genuine insight—not to mention enlightening Kung Fu and Star Trek references—the book offers the keys to delving into ancient wisdom and seeking out practical, transformative answers to life's biggest questionsSurely you can't be serious: The true story of airplane!
Par David Zucker. 2023
This program is read by the authors (David Zucker, Jim Abrahams, and Jerry Zucker), Laura Orrico and Joe Praino, with…
special appearances by an all-star cast of comedy giants, including the film's stars, Julie Hagerty and Robert Hays, as well as Beau Bridges, Barry Diller, Michael Eisner, Peter Farrelly, Bill Hader, Jimmy Kimmel, John Landis, Patton Oswalt, Trey Parker, Molly Shannon, Sarah Silverman, Matt Stone, "Weird Al" Yankovic, Lee Bryant, Joyce Bulifant, Dick Chudnow, Ken Collins, Jon Davison, Marcy Goldman, Ross Harris, Hunt Lowry, Rich Markey, James Murray, Tom Parry, Lorna Patterson, Pat Proft, Arne Schmidt, Lloyd Schwartz, and Bob Weiss. "Sprinkled throughout are anecdotes from some of our most successful comedians today, like Weird Al, Bill Hader, and Jimmy Kimmel, telling the stories of what a comedy gamechanger this movie was. A funny and enjoyable listen about a cult classic. Certainly recommended for comedy fans, but also for those with an interest in Hollywood and movie making." — Booklist Surely You Can't Be Serious is an in-depth and hysterical look at the making of 1980s comedy classic Airplane! by the legendary writers and directors of the hit film. Airplane! premiered on July 2nd, 1980. With a budget of $3.5 million it went on to make nearly $200 million in sales and has influenced a multitude of comedians on both sides of the camera. Surely You Can't Be Serious is the first-ever oral history of the making of Airplane! by the creators, and of the beginnings of the ZAZ trio (Zucker, Abrahams, Zucker) – charting the rise of their comedy troupe Kentucky Fried Theater in Madison, Wisconsin all the way to premiere night. The directors explain what drew them to filmmaking and in particular, comedy. With anecdotes, behind the scenes trivia, and never-before-revealed factoids, these titans of comedy filmmaking unpack everything from how they persuaded Peter Graves to be in the movie after he thought the script was a piece of garbage, how Lorna Patterson auditioned for the stewardess role in the back seat of Jerry's Volvo, and how Leslie Nielsen's pranks got the entire crew into trouble, to who really wrote the jive talk. It also features testimonials and personal anecdotes from well-known faces in the film, television, and comedy sphere, proving how influential Airplane! has been from day one. Four decades after its release, Airplane! continues to make new generations laugh. Its many one-liners and visual gags have worked their way into the mainstream culture. This fully organic expansion of the ZAZ trio's fan-base, prompted solely by word-of-mouth, comes as no surprise to longtime fans. When all around us is in flux, laughter is priceless. A Macmillan Audio production from St. Martin's PressL'art comme expérience (Folio essais #534)
Par John Dewey. 2005
Textes issus d'un cycle de conférences données en 1931 à Harvard, dans lesquelles le philosophe proposait une vision de l'art…
adaptée aux sociétés démocratiques et libérées des mythes qui en voilent généralement la nature et l'importanceSoft Inheritance
Par Fawn Parker. 2023
In her exceptional poetic debut, Fawn Parker meditates on grief, illness, and the open-handed relationship between material objects and memory.…
Written after her mother was diagnosed with cancer, Soft Inheritance follows the poet's rapidly evolving reality where "kindness is a scar," though "not all scar-makers are kind. ,"" Both a treatise on the sick body and the state of ""after"-post-caretaking, post-breakup, post-moving, and post-death-these poems question what is inherited, and ask what can safely be left behind. A diamond ring? A cancerous gene? Soft Inheritance is a finely crafted love letter to the people and places that imprint on a life.Shadow Blight
Par Annick MacAskill. 2022
Shadow Blight considers the pain and isolation of pregnancy loss through the lens of classical myth. Drawing on the stories…
of Niobe-whose monumental suffering at the loss of her children literally turned her to stone-and others, this collection explores the experience of being swept away by grief and silenced by the world. Skirting the tropes (“o how beautiful / the poets make our catastrophes”), MacAskill interweaves the ancient with the contemporary in a way that opens possibilities and offers a new language for those “shut up in stillness.”My Grief, the Sun
Par Sanna Wani. 2022
What have we here?: Portraits of a life
Par Billy Dee Williams. 2024
A film legend recalls his remarkable life of nearly eight decades—a heralded actor who's played the roles he wanted, from…
Brian&’s Song to Lando in the Star Wars universe—unchecked by the racism and typecasting so rife in the mostly all-white industry in which he triumphed. Billy Dee Williams was born in Harlem in 1937 and grew up in a household of love and sophistication. As a young boy, he made his stage debut working with Lotte Lenya in an Ira Gershwin/Kurt Weill production where Williams ended up feeding Lenya her lines. He studied painting, first at the High School of Music and Art, with fellow student Diahann Carroll, and then at the National Academy of Fine Art, before setting out to pursue acting with Herbert Berghoff, Stella Adler, and Sidney Poitier. His first film role was in The Last Angry Man , the great Paul Muni&’s final film. It was Muni who gave Billy the advice that sent him soaring as an actor, &“You can play any character you want to play no matter who you are, no matter the way you look or the color of your skin.&” And Williams writes, &“I wanted to be anyone I wanted to be.&” He writes of landing the role of a lifetime: co-starring alongside James Caan in Brian&’s Song , the made-for-television movie that was watched by an audience of more than fifty million people. Williams says it was &“the kind of interracial love story America needed.&” And when, as the first Black character in the Star Wars universe, he became a true pop culture icon, playing Lando Calrissian in George Lucas&’s The Empire Strikes Back (&“What I presented on the screen people didn&’t expect to see&”). It was a role he reprised in the final film of the original trilogy, The Return of the Jedi, and in the recent sequel The Rise of Skywalker. A legendary actor, in his own words, on all that has sustained and carried him through a lifetime of dreams and adventure. Cover Credits: Cover photograph: Courtesy of Lucasfilm Ltd. LLC Cover design by Jenny Carrow COURTESY OF LUCASFILM LTD. LLC STAR WARS: The Empire Strikes Back (c) & TM Lucasfilm Ltd. LLCDinner on monster island: Essays
Par Tania De Rozario. 2024
In this unusual, engaging, and intimate collection of personal essays, Lambda Literary Award finalist Tania De Rozario recalls growing up…
as a queer, brown, fat girl in Singapore, blending memoir with elements of history, pop culture, horror films, and current events to explore the nature of monsters and what it means to be different. Tania De Rozario was just twelve years old when she was gay-exorcised. Convinced that her boyish style and demeanor were a sign of something wicked, her mother and a pair of her church friends tried to "banish the evil" from Tania. That day, the young girl realized that monsters weren't just found in horror tales. They could lurk anywhere—including your own family and community—and look just like you. Dinner on Monster Island is Tania's memoir of her life and childhood in Singapore—where she discovered how difference is often perceived as deviant, damaged, disobedient, and sometimes, demonic. As she pulls back the veil on life on the small island, she reveals the sometimes kind, sometimes monstrous side of all of us. Intertwined with her experiences is an analysis of the role of women in horror. Tania looks at films and popular culture such as Carrie, The Witch, and The Ring to illuminate the ways in which women are often portrayed as monsters, and how in real life, monsters are not what we think. Moving and lyrical, written with earnest candor, and leavened with moments of humor and optimism, Dinner on Monster Island is a deeply personal examination of one woman's experience grappling with her identity and a fantastic analysis of monsters, monstrous women and the worlds in which they live