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Larry Hama: Conversations (Conversations with Comic Artists Series)
Par Christopher Irving. 2019
Larry Hama (b. 1949) is the writer and cartoonist who helped develop the 1980s G.I. Joe toy line and created…
a new generation of fans from the tie-in comic book. Through many interviews, this volume reveals that G.I. Joe is far from his greatest feat as an artist. At different points in his life and career, Hama was mentored by comics legends Bernard Krigstein, Wallace Wood, and Neal Adams. Though their impact left an impression on his work, Hama has created a unique brand of storytelling that crosses various media. For example, he devised the character Bucky O'Hare, a green rabbit in outer space that was made into a comic book, toy line, video game, and television cartoon—with each medium in mind. Hama also discusses his varied career, from working at Neal Adams and Dick Giordano’s legendary Continuity to editing a humor magazine at Marvel, developing G.I. Joe, and enjoying a long run as writer of Wolverine. This volume also explores Hama's life outside of comics. He is an activist in the Asian American community, a musician, and an actor in film and stage. He has also appeared in minor roles on the television shows M*A*S*H and Saturday Night Live and on Broadway. Editor and historian Christopher Irving compiles six of his own interviews with Hama, some of which are unpublished, and compiled others that range through Hama’s illustrious career. The first academic volume on the artist, this collection gives a snapshot of Hama’s unique character-driven and visual approach to comics’ storytelling.Jim Shooter: Conversations (Conversations with Comic Artists Series)
Par Jason Sacks, Eric Hoffman, and Dominick Grace. 2017
As an American comic book writer, editor, and businessman, Jim Shooter (b. 1951) remains among the most important figures in…
the history of the medium. Starting in 1966 at the age of fourteen, Shooter, as the young protégé of verbally abusive DC editor Mort Weisinger, helped introduce themes and character development more commonly associated with DC competitor Marvel Comics. Shooter created several characters for the Legion of Super-Heroes, introduced Superman’s villain the Parasite, and jointly devised the first race between the Flash and Superman. When he later ascended to editor-in-chief at Marvel Comics, the company, indeed the medium as a whole, was moribund. Yet by the time Shooter left the company a mere decade later, the industry had again achieved considerable commercial viability, with Marvel dominating the market. Shooter enjoyed many successes during his tenure, such as Chris Claremont and John Byrne’s run on the Uncanny X-Men, Byrne’s work on the Fantastic Four, Frank Miller’s Daredevil stories, Walt Simonson’s crafting of Norse mythology in Thor, and Roger Stern’s runs on Avengers and The Amazing Spider-Man, as well as his own successes writing Secret Wars and Secret Wars II. After a rift at Marvel, Shooter then helped lead Valiant Comics into one of the most iconic comic book companies of the 1990s, before moving to start-up companies Defiant and Broadway Comics. Included here is a 1969 interview that shows a restless teenager; the 1973 interview that returned Shooter to comics; a discussion from 1980 during his pinnacle at Marvel; and two conversations from his time at Valiant and Defiant Comics. At the close, an extensive, original interview encompasses Shooter’s full career.Conversations with David Foster Wallace (Literary Conversations Series)
Par Stephen J. Burn. 2012
Across two decades of intense creativity, David Foster Wallace (1962-2008) crafted a remarkable body of work that ranged from unclassifiable…
essays to a book about transfinite mathematics to vertiginous fictions. Whether through essay volumes (A Supposedly Fun Thing I'll Never Do Again, Consider the Lobster), short story collections (Girl with Curious Hair, Brief Interviews with Hideous Men, Oblivion), or his novels (Infinite Jest, The Broom of the System), the luminous qualities of Wallace's work recalibrated our measures of modern literary achievement. Conversations with David Foster Wallace gathers twenty-two interviews and profiles that trace the arc of Wallace's career, shedding light on his omnivorous talent. Jonathan Franzen has argued that, for Wallace, an interview provided a formal enclosure in which the writer “could safely draw on his enormous native store of kindness and wisdom and expertise.” Wallace's interviews create a wormhole in which an author's private theorizing about art spill into the public record. Wallace's best interviews are vital extra-literary documents, in which we catch him thinking aloud about his signature concerns—irony's magnetic hold on contemporary language, the pale last days of postmodernism, the delicate exchange that exists between reader and writer. At the same time, his acute focus moves across MFA programs, his negotiations with religious belief, the role of footnotes in his writing, and his multifaceted conception of his work's architecture. Conversations with David Foster Wallace includes a previously unpublished interview from 2005, and a version of Larry McCaffery's influential Review of Contemporary Fiction interview with Wallace that has been expanded with new material drawn from the original raw transcript.Conversations with Maurice Sendak (Literary Conversations Series)
Par Peter C. Kunze. 2016
Maurice Sendak (1928–2012) stands out as one of the most respected, influential authors of the twentieth century. Though primarily known…
as a children’s book writer and illustrator, he did not limit himself to these areas. He saw himself first and foremost as an artist. In this collection of interviews, Sendak presents himself as a writer, illustrator, set designer, and librettist. From his early work with Randall Jarrell and Ruth Krauss through his later work with Tony Kushner and Spike Jonze, Sendak worked as a collaborator with a passion for the arts.The interviews here, many of which are hard to find or previously unpublished, span from 1966 through 2011. They show not only Sendak’s shifting artistic interests, but also changes in how he understood himself and his craft. What emerges is a portrait of an author and an artist who was alternately solemn and playful, congenial and irascible, sophisticated and populist. The man who showed millions of children and adults alike what’s cooking in the night kitchen and where the wild things are, Sendak remains an American original who redefined the picture book and changed children’s literature—and its readers—forever.Conversations with Stanley Kunitz (Literary Conversations Series)
Par Kent P. Ljungquist. 2013
“He again tops the crowd—he surpasses himself, the old iron brought to the white heat of simplicity.” That's what Robert…
Lowell said of the poetry of Stanley Kunitz (1905–2006) and his evolving artistry. The interviews and conversations contained in this volume derive from four decades of Kunitz's distinguished career. They touch on aesthetic motifs in his poetry, the roots of his work, his friendships in the sister arts of painting and sculpture, his interactions with Lowell and Theodore Roethke, and his comments on a host of poets: John Keats, Walt Whitman, Randall Jarrell, Wallace Stevens, and Anna Akhmatova. Kunitz emerged from a mid-sized industrial town in central Massachusetts, surviving family tragedy and a sense of personal isolation and loneliness, to become an eloquent spokesman for poetry and for the power of the human imagination. Kunitz has commented, “If we want to know what it felt like to be alive at any given moment in the long odyssey of the race, it is to poetry we must turn.” His own odyssey from “metaphysical loneliness” to a sense of community with fellow writers and artists—by building institutions like Poets House and the Fine Arts Work Center in Provincetown, Massachusetts—is ever present in these interviews.Conversations with Percival Everett (Literary Conversations Series)
Par Joe Weixlmann. 2013
For the first eighteen years of his career, Percival Everett (b. 1956) managed to fly under the radar of the…
literary establishment. He followed his artistic vision down a variety of unconventional paths, including his preference for releasing his books through independent publishers. But with the publication of his novel erasure in 2001, his literary talent could no longer be kept under wraps. The author of more than twenty-five books, Everett has established himself as one of America's—and arguably the world's—premier twenty-first-century fiction writers. Among his many honors since 2000 are Hurston/Wright Legacy Awards for erasure and I Am Not Sidney Poitier (2009) and three prominent awards for his 2005 novel Wounded—the PEN Center USA Literary Award for Fiction, France's Prix Lucioles des Libraires, and Italy's Premio Vallombrosa Gregor von Rezzori Prize. Interviews collected in this volume—several of which appear in print or in English translation for the first time—display Everett's abundant wit as well as the independence of thought that has led to his work being described as “characteristically uncharacteristic.” At one moment he speaks with great sophistication about the fact that African American authors are forced to overcome constraining expectations about their subject matter that white writers are not. And in the next he talks about training mules or quips about “Jim Crow,” a pet bird Everett had on his ranch outside Los Angeles. Everett discusses race and gender, his ecological interests, the real and mythic American West, the eclectic nature of his work, the craft of writing, language and linguistic theory, and much more.Things like the Truth: Out of My Later Years
Par Ellen Gilchrist. 2016
Winner of the National Book Award and the author of numerous highly praised works of fiction and nonfiction, Ellen Gilchrist…
is also a daughter, mother, grandmother, and great-grandmother who takes delight in her large, wonderful family. Things like the Truth offers a collection of nonfiction essays about Ellen Gilchrist's life, family, home, work, aging, and the fun of fighting to stay healthy in an increasingly undisciplined culture. This collection brings together for the first time essays by Ellen Gilchrist on her later life and family. Essays such as “The Joy of Swimming” reveal how Gilchrist, as an aging person, thinks about the joys one can discover late in life. Other essays focus on surgery, money, childhood memories, changing perspectives, and the vagaries of the age. Gilchrist pays special attention to her evolving relationships with her adult children and the pleasures and pitfalls of being a grandmother and great-grandmother. The volume also includes essays from her diary about the sense of place in her mountain home near her work at the University of Arkansas and about life after Hurricane Katrina on the Mississippi Gulf Coast, her second residence. Reviewers have praised Gilchrist's “deliciously wise and humorous voice” in her stories and that same voice pours forth in these essays. Gilchrist takes delight in the foibles of human behavior and searches for humor and wisdom in every situation. She also loves to give advice, and happily dispenses guidance to fans, family, and anyone in a grocery store line. This collection of essays presents Gilchrist at her best. Engaging, funny, and fearless, she describes the joys and difficulties of a well-lived life. Her fans will devour these essays and will revel again in the company of an author they know so well. Both personal and profound, with plenty of humor, this collection allows Gilchrist's inimitable spirit to shine throughout.Dave Sim: Conversations (Conversations with Comic Artists Series)
Par Eric Hoffman, Dominick Grace. 2013
In 1977, Dave Sim (b. 1956) began to self-publish Cerebus, one of the earliest and most significant independent comics, which…
ran for 300 issues and ended, as Sim had planned from early on, in 2004. Over the run of the comic, Sim used it as a springboard to explore not only the potential of the comics medium but also many of the core assumptions of Western society. Through it he analyzed politics, the dynamics of love, religion, and, most controversially, the influence of feminism—which Sim believes has had a negative impact on society. Moreover, Sim inserted himself squarely into the comic as Cerebus's creator, thereby inviting criticism not only of the creation, but also of the creator. What few interviews Sim gave often pushed the limits of what an interview might be in much the same way that Cerebus pushed the limits of what a comic might be. In interviews Sim is generous, expansive, provocative, and sometimes even antagonistic. Regardless of mood, he is always insightful and fascinating. His discursive style is not conducive to the sound bite or to easy summary. Many of these interviews have been out of print for years. And, while the interviews range from very general, career-spanning explorations of his complex work and ideas, to tightly focused discussions on specific details of Cerebus, all the interviews contained herein are engaging and revealing.Ed Brubaker: Conversations (Conversations with Comic Artists Series)
Par Terrence R. Wandtke. 2016
Ed Brubaker (b. 1966) has emerged as one of the most popular, significant figures in art comics since the 1990s.…
Most famous as the man who killed Captain America in 2007, Brubaker's work on company-owned properties such as Batman and Captain America and creator-owned series like Criminal and Fatale live up to the usual expectations for the superhero and crime genres. And yet, Brubaker layers his stories with a keen self-awareness, applying his expansive knowledge of American comic book history to invigorate his work and challenge the dividing line between popular entertainment and high art. This collection of interviews explores the sophisticated artist's work, drawing upon the entire length of the award-winning Brubaker's career. With his stints writing Catwoman, Gotham Central, and Daredevil, Brubaker advanced the work of crime comic book writers through superhero stories informed by hard-boiled detective fiction and film noir. During his time on Captain America and his series Sleeper and Incognito, Brubaker revisited the conventions of the espionage thriller. With double agents who lose themselves in their jobs, the stories expose the arbitrary superhero standards of good and evil. In his series Criminal, Brubaker offered complex crime stories and, with a clear sense of the complicated lost world before the Comics Code, rejected crusading critic Fredric Wertham's myth of the innocence of early comics. Overall, Brubaker demonstrates his self-conscious methodology in these often little-known and hard-to-find interviews, worthwhile conversations in their own right as well as objects of study for both scholars and researchers.Conversations with Paul Auster (Literary Conversations Series)
Par James M. Hutchisson. 2013
Paul Auster (b. 1947) is one of the most critically acclaimed and intensely studied authors in America today. His varied…
career as a novelist, poet, translator, and filmmaker has attracted scholarly scrutiny from a variety of critical perspectives. The steadily rising arc of his large readership has made him something of a popular culture figure with many appearances in print interviews, as well as on television, the radio, and the internet. Auster's best-known novel may be his first, City of Glass (1985), a grim and intellectually puzzling mystery that belies its surface image as a “detective novel” and goes on to become a profound meditation on transience and mortality, the inadequacies of language, and isolation. Fifteen more novels have followed since then, including The Music of Chance, Moon Palace, The Book of Illusions, and The Brooklyn Follies. He has, in the words of one critic, “given the phrase ‘experimental fiction’ a good name” by fashioning bona fide literary works with all the rigor and intellect demanded of the contemporary avant-garde. This volume—the first of its kind on Auster—will be useful to both scholars and students for the penetrating self-analysis and the wide range of biographical information and critical commentary it contains. Conversations with Paul Auster covers all of Auster's oeuvre, from The New York Trilogy—of which City of Glass is a component—to Sunset Park (2010), along with his screenplays for Smoke (1995) and Blue in the Face (1996). Within, Auster nimbly discusses his poetry, memoir, nonfiction, translations, and film directing.Conversations with Edmund White (Literary Conversations Series)
Par Will Brantley and Nancy McGuire Roche. 2017
Conversations with Edmund White brings together twenty-one interviews with an author known for chronicling gay culture. Ranging from a 1982…
discussion of his early works to a new and unpublished interview conducted in 2016, these interviews highlight White's predilections, his major achievements, and the pivotal moments of his long, varied career. Since the 1973 publication of his first novel, Forgetting Elena, Edmund White (b. 1940) has become a major figure in literature and gay culture. White is, however, more than just a celebrated gay writer. He is an international man of letters, and his work crosses several genres. White's fiction includes an autobiographical trilogy—A Boy's Own Story, The Beautiful Room Is Empty, and The Farewell Symphony—along with more recent novels such as Jack Holmes and His Friend and Our Young Man. White's love of French literature and culture is evident in biographies of Jean Genet, Marcel Proust, and Arthur Rimbaud, and his antipathy to American Puritanism suffuses his collected essays and memoirs and is on full display in two early nonfiction works that helped define the era of gay liberation: The Joy of Gay Sex, coauthored with Charles Silverstein, and States of Desire: Travels in Gay America. A professor of creative writing at Princeton University, White has earned many distinctions, including the National Book Critics Circle Award and the Lambda Literary Foundation's Pioneer Award. White has been a generous interviewer, sharing his time and insights not only with major publications such as The Paris Review, but also with smaller online publications for more limited audiences. A lively commentator, White has never been afraid to speak his mind, even when the result has been public feuds with literary peers on both sides of the Atlantic.Conversations with W. S. Merwin (Literary Conversations Series)
Par Michael Wutz and Hal Crimmel. 2015
Conversations with W. S. Merwin is the first collection of interviews with former United States Poet Laureate W. S. Merwin…
(b. 1927). Spanning almost six decades of conversations, the collection touches on such topics as Merwin's early influences (Robert Graves and Ezra Pound), his location within the twin poles of Walt Whitman and Henry David Thoreau, and his extraordinary work as a translator, as well as his decades-long interest in environmental conservation. Anticipating the current sustainability movement and the debates surrounding major and minor literatures, Merwin was, and still is, a visionary.He is among the most distinguished poets, translators, and thinkers in the United States. A major link between the period of literary modernism and its contemporary extensions, Merwin has been a force in American letters for many decades, and his translations from the Spanish, French, Italian, Japanese, and other languages have earned him unanimous praise and admiration. Merwin also wrote at the forefront of literature's environmental advocacy and early on articulated concerns about ecology and sustainability.Conversations with W. S. Merwin offers insight into the various dimensions of Merwin's thought by treating his interviews as a self-standing category in his oeuvre. More than casual narratives that interpret the occasional poem or relay an occasional experience, they afford literary and cultural historians a view into the larger throughlines of Merwin's thinking.Personal Souths: Interviews from the Southern Quarterly
Par Douglas B. Chambers. 2012
Personal Souths, a collection of twenty interviews with famous southern writers, will mark the fiftieth anniversary of The Southern Quarterly,…
one of the oldest scholarly journals (founded in 1962) dedicated to southern studies. The figures interviewed range from Erskine Caldwell, Eudora Welty and Tennessee Williams (all from the 1970s), to a virtual Who's Who of southern literature in the second half of the twentieth century. All of these interviews were originally published in the journal in the 1980s, 1990s and 2000s and are collected here for the first time. The South is represented broadly, with writers from eight states; at least four represent the “mountain South” (Donald Harrington, Bobbie Ann Mason, Robert Morgan, Lee Smith), while another four typify a “cosmopolitan South” (Reynolds Price, Mary Lee Settle, Elizabeth Spencer, Tennessee Williams). The greatest number of voices, at least eight of the authors, speak for or from the “poor white South” (Larry Brown, Erskine Caldwell, Harry Crews, Donald Harrington, Bobbie Ann Mason, Robert Morgan, Del Shores, Lee Smith). Though there is only one African American writer, Ernest J. Gaines, another interview (William Styron, Pulitzer Prize-winning author of The Confessions of Nat Turner) also focuses on a conversation about African American literature. The interviews are all fascinating. Not only do they reveal the personalities of these southern literary stars, but they also represent a self-conscious community of writers. It is a testament to the quality of The Southern Quarterly that many of these writers, when discussing their most important contemporaries, often refer to other writers whose interviews are also in this collection. These firsthand discussions will continue to illuminate and inform our understanding of their creative work.The New Great American Writers Cookbook
Par Dean Faulkner Wells. 2003
Published in 1981, The Great American Writers Cookbook was a treasure trove of recipes submitted by the country's most celebrated…
authors. This all-new collection, a fine follow-up for a new era, features recipes that range from peanut butter sandwiches to eggplant caviar, with dishes—and anecdotes—offered by writers of every imaginable stripe, ethnicity, region, and culture in America. Contemporary novelists such as National Book Award winners Jonathan Franzen and the late, great Bernard Malamud share space with columnists Dave Barry, P. J. O'Rourke, and Christopher Buckley, with journalists and novelists Andrei Codrescu, Anna Quindlen, and John Berendt, and with poet and novelist Sandra Cisneros. The interspersing of recipes from older and younger generations reveals cookery as creatively diverse as the writings from David Guterson, T. C. Boyle, Elizabeth McCracken, and former First Lady Barbara Bush. This unusually tangy assortment of more than 150 recipes runs the gamut from tofu to heart-clogging chili. Writers play fast and loose with ingredients and forewarn readers planning to try them that some of the most seductive recipes are loaded with cholesterol. With such temptations as “Thighs of Delight,” “Crevettes Désir,” a “sexy spaghetti sauce,” and a lemon icebox pie that allegedly elicits proposals of marriage, the recipes—and stories revealing their origins—is enticing, bizarre, and promisingly tasty. The collection gives particular emphasis to contemporary southern writers—Padgett Powell, Jack Butler, Larry Brown, Ellen Gilchrist, and Josephine Humphreys, among others, although their recipes are often far from being quintessentially “southern.” Scintillating with writerly antics and witty histories as transfixing as the recipes themselves, The New Great American Writers Cookbook is not just for daring cooks. It's also a collector’s item for food-doting lovers of American literature.Conversations with Jerome Charyn (Literary Conversations Series)
Par Sophie Vallas. 2014
This volume of fourteen interviews covers the prolific and rich career of author Jerome Charyn (b. 1937). Four of the…
interviews appear in English for the first time, and two interviews appear here in print for the first time as well. As one of his autobiographical volumes claims, Jerome Charyn is a “Bronx Boy,” a child born from immigrant parents who went through Ellis Island in the 1920s like so many other travelers without luggage, a “little werewolf” who grew up on his own in the chaos of the Bronx ghetto. “I think I was defined by two things: World War II and the movies.” His work remains deeply marked by this childhood largely forgotten by the American Dream. If Charyn has spent much of his life in Paris, he has paradoxically never left the Bronx: “‘El Bronx’ is there inside my head, and I revisit it the way Hemingway would fish the Big Two-Hearted River in his dreams.” His whole work is a long attempt at evoking his own history and celebrating his lifelong marveling at the power of language—“our second skin”—as well as his deep, unflinching belief in the promises of fiction. Since 1964, Charyn has published more than fifty books ranging from fiction to nonfiction and including short stories; very popular crime novels; graphic novels cowritten with European artists; essays on American culture and cinema as well as on New York; autobiography; and biography—an ever-changing production that has made it difficult for critics to classify him. And yet in many ways Charyn's writing thrives on constant currents: the words “voice,” “song,” “undersong,” or “rhythm” return frequently in his interviews as he explains what literature is to him and ceaselessly asserts that he is trying “to find a music for a musicless world,” a language for “people who cannot speak.”Ben Katchor: Conversations (Conversations with Comic Artists Series)
Par Ian Gordon. 2018
Author Michael Chabon described Ben Katchor (b. 1951) as “the creator of the last great American comic strip.” Katchor’s comic…
strip Julius Knipl, Real Estate Photographer, which began in 1988, brought him to the attention of the readers of alternative weekly newspapers along with a coterie of artists who have gone on to public acclaim. In the mid-1990s, NPR ran audio versions of several Julius Knipl stories, narrated by Katchor and starring Jerry Stiller in the title role.An early contributor to RAW, Katchor also contributed to Forward, the New Yorker, Slate, and weekly newspapers. He edited and published two issues of Picture Story, which featured his own work, with articles and stories by Peter Blegvad, Jerry Moriarty, and Mark Beyer. In addition to being a dramatist, Katchor has been the subject of profiles in the New Yorker, a recipient of a MacArthur “Genius Grant” and a Guggenheim Fellowship, and a fellow at both the American Academy in Berlin and the New York Public Library.Katchor’s work is often described as zany or bizarre, and author Douglas Wolk has characterized his work as “one or two notches too far” beyond an absurdist reality. And yet the work resonates with its audience because, as was the case with Knipl’s journey through the wilderness of a decaying city, absurdity was only what was usefully available; absurdity was the reality. Julius Knipl, Real Estate Photographer presaged the themes of Katchor’s work: a concern with the past, an interest in the intersection of Jewish identity and a secular commercial culture, and the limits and possibilities of urban life.Howard Chaykin: Conversations (Conversations with Comic Artists Series)
Par Brannon Costello. 2011
One of the most distinctive voices in mainstream comics since the 1970s, Howard Chaykin (b. 1950) has earned a reputation…
as a visionary formal innovator and a compelling storyteller whose comics offer both pulp-adventure thrills and thoughtful engagement with real-world politics and culture. His body of work is defined by the belief that comics can be a vehicle for sophisticated adult entertainment and for narratives that utilize the medium's unique properties to explore serious themes with intelligence and wit. Beginning with early interviews in fanzines and concluding with a new interview conducted in 2010 with the volume's editor, Howard Chaykin: Conversations collects widely ranging discussions from Chaykin's earliest days as an assistant for such legends as Gil Kane and Wallace Wood to his recent work on titles including Dominic Fortune, Challengers of the Unknown, and American Century. The book includes thirty-five line illustrations selected from Chaykin, as well. As a writer/artist for outlets such as DC Comics, Marvel Comics, and Heavy Metal, he has participated in and influenced many of the major developments in mainstream comics over the past four decades. He was an early pioneer in the graphic novel format in the 1970s, and his groundbreaking sci-fi satire American Flagg! was an essential contribution to the maturation of the comic book as a vehicle for social commentary in the 1980s.Conversations with James Salter (Literary Conversations Series)
Par Jennifer Levasseur, Kevin Rabalais. 2015
James Salter (1925-2015) has been known throughout his career as a writer's writer, acclaimed by such literary greats as Susan…
Sontag, Richard Ford, John Banville, and Peter Matthiessen for his lyrical prose, his insightful and daring explorations of sex, and his examinations of the inner lives of women and men.Conversations with James Salter collects interviews published from 1972 to 2014 with the award-winning author of The Hunters, A Sport and a Pastime, Light Years, and All That Is. Gathered here are his earliest interviews following acclaimed but moderately selling novels, conversations covering his work as a screenwriter and award-winning director, and interviews charting his explosive popularity after publishing All That Is, his first novel after a gap of thirty-four years. These conversations chart Salter's progression as a writer, his love affair with France, his military past as a fighter pilot, and his lyrical explorations of gender relations.The collection contains interviews from Sweden, France, and Argentina appearing for the first time in English. Included as well are published conversations from the United States, Canada, and Australia, some of which are significantly extended versions, giving this collection an international scope of Salter's wide-ranging career and his place in world literature.My Life with Charlie Brown
Par Charles M. Schulz. 2010
While best known as the creator of Peanuts, Charles M. Schulz (1922–2000) was also a thoughtful and precise prose writer…
who knew how to explain his craft in clear and engaging ways. My Life with Charlie Brown brings together his major prose writings, many published here for the first time. Schulz's autobiographical articles, book introductions, magazine pieces, lectures, and commentary elucidate his life and his art, and clarify themes of modern life, philosophy, and religion that are interwoven into his beloved, groundbreaking comic strip. Edited and with an introduction by comics scholar M. Thomas Inge, this volume will serve as the touchstone for Schulz's thoughts and convictions and as a wide-ranging, unique autobiography in the absence of a traditional, extended memoir. Inge and the Schulz estate have chosen a number of illustrations to include. With the approval and cooperation of the Schulz family, Inge draws on the cartoonist's entire archives, papers, and correspondence to allow Schulz full voice to speak his mind. The project includes his comics criticism, his introductions to Peanuts volumes, his essays about philanthropy, his commentary on Christianity, his newspaper articles about the creation of his characters, and more. My Life with Charlie Brown will reveal new dimensions of this legendary cartoonist.Conversations with Gary Snyder (Literary Conversations Series)
Par David Stephen Calonne. 2017
Gary Snyder (b. 1930) is one of the most distinguished American poets, remarkable both for his long and productive career…
and for his equal contributions to literature and environmental thought. His childhood in the Pacific Northwest profoundly shaped his sensibility due to his contact with Native American culture and his early awareness of the destruction of the environment by corporations. Although he emerged from the San Francisco Renaissance with writers such as Kenneth Rexroth, Robert Duncan, and William Everson, he became associated with the Beats due to his friendships with Allen Ginsberg and Jack Kerouac, who included a portrait of Snyder as Japhy Ryder in his novel The Dharma Bums. After graduating from Reed College, Snyder became deeply involved with Zen Buddhism, and he spent twelve years in Japan immersed in study.Conversations with Gary Snyder collects interviews from 1961 to 2015 and charts his developing environmental philosophy and his wide-ranging interests in ecology, Buddhism, Native American studies, history, and mythology. The book also demonstrates the ways Snyder has returned throughout his career to key ideas such as the extended family, shamanism, poetics, visionary experience, and caring for the environment as well as his relationship to the Beat movement. Because the book contains interviews spanning more than fifty years, the reader witnesses how Snyder has evolved and grown both as a poet and philosopher of humanity's proper relationship to the cosmos while remaining committed to the issues that preoccupied him as a young man.