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Faithful: Two Diehard Boston Red Sox Fans Chronicle the Historic 2004 Season
Par Stewart O'Nan, Stephen King. 2004
&“Faithful isn't just about the Red Sox. It's also about family, friendship, and what it truly means to be a…
baseball fan and to be—well, faithful, come hell or high water&” (The Boston Globe). &“Of all the books that will examine the Boston Red Sox's stunning come-from-behind 2004 ALCS win over the Yankees and subsequent World Series victory, none will have this book's warmth, personality, or depth&” (Publishers Weekly).Early in 2004, two writers and Red Sox fans, Stewart O'Nan and Stephen King, decided to chronicle the upcoming season, one of the most hotly anticipated in baseball history. They would sit together at Fenway. They would exchange emails. They would write about the games. And, as it happened, they would witness the greatest comeback ever in sports, and the first Red Sox championship in eighty-six years. What began as a Sox-filled summer like any other is now a fan's notes for the ages.A Splendid Intelligence: The Life Of Elizabeth Hardwick
Par Cathy Curtis. 2022
The first biography of the extraordinary essayist, critic, and short story writer Elizabeth Hardwick, author of the semiautobiographical novel Sleepless…
Nights. Born in Kentucky, Elizabeth Hardwick left for New York City on a Greyhound bus in 1939 and quickly made a name for herself as a formidable member of the intellectual elite. Her eventful life included stretches of dire poverty, romantic escapades, and dustups with authors she eviscerated in The New York Review of Books, of which she was a cofounder. She formed lasting friendships with literary notables—including Mary McCarthy, Adrienne Rich, and Susan Sontag—who appreciated her sharp wit and relish for gossip, progressive politics, and great literature. Hardwick’s life and writing were shaped by a turbulent marriage to the poet Robert Lowell, whom she adored, standing by faithfully through his episodes of bipolar illness. Lowell’s decision to publish excerpts from her private letters in The Dolphin greatly distressed Hardwick and ignited a major literary controversy. Hardwick emerged from the scandal with the clarity and wisdom that illuminate her brilliant work—most notably Sleepless Nights, a daring, lyrical, and keenly perceptive collage of reflections and glimpses of people encountered as they stumble through lives of deprivation or privilege. A Splendid Intelligence finally gives Hardwick her due as one of the great postwar cultural critics. Ranging over a broad territory—from the depiction of women in classic novels to the civil rights movement, from theater in New York to life in Brazil, Kentucky, and Maine—Hardwick’s essays remain strikingly original, fiercely opinionated, and exquisitely wrought. In this lively and illuminating biography, Cathy Curtis offers an intimate portrait of an exceptional woman who vigorously forged her own identity on and off the page.Dieser Band entwickelt eine "mediensensible" Fachdidaktik Philosophie/Ethik. In Bezug auf die Lebenswelt der Schüler*innen werden Unterhaltungen und Kunstfilme des Medienphilosophen…
Alexander Kluge auf dessen Web-TV dctp.tv für eine philosophisch-ethische Bildung wahrnehmbar und denkbar. Kluges audiovisuelle Clips werden als Unterrichtsmedien ernst genommen, ihre Bild- und Tonspur(en) didaktisch gewürdigt. Das Montieren diskursiver und präsentativer Elemente ermöglicht zugleich eine medienphilosophiedidaktische Propädeutik zugunsten des Umgangs mit anderen Web-Inhalten (etwa auf YouTube).Campus Fictions argues that the academic novel balances utopian and regressive tendencies, reinforcing the crises we face in higher learning while…
simultaneously signposting hope for a worn institution. Whether a bestseller such as Erich Segal ’s romance Love Story (1970) or wonkier fare such as Don DeLillo’s White Noise (1985), the academic novel mystifies the academy not only to a wide public but also—worse—to readers who might describe themselves as sympathetic to higher learning. The book takes an eclectic approach to the academic novel with chapters discussing, for example, the genre’s rampant anti-intellectualism and its work refusals, studying novels such as Ishmael Reed’s Japanese by Spring (1993) and Julie Schumacher’s Dear Committee Members (2014). The book is also accompanied by the “Directory of the American Campus Novel ” file, which tracks the genre by year, by setting, and by other datapoints that readers might make use of. Responding directly to Jeffrey Williams, the renowned scholar of critical university studies who implores faculty to “teach the university,” the book ’s conclusion describes strategies for putting these novels into circulation in the classroom. Through this breadth, Campus Fictions establishes the importance of maintaining hope in the field of critical university studies, which tends toward apocalypticism and perhaps therefore toward disengagement.Paratopia: Literature as Discourse (Postdisciplinary Studies in Discourse)
Par Dominique Maingueneau. 2023
This book presents Maingueneau’s notion of paratopia and its application to literary discourse. Unlike most discourse analysts, who pay little attention to…
literature, the author argues that a discourse analytical perspective allows us to challenge the usual separation between textual and contextual approaches to works. Considered as an impossible belonging, paratopia is a condition of possibility of literature, of the subjects who occupy a writer's position and of the use they make of language. To find their place as creators, writers must elaborate their own paratopia, they must give it shape and meaning. Their works must both construct a certain world and, through paratopic shifters, reflect and legitimise the conditions of their own appearance. Paratopia is an invariant of literature, but it takes different forms throughout history: writers draw on their paratopic potential to appropriate the resources made available to them by literary discourse in their own time. Today, the development of digital technologies and research on gender prompts us to take a different look at traditional forms of paratopia. The corpus includes canonical and recent texts, mainly from Western literature. It will be of interest to students and scholars in literary studies, discourse studies (discourse theory and discourse analysis), and sociology of culture.Studying Crime in Fiction: An Introduction
Par Eric Sandberg. 2024
The primary aim of Studying Crime in Fiction: An Introduction is to introduce the emerging cross-disciplinary area of study that…
combines the fields of crime fiction studies and criminology. The study of crime fiction as a genre has a long history within literary studies, and is becoming increasingly prominent in twenty-first-century scholarship. Less attention, however, has been paid to the ways in which elements of criminology, or the systematic study of crime and criminal behaviour from a wide range of perspectives, have influenced the production and reception of crime narratives. Similarly, not enough attention has been paid to the ways in which crime fiction as a genre can inform and enliven the study of criminology. Written largely for undergraduate and graduate students, but also for scholars of crime fiction and criminology interested in thinking across disciplinary boundaries, Studying Crime in Fiction: An Introduction provides full coverage of the backgrounds of the related fields of crime fiction studies and criminology, and explores the many ways they are reciprocally illuminating. The four main chapters in Section 1 (Orient You) familiarize readers with the history and contours of the broad fields within which Studying Crime in Fiction: An Introduction operates. It introduces the history of crime and criminology, as well the history of crime fiction and the academic field dedicated to its study. In its final chapter it looks at the ways these areas of study can be conceptually interrelated. Section 2 of the book (Equip You) is dedicated to examining aspects of criminological theory in relation to various forms of crime fiction. It highlights a range of the most relevant theories, paradigms, and problematics of criminology that appear in, shed light on, or can be effectively illuminated through reference to crime fiction. Its five chapters deal with the definition of crime; explanations for crime and criminal behaviour; investigations into crime; the experience of crime; and, finally, punishments for crime. All of these areas are examined alongside examples of crime fiction drawn from across the genre’s history. Section 3 (Enable You) presents six case studies. Each of these reads a work of crime fiction alongside one or more criminological approaches. Each case study is supplemented with a set of questions addressing issues central to the study of crime in fiction.Heroines, new edition (Semiotext(e) / Active Agents)
Par Kate Zambreno. 2024
A manifesto reclaiming the wives and mistresses of literary modernism that inspired a generation of writers and scholars, reissued after…
more than a decade.I am beginning to realize that taking the self out of our essays is a form of repression. Taking the self out feels like obeying a gag order—pretending an objectivity where there is nothing objective about the experience of confronting and engaging with and swooning over literature.On the last day of December 2009, Kate Zambreno, then an unpublished writer, began a blog called "Frances Farmer Is My Sister," arising from her obsession with literary modernism and her recent transplantation to Akron, Ohio, where her partner held a university job. Widely reposted, Zambreno's blog became an outlet for her highly informed and passionate rants and melancholy portraits of the fates of the modernist &“wives and mistresses," reclaiming the traditionally pathologized biographies of Vivienne Eliot, Jane Bowles, Jean Rhys, and Zelda Fitzgerald: writers and artists themselves who served as male writers' muses only to end their lives silenced, erased, and institutionalized. Over the course of two years, Frances Farmer Is My Sister helped create a community of writers and devised a new feminist discourse of writing in the margins and developing an alternative canon. In Heroines, Zambreno extends the polemic begun on her blog into a dazzling, original work of literary scholarship. Combing theories that have dictated what literature should be and who is allowed to write it—she traces the genesis of a cultural template that consistently exiles feminine experience to the realm of the &“minor,&” and diagnoses women for transgressing social bounds. &“ANXIETY: When she experiences it, it's pathological,&” writes Zambreno. &“When he does, it's existential.&” With Heroines, Zambreno provided a model for a newly subjectivized criticism, prefiguring many group biographies and forms of autotheory and hybrid memoirs that were to come in the years to follow. A book that has become its own canon, Heroines was named one of the "50 Books that define the past 5 Years in Literature" by Flavorwire, an "Essential Feminist Manifesto" by Dazed, and one of the "50 Greatest Books by Women" in Buzzfeed.Robert Frost: Sixteen Poems to Learn by Heart
Par Robert Frost, Jay Parini. 2024
Celebrate Robert Frost's 150th birthday with a deluxe keepsake edition featuring 16 of his greatest poems—with brilliant essays highlighting his…
special genius and the power of memorization to unlock the magic of his languageDuring a public reading Robert Frost was once asked why he so frequently recited his poems from memory. With typical wit, he replied: &“If they won&’t stick to me, I won&’t stick to them.&” Remarkably among the modern poets, his poems &“stick&” to the reader: "Mending Wall," with its famous invocation of the rural maxim "Good fences make good neighbors""The Road Not Taken," about the beguiling possibilities of life"Birches," which reminds us that "One could do worse than be a swinger of birches"Stopping by Woods on a Snowy Evening," with its unforgettable final line: "And miles to go before I sleep."Here, poet and Frost biographer Jay Parini presents these and 12 other Frost poems to learn by heart. In short accompanying commentaries, Parini illuminates the stylistic and imaginative features of each of the poems, drawing in biographical material from Frost&’s life to provide further context. &“The goal of this little book is to encourage readers to slow down—to listen to Frost&’s words and phrases, to locate their deepest rhythms, and hear the tune of each poem as it unfolds. . . . Memorizing a poem can teach us much about a poem&’s structure and argument, and about the resonance of particular words. And best of all, memorization makes a poem part of our inner lives. Once committed to memory, a poem is available to us for recall at any time—and the occasions for remembering it will make themselves known to us. It isn&’t something we have to work at.&” Anyone who has read and loved Frost&’s poetry will want to own and treasure this little gift edition. Those reading Frost for the first time or those wishing to become better acquainted with one of America&’s greatest poets will not find a better, more insightful guide than Jay Parini.The perfect beer-table book for fans of the Great American Pastime—regardless of team affiliation! Beginning with Comiskey Park in 1990,…
author Ken Finnigan used to take road trips to many ancient remaining ballparks with his oldest brother. The idea was to see them just before they got knocked down, instead of imagining what they were like after demolition. They went on journeys to quite a few other old baseball stadiums in the early 1990s and even investigated some of the former sites where ballparks were decommissioned years before. Most of the sites he saw in the early 1990s are no longer standing. Remembering Torn-Down Ballparks, Over a Cold Beer, through vintage full-color art featured on beer coasters, reveals what it may have been like to see the stadiums that are no longer around. From the journal-styled observations of each ballpark, to the artwork from the coasters and the artifacts depicted, Finnigan offers baseball enthusiasts a sense of having a piece from each ballpark.The Doctors' Dinner Party (Library of Arabic Literature #85)
Par Ibn Buṭlān. 2023
A witty satire of the medical professionThe Doctors’ Dinner Party is an eleventh-century satire in the form of a novella,…
set in a medical milieu. A young doctor from out of town is invited to dinner with a group of older medical men, whose conversation reveals their incompetence. Written by the accomplished physician Ibn Buṭlān, the work satirizes the hypocrisy of quack doctors while displaying Ibn Buṭlān’s own deep technical knowledge of medical practice, including surgery, blood-letting, and medicines. He also makes reference to the great thinkers and physicians of the ancient world, including Hippocrates, Galen, and Socrates. Combining literary parody with social satire, the book is richly textured and carefully organized: in addition to the use of the question-and-answer format associated with technical literature, it is replete with verse and subtexts that hint at the infatuation of the elderly practitioners with their young guest. The Doctors’ Dinner Party is an entertaining read in which the author skewers the pretensions of the physicians around the table.For Women and Girls Only: Reshaping Jewish Orthodoxy Through the Arts in the Digital Age
Par Jessica Roda. 2024
A compelling look at the lives of ultra-Orthodox and formerly ultra-Orthodox Jewish women and their use of media technologies to…
create a new market for music and filmMainstream portrayals of ultra-Orthodox religious women often frame their faith as oppressive: they are empowered only when they leave their community. This book flips this notion on its head. Drawing on six years of fieldwork between New York and Montreal, Jessica Roda examines modern performances on the stage and screen directed by and for ultra-Orthodox women. Their incredibly vibrant Jewish artistic scenes defy stereotypes that paint these women as repressed, reclusive to their shtetl (village), and devoid of creativity and agency.For Women and Girls Only argues that access to technology has completely transformed how ultra-Orthodox women express their way of being religious and that the digital era has enabled them to create an alternative entertainment market outside of the public, male-dominated one. Because expectations surrounding modesty, ultra-Orthodox women do not sing, dance, or act in front of men and the public. Yet, in a revolutionary move, they are creating “women and girls only” spaces onsite and online, putting the onus on men to shield themselves from the content. They develop modest public spaces on the Internet, about which male religious leaders are often unaware. The book also explores the entanglement between these observant female artists and those who left religion and became public performers. The author shows that the arts expressed by all these women offer a means of not only social but also economic empowerment in their respective worlds.For Women and Girls Only is a groundbreaking reversal of mainstream portrayals of ultra-Orthodox religious women, and of those who have left the community yet maintain ties to it. It is the first work to focus on the ultra-Orthodox female art scene in music, film, and dance across North America and on social media.Defending Pornography: Free Speech, Sex, and the Fight for Women's Rights
Par Nadine Strossen. 1998
A new edition of a groundbreaking, feminist defense of pornography as free speechNamed a Notable Book by The New York…
Times Book Review in 1995, Defending Pornography examines a key question that has divided feminists for decades: is censoring pornography good or bad for women? Nadine Strossen makes a powerful case that increasing government power to censor sexual expression, beyond the limits that the First Amendment sensibly permits (for example, outlawing child pornography) would do more harm than good for women and others who have traditionally been marginalized due to sex or gender, She explains how the very anti-porn laws pushed by some feminists have led to the censorship of LGBTQ+ and feminist works, and she examines the startling connections between anti-porn feminists and right-wing fundamentalists. In an illuminating new Preface, Strossen lays out the multiple current assaults on sexual expression, which continue to come from across the ideological spectrum. She shows that freedom for such expression remains an essential prerequisite for the equality, safety, and dignity of women and sexual/gender minorities.Defective Institutions: A Protocol for the Republic (Idiom: Inventing Writing Theory)
Par Jacques Lezra. 2024
Defective Institutions overturns the basis of institutionalism. Faith in classic institutions—exposed as clamorously inadequate by the failure of governance under…
neoliberalism--does not result in greater democracy, greater horizontality, or more equitable living. Nor does trust in the standing of decisions, in the authority of antecedent cases, in the coherence, strength, continuity, or solidity of the institutions that frame and render legitimate these decisions and the rules they buttress. To the contrary: the classically-imagined institution and our faith in it lie at the heart of neoliberal unfreedom and racialized violence.Working at the point of contact and conflict between socialist and anarcho-philosophical traditions, Defective Institutions offers an alternative, which is also an alternative to the figures of governance associated with the liberal conception of the state: an aberrant republicanism comprised of defective institutions, run through with the necessity of their abolition. Lezra’s book moves from the primitive scenes of Western political institution—the city; the family; the university; the first person; “race”—through recent work in the philosophy of translation, decolonial studies, abolitionism, Afropessimism and its critiques, psvchoanalysis, and musicology.To offer an original wedding of abolition and institution, Lezra brings together genealogies of contemporary institutionalism (from Durkheim and Hauriou to Searle); post-Marxist accounts of the state (Balibar, Abensour); philosophical and anthropological anarchism (Wolff, Malabou, Graeber, Scott); critical legal theory (analyses of Marbury v. Madison as well as Dobbs v. Jackson); continental and analytic versions and critiques of foundationalism (Heidegger, Lyotard and Butler; Quine, Searle and Fine); and political and sociological abolitionism (Lewis, O’Brien). At a time when some call for strengthening institutions and for defending liberties ostensibly protected by such institutions, and others long for the destruction of institutions that have long been oppressive, Lezra’s book offers today’s Left a new framework for confronting institutions’ necessity and their necessary abolition.Agents without Empire: Mobility and Race-Making in Sixteenth-Century France
Par Antónia Szabari. 2024
It is well known that Renaissance culture gave an empowering role to the individual and thereby to agency. But how…
does race factor into this culture of empowerment? Canonical French authors like Rabelais and Montaigne have been celebrated for their flexible worldviews and interest in the difference of non-French cultures both inside and outside of Europe. As a result, this period in French cultural history has come to be valued as an exceptional era of cultural opening toward others. Agents without Empire shows that such a celebration is, at the very least, problematic. Szabari argues that before the rise of the French colonial empire, medieval categories of race based on the redemption story were recast through accounts of the Ottoman Empire that were made accessible, in a sudden and unprecedented manner, to agents of the French crown. Spying performed by Frenchmen in the Ottoman Empire in the sixteenth century permeated French culture in large part because those who spied also worked as knowledge producers, propagandists, and artists. The practice changed what it meant to be cultured and elite by creating new avenues of race- and gender-specific consumption for French and European men that affected all areas of sophisticated culture including literature, politics, prints, dressing, personal hygiene, and leisure.Agents without Empire explores race making in this period of European history in the context of diplomatic reposts, travel accounts, natural history, propaganda, religious literature, poetry, theater, fiction, and cheap print. It intervenes in conversations in whiteness studies, race theory, theories of agency and matter, and the history of diplomacy and spying to offer a new account of race making in early modern Europe.Collected Epiphanies of James Joyce: A Critical Edition (The Florida James Joyce Series)
Par James Joyce. 2024
Joyce’s early texts, which informed his later masterpieces, available for the first time in a comprehensive critical edition This book offers…
the first critical edition of the forty short texts James Joyce called “epiphanies.” Among Joyce’s earliest literary compositions, although published posthumously, the epiphanies are a series of highly polished miniatures, many of which Joyce reused in his later writings. By presenting the epiphanies with background details and thorough annotations, this edition provides a vivid insight into his art. Collected Epiphanies of James Joyce features an introduction to the texts that summarizes Joyce’s concept of epiphany; their biographical and cultural context; their echoes and adaptations in Stephen Hero, Dubliners, A Portrait of the Artist as a Young Man, Ulysses, and Finnegans Wake; and their critical reception and editorial history. Each epiphany is transcribed directly from its original manuscript, accompanied by extensive notes that include more information specific to each piece, as well as textual variants. Styled as prose poems, dramatic sketches, or combinations of the two, the epiphanies can be seen not only as lyrical counterparts to Joyce’s poetry in Chamber Music but also as bridges to the writer’s landmark fiction. This collection demonstrates that the epiphanies offer a paradigm case for studying the development of Joyce’s work as a whole, prompting a reassessment of their literary significance. A volume in the Florida James Joyce Series, edited by Sam SloteGlad to the Brink of Fear: A Portrait of Ralph Waldo Emerson
Par James Marcus. 2024
An engaging reassessment of the celebrated essayist and his relevance to contemporary readersMore than two centuries after his birth, Ralph…
Waldo Emerson remains one of the presiding spirits in American culture. Yet his reputation as the starry-eyed prophet of self-reliance has obscured a much more complicated figure who spent a lifetime wrestling with injustice, philosophy, art, desire, and suffering. James Marcus introduces readers to this Emerson, a writer of self-interrogating genius whose visionary flights are always grounded in Yankee shrewdness.This Emerson is a rebel. He is also a lover, a friend, a husband, and a father. Having declared his great topic to be &“the infinitude of the private man,&” he is nonetheless an intensely social being who develops Transcendentalism in the company of Henry David Thoreau, Margaret Fuller, Bronson Alcott, and Theodore Parker. And although he resists political activism early on—hoping instead for a revolution in consciousness—the burning issue of slavery ultimately transforms him from cloistered metaphysician to fiery abolitionist.Drawing on telling episodes from Emerson&’s life alongside landmark essays like &“Self-Reliance,&” &“Experience,&” and &“Circles,&” Glad to the Brink of Fear reveals how Emerson shares our preoccupations with fate and freedom, race and inequality, love and grief. It shows, too, how his desire to see the world afresh, rather than accepting the consensus view, is a lesson that never grows old.Race, Theft, and Ethics: Property Matters in African American Literature (Southern Literary Studies)
Par Lovalerie King. 2007
In Race, Theft, and Ethics, Lovalerie King examines African American literature's critique of American law concerning matters of property, paying…
particular attention to the stereotypical image of the black thief. She draws on two centuries of African American writing that reflects the manner in which human value became intricately connected with property ownership in American culture, even as racialized social and legal custom and practice severely limited access to property. Using critical race theory, King builds a powerful argument that the stereotype of the black thief is an inevitable byproduct of American law, politics, and social customs.In making her case, King ranges far and wide in black literature, looking closely at over thirty literary works. She uses four of the best-known African American autobiographical narratives -- Narrative of the Life of Frederick Douglass, Harriet Jacobs's Incidents in the Life of a Slave Girl, Booker T. Washington's Up From Slavery, and Richard Wright's Black Boy -- to reveal the ways that law and custom worked to shape the black thief stereotype under the institution of slavery and to keep it firmly in place under the Jim Crow system. Examining the work of William Wells Brown, Charles Chesnutt, James Weldon Johnson, and Alice Randall, King treats "the ethics of passing" and considers the definition and value of whiteness and the relationship between whiteness and property.Close readings of Richard Wright's Native Son and Dorothy West's The Living is Easy, among other works, question whether blacks' unequal access to the economic opportunities held out by the American Dream functions as a kind of expropriation for which there is no possible legal or ethical means of reparation. She concludes by exploring the theme of theft and love in two famed neo-slave or neo-freedom narratives—Toni Morrison's Beloved and Charles Johnson's Middle Passage.Race, Theft, and Ethics shows how African American literature deals with the racialized history of unequal economic opportunity in highly complex and nuanced ways, and illustrates that, for many authors, an essential aspect of their work involved contemplating the tensions between a given code of ethics and a moral course of action. A deft combination of history, literature, law and economics, King's groundbreaking work highlights the pervasiveness of the property/race/ethics dynamic in the interfaces of African American lives with American law.The Wonder Paradox: Awe, Poetry, and the Meaningful Life
Par Jennifer Michael Hecht. 2004
The Wonder Paradox offers a lively, practical, and transcendent road map to meaning and connection through poetry.Where do we find…
magic? Peace? Connection?We have calendars to mark time, communal spaces to bring us together, bells to signal hours of contemplation, official archives to record legacies, the wisdom of sages read aloud, weekly, to map out the right way to live—in kindness, justice, morality. These rhythms and structures of society were all once set by religion. Now, for many, religion no longer runs the show.So how then to celebrate milestones? Find rules to guide us? Figure out which texts can focus our attention but still offer space for inquiry, communion, and the chance to dwell for a dazzling instant in what can’t be said? Where, really, are truth and beauty? The answer, says The Wonder Paradox, is in poetry.In twenty chapters built from years of questions and conversations with those looking for an authentic and meaningful life, Jennifer Michael Hecht offers ways to mine and adapt the useful aspects of tradition and to replace what no longer feels true. Through cultures and poetic wisdom from around the world—Sappho, Rumi, Shakespeare, Issa, Tagore, Frost, Szymborska, Angelou, and others—she blends literary criticism with spiritual guidance rooted in the everyday. Linking our needs to particular poems, she helps us better understand those needs, our very being, and poetry itself.Our capacity for wonder is one of the greatest joys of being human; The Wonder Paradox celebrates that instinct and that yearning.Ships of State: Literature and the Seaman’s Labour in Proto-Imperial Britain
Par Laurie Ellinghausen. 2024
The ideological roots of the British Empire have been widely discussed in early modern studies, as have maritime settings in…
the period’s imaginative writing. However, these perspectives have not adequately accounted for how literature’s evolving representations of the common British seaman shaped the early stages of public discourse about Britain’s imperial endeavours. Filling that gap in scholarship, Ships of State argues that literary representations of seaborne labour play a distinct and crucial role in the early formation of British imperial attitudes. The book analyses these representations across an array of popular genres: New World promotion tracts, civic pageantry, stage drama, and broadside ballads. These genres demonstrate how imaginative modes of discourse both reflected and influenced popular conceptions of the common seaman and, by extension, the national ambitions he represented. Placing these depictions into dialogue with the larger national conversation about maritime expansion, Ships of State sheds new light on the role of seaborne labour and its literary representations in creating and sustaining empire.Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi
Par Blair Hoxby. 2024
Since the nineteenth century, some of the most influential historians have portrayed opera and tragedy as wholly distinct cultural phenomena.…
These historians have denied a meaningful connection between the tragedy of the ancients and the efforts of early modern composers to arrive at styles that were intensely dramatic. Drawing on a series of case studies, Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi traces the productive, if at times rivalrous, relationship between opera and tragedy from the institution of French regular tragedy under Richelieu in the 1630s to the reform of opera championed by Calzabigi and Gluck in the late eighteenth century. Blair Hoxby and his fellow contributors shed light on “neighbouring forms” of theatre, including pastoral drama, tragédie en machines, tragédie en musique, and Goldoni’s dramma giocoso. Their analysis includes famous masterpieces by Corneille, Voltaire, Metastasio, Goldoni, Calzabigi, Handel, and Gluck, as well as lesser-known artists such as Luisa Bergalli, the first female librettist to write for the public theatre in Italy. Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi delves into a series of quarrels and debates in order to illuminate the history of seventeenth- and eighteenth-century theatre.