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The Cross of Redemption: Uncollected Writings (Vintage International Ser.)
Par James Baldwin. 2010
From one of the most brilliant and provocative literary figures of the past century—a collection of essays, articles, reviews, and…
interviews that have never before been gathered in a single volume.&“An absorbing portrait of Baldwin&’s time—and of him.&” —New York Review of BooksJames Baldwin was an American literary master, renowned for his fierce engagement with issues haunting our common history. In The Cross of Redemption we have Baldwin discoursing on, among other subjects, the possibility of an African-American president and what it might mean; the hypocrisy of American religious fundamentalism; the black church in America; the trials and tribulations of black nationalism; anti-Semitism; the blues and boxing; Russian literary masters; and the role of the writer in our society.Prophetic and bracing, The Cross of Redemption is a welcome and important addition to the works of a cosmopolitan and canonical American writer who still has much to teach us about race, democracy, and personal and national identity. As Michael Ondaatje has remarked, &“If van Gogh was our nineteenth-century artist-saint, Baldwin [was] our twentieth-century one.&”My 1980s & Other Essays
Par Wayne Koestenbaum. 2013
Wayne Koestenbaum returns with a zesty and hyper-literate collection of personal and critical essays on the 1980s, including essays on…
major cultural figures such as Andy Warhol and Brigitte Bardot.Wayne Koestenbaum has been described as "an impossible lovechild from a late-night, drunken three-way between Joan Didion, Roland Barthes, and Susan Sontag" (Bidoun). In My 1980s and Other Essays, a collection of extravagant range and style, he rises to the challenge of that improbable description.My 1980s and Other Essays opens with a series of manifestos—or, perhaps more appropriately, a series of impassioned disclosures, intellectual and personal. It then proceeds to wrestle with a series of major cultural figures, the author's own lodestars and lodestones: literary (John Ashbery, Roberto Bolaño, James Schuyler), artistic (Diane Arbus, Cindy Sherman, Andy Warhol), and simply iconic (Brigitte Bardot, Cary Grant, Lana Turner). And then there is the personal—the voice, the style, the flair—that is unquestionably Koestenbaum. It amounts to a kind of intellectual autobiography that culminates in a string of passionate calls to creativity; arguments in favor of detail and nuance, and attention; a defense of pleasure, hunger, and desire in culture and experience.Koestenbaum is perched on the cusp of being a true public intellectual—his venues are more mainstream than academic, his style is eye-catching, his prose unfailingly witty and passionate, his interests profoundly wide-ranging and popular. My 1980s should be the book that pushes Koestenbaum off that cusp and truly into the public eye.The Essays of Leonard Michaels
Par Leonard Michaels. 2009
NONFICTION FROM "ONE OF THE STRONGEST AND MOST ARRESTING PROSE TALENTS OF HIS GENERATION" (LARRY MCMURTRY) Leonard Michaels was a…
writer of unfailing emotional honesty. His memoirs, originally scattered through his story collections, are among the most thrilling evocations of growing up in the New York of the 1950s and '60s—and of continuing to grow up, in the cultural turmoil of the '70s and '80s, as a writer, teacher, lover, and reader. The same honesty and excitement shine in Michaels's highly personal commentaries on culture and art. Whether he's asking what makes a story, reviewing the history of the word "relationship," or reflecting on sex in the movies, he is funny, penetrating, surprising, always alive on the page. The Essays of Leonard Michaels is the definitive collection of his nonfiction and shows, yet again, why Michaels was singled out for praise by fellow writers as diverse as Susan Sontag, Larry McMurtry, William Styron, and Charles Baxter. Beyond autobiography or criticism, it is the record of a sensibility and of a style that is unmatched in American letters.The Wound and the Bow contains seven essays by "The greatest literary critic of the twentieth century.” -New York magazine.Combining…
biographical and critical sketches, Edmund Wilson writes brilliantly on a wide-range of authors including Dickens, Kipling, Edith Wharton, Ernest Hemingway, Joyce, Jacques Casanova, and Sophocles. "In the best tradition of literary criticism… combines exact information with shrewd and searching penetration into the personal life of the artist."-The New York TimesAll One Universe: A Collection Of Fiction And Nonfiction
Par Poul Anderson. 1988
Poul Anderson himself has put together a retrospective collection of his recent writings, fiction and nonfiction, under the title All…
One Universe. This is the first major Poul Anderson collection in a decade. It encompasses all his strengths as a teller of tales and, in addition, provides a running commentary in the story notes and in the essays on other literary figures such as Rudyard Kipling, Johannes B. Jensen, and John W. Campbell, Jr., commentary that illuminates the fiction, gives personal insight into the mind of this fine writer, and provides a unifying personality for All One Universe. All One Universe, then, represents the new best of Poul Anderson. It is a rich, varied selection of quintessential science fiction as well as four essays, mostly from recent years, by one of the great science fiction writers of the century. His stories are filled with roaring energy, the soul of poetry, and dark imaginings. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.Yukon Alone: The World's Toughest Adventure Race
Par John Balzar. 1999
In the tradition of Into the Wild, John Balzar's Yukon Alone is a story of daring and determination in one…
of nature's harshest, loneliest, and most beautiful places.The Yukon Quest International Sled Dog Race is among the most challenging and dangerous of all the organized sporting events in the world. Every February, a handful of hardy souls sps over two weeks racing sleds pulled by fourteen dogs over 1,023 miles of frozen rivers, icy mountain passes, and spruce forests as big as entire states. It's not unusual for the temperature to drop to 40-below or for the night to be seventeen hours long.Why would anyone want to run this race? To find out, John Balzar moved to Alaska months before The Quest began and he spent time in the homes of many of the mushers. Balzar then spent many days and nights on the trail, and the result is a book that not only treats us to a vivid day-by-day account of the grueling race itself but also offers an insightful look at the men and women who have moved to this rugged and beautiful place, often leaving behind comfortable houses and jobs in the lower forty-eight states for the sense of exhilaration they find in their new lives. Readers will also be fascinated by Balzar's account of what goes into the training and care of the majestic dogs who pull the sleds and whose courage, strength, and devotion make them the true heroes of this story. For anyone captivated by the wild north country, this riveting tale of courage and adventure will inspire and entertain.100 Essays I Don't Have Time to Write is an incisive, idiosyncratic collection on life and theater from major American…
playwright Sarah Ruhl. This is a book in which chimpanzees, Chekhov, and child care are equally at home. A vibrant, provocative examination of the possibilities of the theater, it is also a map to a very particular artistic sensibility, and an unexpected guide for anyone who has chosen an artist's life. Sarah Ruhl is a mother of three and one of America's best-known playwrights. She has written a stunningly original book of essays whose concerns range from the most minimal and personal subjects to the most encompassing matters of art and culture. The titles themselves speak to the volume's uniqueness: "On lice," "On sleeping in the theater," "On motherhood and stools (the furniture kind)," "Greek masks and Bell's palsy."MFA vs NYC: The Two Cultures of American Fiction
Par Chad Harbach. 2014
Writers write—but what do they do for money?In a widely read essay entitled "MFA vs NYC," bestselling novelist Chad Harbach…
(The Art of Fielding) argued that the American literary scene has split into two cultures: New York publishing versus university MFA programs. This book brings together established writers, MFA professors and students, and New York editors, publicists, and agents to talk about these overlapping worlds, and the ways writers make (or fail to make) a living within them. Should you seek an advanced degree, or will workshops smother your style? Do you need to move to New York, or will the high cost of living undo you? What's worse—having a day job or not having health insurance? How do agents decide what to represent? Will Big Publishing survive? How has the rise of MFA programs affected American fiction? The expert contributors, including George Saunders, Elif Batuman, and Fredric Jameson, consider all these questions and more, with humor and rigor. MFA vs NYC is a must-read for aspiring writers, and for anyone interested in the present and future of American letters.Tonight I'm Someone Else: Essays
Par Chelsea Hodson. 2018
"I had a real romance with this book." —Miranda JulyA highly anticipated collection, from the writer Maggie Nelson has called,…
“bracingly good…refreshing and welcome,” that explores the myriad ways in which desire and commodification intersect.From graffiti gangs and Grand Theft Auto to sugar daddies, Schopenhauer, and a deadly game of Russian roulette, in these essays, Chelsea Hodson probes her own desires to examine where the physical and the proprietary collide. She asks what our privacy, our intimacy, and our own bodies are worth in the increasingly digital world of liking, linking, and sharing.Starting with Hodson’s own work experience, which ranges from the mundane to the bizarre—including modeling and working on a NASA Mars mission— Hodson expands outward, looking at the ways in which the human will submits, whether in the marketplace or in a relationship. Both tender and jarring, this collection is relevant to anyone who’s ever searched for what the self is worth.Hodson’s accumulation within each piece is purposeful, and her prose vivid, clear, and sometimes even shocking, as she explores the wonderful and strange forms of desire. Tonight I'm Someone Else is a fresh, poetic debut from an exciting emerging voice, in which Hodson asks, “How much can a body endure?” And the resounding answer: "Almost everything."Talking to Strangers: Selected Essays, Prefaces, and Other Writings, 1967–2017
Par Paul Auster. 2019
Includes new early writings: &“This vibrant collection fully displays Auster&’s wit and humanity . . . a fascinating glimpse into the mind of…
a celebrated author.&” —Publishers Weekly (starred review) Beginning with a short philosophical meditation written when he was twenty and concluding with nine political pieces that take on such issues as homelessness, 9/11, and the link between soccer and war, the forty-four pieces gathered in this volume offer a wide-ranging view of celebrated novelist Paul Auster&’s thoughts on a multitude of classic and contemporary writers, the high-wire exploits of Philippe Petit, how to improve life in New York City (in collaboration with visual artist Sophie Calle), and the long road he has traveled with his beloved manual typewriter. While writing for the New York Review of Books and other publications in the mid-1970s, young poet Auster gained recognition as an astute literary critic with essays on Laura Riding, John Ashbery, Samuel Beckett, Franz Kafka, Paul Celan, and others. By the late seventies and early eighties, as the poet was transforming himself into a novelist, he maintained an active double life by continuing his work as a translator and editing the groundbreaking anthology The Random House Book of Twentieth-Century Poetry. His prefaces to some of these books are included in Talking to Strangers, among them a heart-wrenching account of Stéphane Mallarmé&’s response to the death of his eight-year-old son, Anatole. In recent years, Auster explored the work of American artists spanning periods and disciplines: the notebooks of Nathaniel Hawthorne, the films of Jim Jarmusch, the writings of painter-collagist-illustrator Joe Brainard, and the three-hit shutout thrown by journeyman right-hander Terry Leach of the Mets. Also included here are several rediscovered works originally delivered in public: a 1982 lecture on Edgar Allan Poe, a 1999 blast against New York mayor Rudolph Giuliani, and one of the funniest introductions a poetry reading ever heard in the state of New Jersey. A collection of soaring intelligence and deepest humanity including never-before-published material, Talking to Strangers is an essential book by &“the most distinguished American writer of [his] generation . . . indeed its only author . . . with any claim to greatness&” (The Spectator).