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The Palace of Forty Pillars
Par Armen Davoudian. 2024
A San Francisco Chronicle and LitHub Best Book of Spring A Most Anticipated Book of the Season at The Rumpus,…
Publishers Weekly, and Autostraddle “Brilliant and deft and heartfelt."—Richie Hofmann Wry, tender, and formally innovative, Armen Davoudian’s debut poetry collection, The Palace of Forty Pillars, tells the story of a self estranged from the world around him as a gay adolescent, an Armenian in Iran, and an immigrant in America. It is a story darkened by the long shadow of global tragedies—the Armenian genocide, war in the Middle East, the specter of homophobia. With masterful attention to rhyme and meter, these poems also carefully witness the most intimate encounters: the awkward distance between mother and son getting ready in the morning, the delicate balance of power between lovers, a tense exchange with the morality police in Iran. In Isfahan, Iran, the eponymous palace has only twenty pillars—but, reflected in its courtyard pool, they become forty. This is the gamble of Davoudian’s magical, ruminative poems: to recreate, in art’s reflection, a home for the speaker, who is unable to return to it in life.you (Literature in Translation Series)
Par Chantal Neveu, Erín Moure. 2024
From poet Chantal Neveu, author of the award-winning collection This Radiant Life, comes a book-length poem that plunges us more…
deeply into the notion of the idyll and into the polyhedric structure of love.you demonstrates with exceptional beauty how in the interval between words or verses, language can glimmer, absorb, and refract the changing realities and attractions of an all too human relationship. Personal autonomy and the formation of “ self” are nourished here by multiples— I, you, s/he. The voice in you reclaims life from change and time and affirms it anew.An inspirational roadmap to changing yourself—and the world—through self-healing, transformation, and decolonization from artist, poet, and changemaker Jezz Chung.Artist, poet,…
and performer Jezz Chung (they/them) focuses on cultural change through personal transformation. In This Way to Change, Jezz shares contemporary poetry, accessible prose, and healing practices from different therapeutic modalities to explore subjects like healing your inner child, nourishing friendships, decolonizing your thinking, deconstructing binaries, and intentional community-making. The interactive healing practices in this book include writing and reflection prompts, somatic exercises, guided meditations, and more to help readers tap into their powers of self-healing on their journey through change.INSPIRING EXPERT AUTHOR: Jezz Chung has built a career as a thought leader and changemaker through their intersectional approach to equity, creativity, and well-being. Celebrated as a champion for diversity and inclusion and featured in such outlets as Adweek, Paper Mag, i-D, Teen Vogue, and The Folklore, they have a vibrant and ever-growing following on Instagram. They are an internationally recognized public speaker sought after not only for their commitment to change but for their practice of honesty and vulnerability.TRANSFORMATIONAL SELF-HELP BOOK: For readers hungry for self-help that inspires and doesn’t feel like homework, this deeply engaging guide will spark inspiration as well as introspection. The author is uniquely positioned to address several underrepresented themes and issues, like the strictures of the gender binary, AAPI experience, LGBTQ+ experience, and neurodivergence, making this a breakthrough volume in the self-help genre.GIFT BOOK FOR A WIDE AUDIENCE: Beautifully packaged and filled with inspiration, This Way to Change makes a powerful resource and empowering gift for readers of contemporary poetry, anyone interested in social justice, underground artists, and futurism, and those eager to explore new avenues of self-exploration and personal growth.Perfect for:Anyone interested in social justice, racial and disability issues, LGBTQIA+ and other marginalized identity issuesThose seeking guidance in alternative wellness, self-guided healing, intentional community building, and collective careAAPI readers interested in Jezz Chung’s Korean American perspective on identity, decolonization, and intergenerational traumaReaders of Self-Love Poetry, Heart Talk, and such bestselling authors as Alexandra Elle and Yung PuebloA Clown at Midnight: Poems
Par Andrew Hudgins. 2013
“Recklessness and rigor, in equal measure, mark the stirring poetics of Andrew Hudgins in this fine new book. Hudgins can…
wrestle a rhyme scheme into submission with one hand tied behind his back and can penetrate the black heart of history with a single, subtly rendered detail. He laughs with Democritus and weeps with Heraclitus and, line by distillate line, contrives a tonic antidote to “the acetone / of American inattention.” — Linda GregersonIn A Clown at Midnight Andrew Hudgins offers a meditation on humor with a refreshing poignancy and cutting wit. He touches on love and nature, but at its core this collection is about the consolations and terrors, the delights and discomforts, of laughter, taking its title from a quote by Lon Chaney Sr.: “The essence of true horror is a clown at midnight.” Skillfully probing paradoxes, Hudgins conjures the titular clown: “Down these mean streets a bad joke walks alone / bruised head held low, chin tucked in tight, eyes down / defiant. He laughs and it turns to a moan.” Hudgins gives us utter honesty and accessible verse, exploring moments both uncomfortable and satirical while probing the impulse to confront life’s most demanding trials with laughter.“Hudgins’s poems are often funny, hinging on a joke or wisecrack or malapropism, but human nature red in tooth and claw has always been his greatest theme.” — BookPageThe Practice of Poetry: Writing Exercises From Poets Who Teach
Par Robin Behn and Chase Twichell. 1992
One Day: Life, love and controversy in middle America
Par Shirley Howard Hall. 2007
One Day is a collection of poems which highlights the issues and challenges facing mankind in the 20th and 21st…
centuries. Politics, religion, socio-economic issues, and a need for natural resources led to numerous campaigns on the battlefield, and on the middle class. Issues challenging the poor and the middle class were world wide issues, and in an attempt to spread democracy; conflicts became the order of the day.Listen
Par Shirley Howard Hall. 2009
“From ethics to eros, Shirley Hall's poetry has an edge that sharply dissects the dilemmas of contemporary life. Hers is…
the voice of the prophet crying out for social justice; the voice of a compassionate human being seeking basic decency and dignity. More than mere entertainment and aesthetic experience, Hall's compositions provide insight and instruction, and are guaranteed to make your spirit sing.” Lance Strate Prof. of Communication and Media Studies Fordham University, New York ------ “...a spokesperson for others - brave at voicing wrongs - her poems have a courage behind them, a tongue free to unleash a fury…words that dig deep into ones soul. Marvelous!” Aine MacAodha Author: Where the Three Rivers Meet Omagh Ireland ------ “...a book for everyone who cares for the human condition and treasures the beauty of the word. A must read. ~ LISTEN… and learn” Constance Stadler, Ph.D Author: Tinted Steam, Sublunary Curse Washington DC / Virginia ------ “...poems that are moving, intelligent and thought provoking… she defines the essence of my group. A book you’ll read again and again” Joe Sting Cup of Coffee Networkers.Traffick
Par Ellen Hopkins. 2015
Five teens victimized by sex trafficking try to find their way to a new life in this &“sincere and moving&”…
(Booklist) companion to the #1 New York Times bestselling Tricks from Ellen Hopkins, author of Crank.In her bestselling novel, Tricks, Ellen Hopkins introduced us to five memorable characters tackling these enormous questions: Eden, the preacher’s daughter who turns tricks in Vegas and is helped into a child prostitution rescue; Seth, the gay farm boy disowned by his father who finds himself without money or resources other than his own body; Whitney, the privileged kid coaxed into the life by a pimp and whose dreams are ruined in a heroin haze; Ginger, who runs away from home with her girlfriend and is arrested for soliciting an undercover cop; and Cody, whose gambling habit forces him into the life, but who is shot and left for dead. And now, in Traffick, these five are faced with the toughest question of all: Is there a way out? How these five teenagers face the aftermath of their decisions and experiences is the soul of this story that exposes the dark, ferocious underbelly of the child trafficking trade. Heartwrenching and hopeful, Traffick takes us on five separate but intertwined journeys through the painful challenges of recovery, rehabilitation, and renewal to forgiveness and love. All the way home.Without A Claim: Poems
Par Grace Schulman. 2013
“Without a Claim is a modern Book of Psalms. Indeed, the glory in these radiant sacred songs meld an art…
of high music with a nuanced love of the world unlike any we’ve heard before. No matter your mood upon entering this world you’ll soon be grateful, and enchanted. In any such house of praise, God herself must be grateful.” — Philip Schultz, Pulitzer Prize–winning author of Failure and The God of LonelinessGrace Schulman, who has been called “a vital and permanent poet” (Harold Bloom), makes new the life she finds in other cultures and in the distant past. In Without a Claim, she masterfully encompasses music, faith, art, and history. The title poem alludes to the Montauk sachem who sold land without any concept of rights to property, and meditates on our own notion of ownership: “No more than geese in flight, shadowing the lawn, / cries piercing wind, do we possess these fields, / given the title, never the dominion.” She traces the illusion of rights, from land to objects, from our loves to our very selves. Alternatively, she finds permanence in art, whether in galleries or on cave walls, and in music, whether in the concert hall, on the streets of New York, or in the waves at sea.Silencer: Poems
Par Marcus Wicker. 2017
&“Tough talk for tough times. Silencer is both lyrical and merciless–Wicker&’s mind hums in overdrive, but with the calm and…
clarity of a marksman.&” —Tim Seibles, author of One Turn Around the Sun and finalist for the National Book Award A suburban park, church, a good job, a cocktail party for the literati: to many, these sound like safe places, but for a young black man these insular spaces don&’t keep out the news—and the actual threat—of gun violence and police brutality, or the biases that keeps body, property, and hope in the crosshairs. Continuing conversations begun by Citizen and Between the World and Me, Silencer sings out the dangers of unspoken taboos present on quiet Midwestern cul-de-sacs and in stifling professional settings, the dangers in closing the window on &“a rainbow coalition of cops doing calisthenics around/a six-foot, three-hundred-fifty-pound man, choked back into the earth for what/looked a lot, to me, like sport.&” Here, the language and cadences of hip-hop and academia meet prayer—these poems are crucibles, from which emerge profound allegories and subtle elegies, sharp humor and incisive critiques. &“There is not a moment in this book when you are allowed to forget the complexities of a black man's life in America. These poems evoke so much—strength, beauty, passion, fear. There is the quiet, ironic pleasure of life on a cul-de-sac juxtaposed with the tensions of always wondering when a police officer's gun or fists might get in the way of the black body. The stylistic range of these poems, the wit, and the intelligence of them offers so much to be admired. There is nothing silent about Silencer. What an outstanding second book from Marcus Wicker.&” —Roxane Gay &“Marcus Wicker&’s masterful and hard-hitting second collection is exactly the book we need in this time of malfeasance, systemic violence, and the double talk that obfuscates it all... He writes the kinds of vital, clear-eyed poems we can turn to when codeswitching slogans and online power fists no longer get the job done. These are poems whose ink is made from anger and quarter notes. They remind us that to remain silent in the face of aggression is to be complicit and to be complicit is not an option for any of us.&” —Adrian Matejka, author of The Big Smoke and finalist for the National Book Award and Pulitzer Prize&“Silencer is an important book of American poetry: wonderfully subtle, wholly original, and subversive. Politics and social realities aside, this is foremost a book that delights in language, how it sounds to the ear and plays to the mind. We have suburban complacency played against hip-hop resistance, Christian prayers uttered in the face of dread violence, real meaning pitted against materialism, and love, in its largest measure, set against ignorance.To say Silencer is a tour de force would be an understatement. What a work of true art this is, and what a gift Marcus Wicker has given to us.&”—Maurice Manning, author of One Man&’s Dark and finalist for the Pulitzer Prize "Silencer disarms and dazzles with its wisdom and full-throated wit. [This] collection snaps to attention with a soundtrack full of salty swagger and a most skillful use of formal inventions that&’ll surely knock you out. Here in these pages, sailfish and hummingbirds assert their frenetic movements on a planet simmering with racial tensions, which in turn forms its own kind of bopping and buoyant religion. What a thrill to read these poems that provoke and beg for beauty and song-calling into the darkest of nights."—Aimee Nezhukumatathil, author of Lucky Fish and poetry editor at Orion MagazinThe Twenty-Ninth Year: Poems
Par Hala Alyan. 2019
Wild, lyrical poems that examine the connections between physical and interior migration, from award-winning Palestinian American poet, novelist, and clinical…
psychologist Hala Alyan, author of Salt Houses.For Hala Alyan, twenty-nine is a year of transformation and upheaval, a year in which the past—memories of family members, old friends and past lovers, the heat of another land, another language, a different faith—winds itself around the present. Hala’s ever-shifting, subversive verse sifts together and through different forms of forced displacement and the tolls they take on mind and body. Poems leap from war-torn cities in the Middle East, to an Oklahoma Olive Garden, a Brooklyn brownstone; from alcoholism to recovery; from a single woman to a wife. This collection summons breathtaking chaos, one that seeps into the bones of these odes, the shape of these elegies. A vivid catalog of heartache, loneliness, love and joy, The Twenty-Ninth Year is an education in looking for home and self in the space between disparate identities.American Rendering: New and Selected Poems
Par Andrew Hudgins. 2009
American Rendering showcases twenty-four new poems as well as a generous selection from Andrew Hudgins’s six previous volumes, spanning a…
distinguished career of more than twenty-five years. Hudgins, who was born in Texas and spent most of his childhood in the South, is a lively and prolific poet who draws on his vivid Southern and,more specifically, Southern Baptist, childhood. Influenced by writers such as John Crowe Ransom,William Faulkner, Flannery O’Connor, and James Dickey, Hudgins has developed a distinctively descriptive form of the Southern Gothic imagination. His poems are rich with religious allusions, irreverent humor, and at times are inflected with a dark and violent eroticism.Of Hudgins’s most recent collection, Ecstatic in the Poison, Mark Strand wrote: “[It] is full of intelligence, vitality, and grace. And there is a beautiful oddness about it.Dark moments seem charged with an eerie luminosity and the most humdrum events assume a startling lyric intensity. A deep resonant humor is everywhere, and everywhere amazing.”Mission Work: Poems
Par Aaron Baker. 2008
In this prize-winning collection, a debut poet evokes his childhood as the son of missionaries in Papua New Guinea.Mission Work…
is an arresting collection of poems based on Aaron Baker’s experiences as a child of missionaries living among the Kuman people in the remote Chimbu Highlands of Papua New Guinea. Rich with Christian and Kuman myths and stories, the poems explore Western and tribal ways of looking at the world -- an interface of vastly different cultures and notions of spirituality, illuminated by the poet’s own struggles as he comes of age in this unique environment.The images conjured in Mission Work are viscerally stirring: native people slaughter pigs for a Chimbu wedding ceremony; a papery flight of cicadas cuts through a cloud forest; hands sting as they beat a drum made of dried snakeskin. Quieter moments are shot through with the unfamiliar as well. In “Bird of Paradise,” a father angles his son’s head toward the canopy of the jungle so the boy can catch sight of an elusive bird. Stanley Plumly, this year’s guest judge, writes, “How rare to find precision and immersion so alive in the same poetry. Aaron Baker's pressure on his language not only intensifies and elevates his memories of Papuan 'mission work,' it transforms it back into something very like his original childhood experience. Throughout this remarkably written and felt first book, the reader, like the author himself, ‘can’t tell if this is white or black magic,’ Christian, tribal, or both at once.”The Government Lake: Last Poems
Par James Tate. 2019
The stunning, startling collection that is also the last work from a major poet A woman named Mildred starts laying…
eggs after feathers from wild poultry begin coming down the chimney. A man becomes friends with a bank robber who abducts him and eventually rues his captor’s death. A baby is born transparent. James Tate’s work, filled with unexpected turns and deadpan exaggeration, “fanciful and grave, mundane and transcendent,” (New York Times) has been among the most defining and significant of our time. In his last collection before his death in 2015, Tate’s dark yet whimsical humor, his emotional acuity, and his keen ear for the absurd are on full display in prose poems that finely constructed and lyrical, surrealistic and provocative. With The Government Lake, James Tate reminds us why he is one of the great poets of our age and one of the true masters of the form.100 Poems to Break Your Heart
Par Edward Hirsch. 2021
100 of the most moving and inspiring poems of the last 200 years from around the world, a collection that…
will comfort and enthrall anyone trapped by grief or loneliness, selected by the award-winning, best-selling, and beloved author of How to Read a PoemImplicit in poetry is the idea that we are enriched by heartbreaks, by the recognition and understanding of suffering—not just our own suffering but also the pain of others. We are not so much diminished as enlarged by grief, by our refusal to vanish, or to let others vanish, without leaving a record. And poets are people who are determined to leave a trace in words, to transform oceanic depths of feeling into art that speaks to others.In 100 Poems to Break Your Heart, poet and advocate Edward Hirsch selects 100 poems, from the nineteenth century to the present, and illuminates them, unpacking context and references to help the reader fully experience the range of emotion and wisdom within these poems. For anyone trying to process grief, loneliness, or fear, this collection of poetry will be your guide in trying times.Worlds beyond My Window: The Life and Work of Gertrude McCarty Smith
Par Thomas R. Brooks, Pat Pinson, Stephen Rosenberg, Rick Wilemon. 2021
Artist, columnist, and poet Gertrude McCarty Smith (1923–2007) of Collins, Mississippi, carried herself as a demure and proper southern lady,…
yet this was deceiving as she was a prolific, creative trailblazer who had collectors and dedicated readers from coast to coast, and even in Europe. She grew up during the Great Depression with only some vivid storytelling and pictures from the family Bible to inspire and kindle her artistic spirit. However, at the age of ten, her career launched when her grandmother coaxed her with a box of crayons to milk the family cow—her seventy-year love affair with the arts was born. Over the years, she would express her creativity in many forms, resulting in thousands of paintings, sculptures, songs, poems, and newspaper columns and along the way a variety of artful cakes, as she ran a celebrated twenty-five-year cake business. Her art appeared in all shapes, sizes, materials, and “eatability.” For most of her early career, Gertrude dabbled with a variety of styles—with subjects mostly centered around life in rural Mississippi and her spiritual life. But in 1980 at the age of fifty-seven, she attended her first Mississippi Art Colony at Camp Jacob in Utica, Mississippi. Over the next fifteen years, she would make her pilgrimage twice a year to be inspired by celebrated guest instructors from around the nation and connect with fellow artists. The Colony was a major catalyst, exposing her to new styles, giving her encouragement and freedom to experiment. Gertrude said of the Colony, “I never knew anything about abstract art, but it fascinated me to no end. Abstract art to me is like a beautiful melody without words. In mixed media, I am in another world and often am surprised at the piece that evolves from the torn watercolor papers. The effect is a kaleidoscope of colors that makes the retinas dance.” This book features more than 150 images; a dozen poems; insightful essays from New York art dealer Stephen Rosenberg, acclaimed southern cultural scholar and curator Pat Pinson, and artist, curator, and instructor Rick Wilemon; along with a foreword by Tommy King, president of William Carey University; and a chronicle of her life’s journey by her son-in-law, Thomas R. Brooks. As Rosenberg has said, “Gertrude Smith is a remarkable and authentic American woman who teaches us that talent and creativity combined with a humanistic spirit is both a state of mind and a state of grace—at any age.” Book proceeds will benefit the Gertrude McCarty Smith Foundation for the Arts to bring access and passion for literature, performance, and visual arts to children in underserved communities throughout Mississippi.Some of the best known African American poems are sonnets: Claude McKay's "If We Must Die," Countee Cullen's "Yet Do…
I Marvel," Gwendolyn Brooks's "First fight. Then fiddle." Yet few readers realize that these poems are part of a rich tradition that formed after the Civil War and comprises more than a thousand sonnets by African American poets. Paul Laurence Dunbar, Jean Toomer, Langston Hughes, Margaret Walker, and Rita Dove all wrote sonnets.Based on extensive archival research, The African American Sonnet: A Literary History traces this forgotten tradition from the nineteenth century to the present. Timo Müller uses sonnets to open up fresh perspectives on African American literary history. He examines the struggle over the legacy of the Civil War, the trajectories of Harlem Renaissance protest, the tensions between folk art and transnational perspectives in the thirties, the vernacular modernism of the postwar period, the cultural nationalism of the Black Arts movement, and disruptive strategies of recent experimental poetry.In this book, Müller examines the inventive strategies African American poets devised to occupy and reshape a form overwhelmingly associated with Europe. In the tightly circumscribed space of sonnets, these poets mounted evocative challenges to the discursive and material boundaries they confronted.A Hundred Lovers: Poems
Par Richie Hofmann. 2022
An erotic journal in poems, from a rising star in the American poetry scene, author of the highly acclaimed collection…
Second Empire.&“A book of love poems that consciously and subversively hearken back to Shakespeare&’s sonnets, marking Hofmann&’s position as one of our necessary poets of erotic desire.&” —Jericho Brown, Pulitzer Prize–winning author of The TraditionA Hundred Lovers is a catalog of encounters, sublime, steamy, and frank. Inspired by French autofiction, the poems feel both sharp and diaristic; their lyrical, intimate world brings us everyday scenes imbued with sex. "Eros enters, where shame had lived," the speaker observes, as the poems explore risk and appetite, promiscuity and violence, and, in the wake of his marriage, questions about monogamy and desire.Bringing us both the carefully knotted silk ties of the wedding pair and their undress in a series of Hockney-like interiors where passion colors every object, Hofmann speaks plainly of the saliva, tears, and guts of the carnal, just as he does of the sublime in works of art. A Hundred Lovers invites us to consider our own memories of pleasure and pain, which fill the generous white space the poet leaves open to us between his ravishing lines.Conversations with Diane di Prima (Literary Conversations Series)
Par David Stephen Calonne. 2022
Diane di Prima (1934–2020) was one of the most important American poets of the twentieth century, and her career is…
distinguished by strong contributions to both literature and social justice. Di Prima and LeRoi Jones (Amiri Baraka) edited The Floating Bear (1962–69), one of the most significant underground publications of the sixties. Di Prima’s poetry and prose chronicle her opposition to the Vietnam War; her advocacy of the rights of Blacks, Native Americans, and the LGBTQ community; her concern about environmental issues; and her commitment to creating a world free of exploitation and poverty. In addition, di Prima is significant due to her challenges to the roles that American women were expected to play in society. Her Memoirs of a Beatnik was a sensation, and she talks about its lasting impact as well. Conversations with Diane di Prima presents twenty interviews ranging from 1972 to 2010 that chart di Prima’s intellectual, spiritual, and political evolution. From her adolescence, di Prima was fascinated by occult, esoteric, and magical philosophies. In these interviews readers can see the ways these concepts influenced both her personal life and her poetry and prose. We are able to view di Prima’s life course from her year at Swarthmore College; her move back to New York and then to San Francisco; her studies of Zen Buddhism; her fascination with the I Ching, Paracelsus, John Dee, Heinrich Cornelius Agrippa, alchemy, Tarot, and Kabbalah; and her later engagement with Tibetan Buddhism and work with Chögyam Trungpa. Another particularly interesting aspect of the book is the inclusion of interviews that explore di Prima’s career as an independent publisher—she founded Poets Press in New York and Eidolon Editions in California—and her commitment to promoting writers such as Audre Lorde. Taken together, these interviews reveal di Prima as both a writer of genius and an intensely honest, direct, passionate, and committed advocate of a revolution in consciousness.The Knot of My Tongue: Poems and Prose
Par Zehra Naqvi. 2024
For readers of Fatimah Asghar&’s If They Come for Us, here is a searing, multidimensional debut about the search for…
language and self, which is life itself.I knew it was time to build what could carry, what could find the high point to name what I knew to be the world and carry it with meAt the heart of The Knot of My Tongue is Zehra Naqvi&’s storying of language itself and the self-re-visioning that follows devastating personal rupture. Employing a variety of poetic forms, these intimate, searching poems address generations, continents, and dominions to examine loss of expression in the aftermath of collisions with powerful forces, ranging from histories to intimacies. Naqvi follows a cast of characters from personal memory, family history, and Quranic traditions, at instances where they have either been rendered silent or found ways to attempt the inexpressible—a father struggling to speak as an immigrant in Canada; a grandmother as she loses her children and her home after the 1947 Partition; the Islamic story of Hajar, abandoned in the desert without water; the myth of Philomela who finds language even after her husband cuts off her tongue. Brilliantly blending the personal and the communal, memory and myth, theology and tradition, the poems in this collection train our attention—slow and immediate, public and private—on our primal ability to communicate, recover, and survive. This example is striking for the power of its speaking through loss and a singular, radiant vision.