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Got a Revolution!: The Turbulent Flight of Jefferson Airplane
Par Jeff Tamarkin. 2003
The most successful and influential rock band to emerge from San Francisco during the 1960s, Jefferson Airplane created the sound…
of a generation. Their smash hits "Somebody to Love" and "White Rabbit" virtually invented the era's signature pulsating psychedelic music and, during one of the most tumultuous times in American history, came to personify the decade's radical counterculture. In this groundbreaking biography of the band, veteran music writer and historian Jeff Tamarkin produces a portrait of the band like none that has come before it. Having worked closely with Jefferson Airplane for more than a decade, Tamarkin had unprecedented access to the band members, their families, friends, lovers, crew members, fellow musicians, cultural luminaries, even the highest-ranking politicians of the time. More than just a definitive history, Got a Revolution! is a rock legend unto itself. Jann Wenner, editor-in-chief and publisher of Rolling Stone, wrote, "The classic [Jefferson] Airplane lineup were both architects and messengers of a psychedelic age, a liberation of mind and body that profoundly changed American art, politics, and spirituality. It was a renaissance that could only have been born in San Francisco, and the Airplane, more than any other band in town, spread the good news nationwide."Forbidden Cocktails: Libations Inspired by the World of Pre-Code Hollywood
Par André Darlington. 2024
A stunning package for classic film buffs and drinks enthusiasts alike, all the &“forbidden&” fun of Pre-Code Hollywood and the…
Prohibition and speakeasy era meet in this stylish cocktail book. What might Jean Harlow have sipped for Dinner at Eight? What did Barbara Stanwyck take to steel herself in Baby Face? If you&’re a classic film fan who&’s ever pondered these questions, or are a bartender or at-home entertainer who adores Prohibition-era cocktails, this guide to mixed drinks inspired by Pre-Code Hollywood is essential reading. The stars and stories of the &“forbidden&” time in moviemaking before strict censorship was enforced and the movies reflected a raucous freedom that would be unseen again for decades take the spotlight in Forbidden Cocktails. With 50 film-and-drink pairings and packaged handsomely with more than 100 full-color and black-and-white photos throughout, this is a practical and stunning homage to a singularly exuberant and evocative era. Movie-and-cocktail pairings include: The Divorcee / Balanced Account; Hell&’s Angels / Platinum Blonde; Dracula / Count Draiquiri; Strangers May Kiss / Stranger&’s Kiss; The Public Enemy / Tom Powers; Night Nurse / My Pal Rye; Shanghai Express / Shanghai Lily; Scarface / First Ward; One Way Passage / Passage to Paradise; Trouble in Paradise / Lubitsch Touch; Call Her Savage / Greenwich Village; Sign of the Cross / Naked Moon; Gold Diggers of 1933 / Pettin&’ in the Park; Flying Down to Rio / Hotel Hibiscus; It Happened One Night / It Happened One Morning; The Thin Man / AstaAncient Western Asia Beyond the Paradigm of Collapse and Regeneration: Proceedings of the NYU-PSL International Colloquium, Paris Institut National d’Histoire de l’Art, April 16–17, 2019 (ISAW Monographs)
Par Maria Grazia Masetti-Rouault, Ilaria Calini, Robert Hawley, and Lorenzo d’Alfonso. 2024
New results and interpretations challenging the notion of a uniform, macroregional collapse throughout the Late Bronze Age Eastern MediterraneanAncient Western…
Asia Beyond the Paradigm of Collapse and Regeneration (1200–900 BCE) presents select essays originating in a two-year research collaboration between New York University and Paris Sciences et Lettres. The contributions here offer new results and interpretations of the processes and outcomes of the transition from the Late Bronze Age to the Iron Age in three broad regions: Anatolia, northern Mesopotamia, and the Levant. Together, these challenge the notion of a uniform, macroregional collapse throughout the Eastern Mediterranean, followed by the regeneration of political powers. Current research on newly discovered or reinterpreted textual and material evidence from Western Asia instead suggests that this transition was characterized by a diversity of local responses emerging from diverse environmental settings and culture complexes, as evident in the case studies collected here in history, archaeology, and art history. The editors avoid particularism by adopting a regional organization, with the aim of identifying and tracing similar processes and outcomes emerging locally across the three regions. Ultimately, this volume reimagines the Late Bronze–Iron Age transition as the emergence of a set of recursive processes and outcomes nested firmly in the local cultural interactions of western Asia before the beginning of the new, unifying era of Assyrian imperialism.A Black Girl in the Middle: Essays on (Allegedly) Figuring It All Out
Par Shenequa Golding. 2024
'Growing up in Queens, I didn't know being named Shenequa was considered "ghetto" or uncouth. It was only later in…
life that I realized I was being judged by a decision I had no control over... I will examine the double-standard Black girls with big names like Shenequa face, and the quick math we have to calculate when trying to de-escalate drama.'In A BLACK GIRL IN THE MIDDLE, a timely, compelling, and blazingly honest essay collection, Shenequa Golding holds up her magnifying glass to both her own experiences and those of young Black women everywhere. With her trademark wit and originality, Shenequa covers identity-searching themes of white supremacy, feminism, misogyny, love, sex and heartbreak. But this isn't just a book about Black women's trauma, it is also a book that embraces and celebrates the things that make Black women different. For readers of SLAY IN YOUR LANE, Candice Brathwaite and Issa Rae.A Black Girl in the Middle: Essays on (Allegedly) Figuring It All Out
Par Shenequa Golding. 2024
'Growing up in Queens, I didn't know being named Shenequa was considered "ghetto" or uncouth. It was only later in…
life that I realized I was being judged by a decision I had no control over... I will examine the double-standard Black girls with big names like Shenequa face, and the quick math we have to calculate when trying to de-escalate drama.'In A BLACK GIRL IN THE MIDDLE, a timely, compelling, and blazingly honest essay collection, Shenequa Golding holds up her magnifying glass to both her own experiences and those of young Black women everywhere. With her trademark wit and originality, Shenequa covers identity-searching themes of white supremacy, feminism, misogyny, love, sex and heartbreak. But this isn't just a book about Black women's trauma, it is also a book that embraces and celebrates the things that make Black women different. For readers of SLAY IN YOUR LANE, Candice Brathwaite and Issa Rae.Applications of Palynology in Stratigraphy and Climate Studies (Society of Earth Scientists Series)
Par Bandana Samant, Deepali Thakre. 2024
This book highlights the importance of palynology in understanding floral biodiversity, paleoclimate and depositional environments in deep time and recent sediments.…
It includes contributions from renowned Indian palynologists who work on the applied aspects of palynology. The book focuses on the significance of palynology in solving various geological problems, ranging from the Precambrian to the Recent. This book will be useful to graduate and postgraduate students, researchers, and academicians working in geology and botany, as well as international researchers interested in palynological research work in India.Howard Stern Comes Again
Par Howard Stern. 2017
Over his unrivaled four-decade career in radio, Howard Stern has interviewed thousands of personalities—discussing sex, relationships, money, fame, spirituality, and…
success with the boldest of bold-faced names. But which interviews are his favorites? It&’s one of the questions he gets asked most frequently. Howard Stern Comes Again delivers his answer.Rock stars and rap gods. Comedy legends and A-list actors. Supermodels and centerfolds. Moguls and mobsters. A president. This book is a feast of conversation and more, as between the lines Stern offers his definitive autobiography—a magnum opus of confession and personal exploration. Tracy Morgan opens up about his near-fatal car crash. Lady Gaga divulges her history with cocaine. Madonna reminisces on her relationship with Tupac Shakur. Bill Murray waxes philosophical on the purpose of life. Jerry Seinfeld offers a master class on comedy. Harvey Weinstein denies the existence of the so-called casting couch. An impressive array of creative visionaries weigh in on what Stern calls &“the climb&”—the stories of how they struggled and eventually prevailed. As he writes in the introduction, &“If you&’re having trouble finding motivation in life and you&’re looking for that extra kick in the ass, you will find it in these pages.&” Interspersed throughout are rare selections from the Howard Stern Show archives with Donald Trump that depict his own climb: transforming from Manhattan tabloid fixture to reality TV star to president of the United States. Stern also tells of his Moby Dick-like quest to land an interview with Hillary Clinton in the run-up to the 2016 election—one of many newly written revelations from the author. He speaks with extraordinary candor about a variety of subjects, including his overwhelming insecurity early in his career, his revolutionary move from terrestrial radio to SiriusXM, and his belief in the power of psychotherapy. As Stern insightfully notes in the introduction: &“The interviews collected here represent my best work and show my personal evolution. But they don&’t just show my evolution. Gathered together like this, they show the evolution of popular culture over the past quarter century.&”Apparently There Were Complaints: A Memoir
Par Sharon Gless. 2021
Emmy Award–winning actress Sharon Gless tells all in this laugh-out-loud, juicy, &“unforgettably memorable&” (Lily Tomlin) memoir about her five decades…
in Hollywood, where she took on some of the most groundbreaking roles of her time.Anyone who has seen Sharon Gless act in Cagney & Lacey, Queer as Folk, Burn Notice, and countless other shows and movies, knows that she&’s someone who gives every role her all. She holds nothing back in Apparently There Were Complaints, a hilarious, deeply personal memoir that spills all about Gless&’s five decades in Hollywood. A fifth-generation Californian, Sharon Gless knew from a young age that she wanted to be an actress. After some rocky teenage years that included Sharon&’s parents&’ divorce and some minor (and not-so-minor) rebellion, Gless landed a coveted spot as an exclusive contract player for Universal Studios. In 1982, she stepped into the role of New York Police Detective Christine Cagney for the series Cagney & Lacey, which eventually reached an audience of 30 million weekly viewers and garnered Gless with two Emmy Awards. The show made history as the first hour-long drama to feature two women in the leading roles. Gless continued to make history long after Cagney & Lacey was over. In 2000, she took on the role of outrageous Debbie Novotny in Queer as Folk. Her portrayal of a devoted mother to a gay son and confidant to his gay friends touched countless hearts and changed the definition of family for millions of viewers. Apparently There Were Complaints delves into Gless&’s remarkable career and explores Gless&’s complicated family, her struggles with alcoholism, and her fear of romantic commitment as well as her encounters with some of Hollywood&’s biggest names. Brutally honest and incredibly relatable, Gless puts it all out on the page in the same way she has lived—never with moderation.Empire of Dreams: The Epic Life of Cecil B. DeMille
Par Scott Eyman. 2010
BEST KNOWN AS THE DIRECTOR of such spectacular films as The Ten Commandments and King of Kings, Cecil B. DeMille…
lived a life as epic as any of his cinematic masterpieces. As a child DeMille learned the Bible from his father, a theology student and playwright who introduced Cecil and his older brother, William, to the theater. Tutored by impresario David Belasco, DeMille discovered how audiences responded to showmanship: sets, lights, costumes, etc. He took this knowledge with him to Los Angeles in 1913, where he became one of the movie pioneers, in partnership with Jesse Lasky and Lasky’s brother-in-law Samuel Goldfish (later Goldwyn). Working out of a barn on streets fragrant with orange blossom and pepper trees, the Lasky company turned out a string of successful silents, most of them directed by DeMille, who became one of the biggest names of the silent era. With films such as The Squaw Man, Brewster’s Millions, Joan the Woman, and Don’t Change Your Husband, he was the creative backbone of what would become Paramount Studios. In 1923 he filmed his first version of The Ten Commandments and later a second biblical epic, King of Kings, both enormous box-office successes. Although his reputation rests largely on the biblical epics he made, DeMille’s personal life was no morality tale. He remained married to his wife, Constance, for more than fifty years, but for most of the marriage he had three mistresses simultaneously, all of whom worked for him. He showed great loyalty to a small group of actors who knew his style, but he also discovered some major stars, among them Gloria Swanson, Claudette Colbert, and later, Charlton Heston. DeMille was one of the few silent-era directors who made a completely successful transition to sound. In 1952 he won the Academy Award for Best Picture with The Greatest Show on Earth. When he remade The Ten Commandments in 1956, it was an even bigger hit than the silent version. He could act, too: in Billy Wilder’s classic film Sunset Boulevard, DeMille memorably played himself. In the 1930s and 1940s DeMille became a household name thanks to the Lux Radio Theater, which he hosted. But after falling out with a union, he gave up the program, and his politics shifted to the right as he championed loyalty oaths and Sen. Joseph McCarthy’s anticommunist witch hunts. As Scott Eyman brilliantly demonstrates in this superbly researched biography, which draws on a massive cache of DeMille family papers not available to previous biographers, DeMille was much more than his clichéd image. A gifted director who worked in many genres; a devoted family man and loyal friend with a highly unconventional personal life; a pioneering filmmaker: DeMille comes alive in these pages, a legend whose spectacular career defined an era.The World Is Yours: The Story of Scarface
Par Glenn Kenny. 2024
The behind-the-scenes story of the iconic film Scarface, featuring new interviews with the cast and crew. An unflinching confrontation of humanity&’s…
dark side, Brian De Palma&’s crime drama film Scarface gave rise to a cultural revolution upon its release in 1983. Its impact was unprecedented, making globe-spanning waves as a defining portrait of the gritty Miami street life. From Al Pacino&’s masterful characterization of Tony Montana to the iconic &“Say hello to my little friend,&” Scarface maintains its reputation as an unwavering game changer in cult classic cinema. With brand-new interviews and untold stories of the film&’s production, longtime film critic Glenn Kenny takes us on an unparalleled journey through the making of American depictions of crime. The World Is Yours highlights the influential characters and themes within Scarface, reflecting on how its storied legacy played such a major role in American culture.Performance: An electrifying memoir from the dark heart of London's Soho
Par Ruth Ivo. 2024
'Stunning . . . a love letter to the aliveness of London and its nightlife' SOPHIE MACKINTOSH'A wild night of…
a book' OCTAVIA BRIGHTAs 'Ruby', Ruth Ivo was a successful burlesque performer, living in blissful bohemian squalor on a decommissioned military boat and spending her evenings unfolding from a Fabergé egg in various London clubs. Her life changes when she is asked to become show director at 'The Club', a place as secretive as it is notorious. Before long, she's trawling Soho back streets for props and knocking back shots with movie stars and billionaires. But as her nights unravel in a maelstrom of glamour and chaos behind the scenes, she feels her grasp on reality slipping through her fingers, and her soul wrung out by decadence. Under pressure to produce shows each more shocking than the last, she watches the performers under her care contort themselves before baying crowds. When a devastating event leaves her unmoored, Ruby has to wonder if she's sold her soul to the devil . . . or become him. Performance is a visceral and exquisitely written portrait of a place that has come to embody the excesses of late capitalism; of tumbling willingly down the rabbit hole, only to lose yourself in the dark.______'Performance is theatrical, immersive and utterly heartbreaking. An astonishing debut' CHRISTIE WATSON'A story this addictive, it's hard not to consume it in one go' RHYANNON STYLES'I devoured this book in two days, all of its twisting corners and dark alleyways. I know Soho like the back of my hand and this brought that lost world back in vivid colours' JODIE HARSHPerformance: An electrifying memoir from the dark heart of London's Soho
Par Ruth Ivo. 2024
'Stunning . . . a love letter to the aliveness of London and its nightlife' SOPHIE MACKINTOSH'A wild night of…
a book' OCTAVIA BRIGHTAs 'Ruby', Ruth Ivo was a successful burlesque performer, living in blissful bohemian squalor on a decommissioned military boat and spending her evenings unfolding from a Fabergé egg in various London clubs. Her life changes when she is asked to become show director at 'The Club', a place as secretive as it is notorious. Before long, she's trawling Soho back streets for props and knocking back shots with movie stars and billionaires. But as her nights unravel in a maelstrom of glamour and chaos behind the scenes, she feels her grasp on reality slipping through her fingers, and her soul wrung out by decadence. Under pressure to produce shows each more shocking than the last, she watches the performers under her care contort themselves before baying crowds. When a devastating event leaves her unmoored, Ruby has to wonder if she's sold her soul to the devil . . . or become him. Performance is a visceral and exquisitely written portrait of a place that has come to embody the excesses of late capitalism; of tumbling willingly down the rabbit hole, only to lose yourself in the dark.______'Performance is theatrical, immersive and utterly heartbreaking. An astonishing debut' CHRISTIE WATSON'A story this addictive, it's hard not to consume it in one go' RHYANNON STYLES'I devoured this book in two days, all of its twisting corners and dark alleyways. I know Soho like the back of my hand and this brought that lost world back in vivid colours' JODIE HARSH