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Conversations with Robert Stone (Literary Conversations Series)
Par William Heath. 2016
Ever since A Hall of Mirrors depicted the wild side of New Orleans in the 1960s, Robert Stone (1937-2015) has…
situated novels where America has shattered and the action is at a pitch. In Dog Soldiers, he covered the Vietnam War and drug smuggling. A Flag for Sunrise captured revolutionary discontent in Central America. Children of Light exposed the crass values of Hollywood. Outerbridge Reach depicted how existential angst can lead to a longing for heroic transcendence. The clash of religions in Jerusalem drove Damascus Gate. Traditional town-gown tensions amid twenty-first-century culture wars propelled Death of the Black-Haired Girl.Stone's reputation rests on his mastery of the craft of fiction. These interviews are replete with insights about the creative process as he responds with disarming honesty to probing questions about his major works. Stone also has fascinating things to say about his remarkable life--a schizophrenic mother, a stint in the navy, his involvement with Ken Kesey's Merry Pranksters, and his presence at the creation of the counterculture. From the publication of A Hall of Mirrors until his death in 2015, Stone was a major figure in American literature.The New Territory: Ralph Ellison and the Twenty-First Century
Par Marc C. Conner, Lucas E. Morel. 2016
Contributions by Herman Beavers, Robert Butler, John Callahan, Marc C. Conner, Bryan Crable, Steven D. Ealy, Lena Hill, Lucas E.…
Morel, Timothy Parrish, Ross Posnock, Patrice Rankine, Grant Shreve, Eric J. Sundquist, and Steven E. TracyRalph Ellison once said, “We’re only a partially achieved nation.” In The New Territory, scholars show how clearly Ellison foresaw and articulated both the challenges and the possibilities of America in the twenty-first century. Indeed, Ellison in these new essays appears more and more to be a cultural prophet of twenty-first century America. As literary scholar Ross Posnock states, “If in our global, transnational age the renewed promise of cosmopolitan democracy has emerged as an animating ideal of popular political, and academic culture, this is a way of saying that we are only now beginning to catch up with Ralph Waldo Ellison.”In this collection, the editors offer fourteen original essays that seek to examine and re-examine Ellison’s life and work in the context of its meanings for our own age, the early twenty-first century, the age of Obama, a period that is seemingly post-racial and yet all too acutely racial.Following a careful introduction that situates Ellison’s writings in the context of new approaches and interest in his work, the book offers new essays examining Ellison’s 1952 masterpiece, Invisible Man. It then turns to his vast, unfinished second novel, Three Days Before the Shooting . . . , with detailed readings of that powerful and elusive narrative. These essays are the first sustained treatments of that posthumous work. The New Territory concludes with five chapters that discuss Ellison’s political, cultural, and historical significance, probing how he speaks to the contemporary moment and beyond.Alan Moore: Conversations (Conversations with Comic Artists Series)
Par Eric L. Berlatsky. 2011
British comics writer Alan Moore (b. 1953) has a reputation for equal parts brilliance and eccentricity. Living hermit-like in the…
same Midlands town for his entire life, he supposedly refuses contact with the outside world while creating his strange, dense comics, fiction, and performance art. While Moore did declare himself a wizard on his fortieth birthday and claims to have communed with extradimensional beings, reticence and seclusion have never been among his eccentricities. On the contrary, for long stretches of his career Moore seemed to be willing to chat with all comers: fanzines, industry magazines, other artists, newspapers, magazines, and personal websites. Well over one hundred interviews in the past thirty years serve as testimony to Moore's willingness to be engaged in productive conversation. Alan Moore: Conversations includes ten substantial interviews, beginning with Moore's first published conversation, conducted by V for Vendetta cocreator David Lloyd in 1981. The remainder cover nearly all of his major works, including Watchmen, V for Vendetta, Swamp Thing, Marvelman, The League of Extraordinary Gentlemen, Promethea, From Hell, Lost Girls, and the unfinished Big Numbers. While Moore's personal life and fraught business relations are discussed occasionally, the interviews chosen are principally devoted to Moore's creative practices and techniques, along with his shifting social, political, and philosophical beliefs. As such, Alan Moore: Conversations should add to any reader's enjoyment and understanding of Moore's work.Conversations with William Gibson (Literary Conversations Series)
Par Patrick A. Smith. 2014
“After reading Neuromancer for the first time,” literary scholar Larry McCaffery wrote, “I knew I had seen the future of…
[science fiction] (and maybe of literature in general), and its name was William Gibson.” McCaffery was right. Gibson's 1984 debut is one of the most celebrated SF novels of the last half century, and in a career spanning more than three decades, the American-Canadian science fiction writer and reluctant futurist responsible for introducing “cyberspace” into the lexicon has published nine other novels. Editor Patrick A. Smith draws the twenty-three interviews in this collection from a variety of media and sources—print and online journals and fanzines, academic journals, newspapers, blogs, and podcasts. Myriad topics include Gibson's childhood in the American South and his early adulthood in Canada, with travel in Europe; his chafing against the traditional SF mold, the origins of “cyberspace,” and the unintended consequences (for both the author and society) of changing the way we think about technology; the writing process and the reader's role in a new kind of fiction. Gibson (b. 1948) takes on branding and fashion, celebrity culture, social networking, the post-9/11 world, future uses of technology, and the isolation and alienation engendered by new ways of solving old problems. The conversations also provide overviews of his novels, short fiction, and nonfiction.Conversations with John A. Williams (Literary Conversations Series)
Par Jeffrey Allen Tucker. 2018
One of the most prolific African American authors of his time, John A. Williams (1925-2015) made his mark as a…
journalist, educator, and writer. Having worked for Newsweek, Ebony, and Jet magazines, Williams went on to write twelve novels and numerous works of nonfiction. A vital link between the Black Arts movement and the previous era, Williams crafted works of fiction that relied on historical research as much as his own finely honed skills. From The Man Who Cried I Am, a roman à clef about expatriate African American writers in Europe, to Clifford's Blues, a Holocaust novel told in the form of the diary entries of a gay, black, jazz pianist in Dachau, these representations of black experiences marginalized from official histories make him one of our most important writers.Conversations with John A. Williams collects twenty-three interviews with the three-time winner of the American Book Award, beginning with a discussion in 1969 of his early works and ending with a previously unpublished interview from 2005. Gathered from print periodicals as well as radio and television programs, these interviews address a range of topics, including anti-black violence, Williams's WWII naval service, race and publishing, interracial romance, Martin Luther King Jr., growing up in Syracuse, the Prix de Rome scandal, traveling in Africa and Europe, and his reputation as an angry black writer. The conversations prove valuable given how often Williams drew from his own life and career for his fiction. They display the integrity, social engagement, and artistic vision that make him a writer to be reckoned with.Conversations with Sterling Plumpp (Literary Conversations Series)
Par John Zheng. 2016
Conversations with Sterling Plumpp is the first collection of interviews with the renowned poet of Home/Bass and other much-admired works.…
Spanning thirty years and drawn from literary and scholarly journals and other media, these interviews offer insights into his poetic innovation of blues and jazz and his mastery of black vernacular in poetry. This collection seems fundamental to an understanding of the life and work of an African American poet who has been innovative in fusing blues and jazz rhythms with poetic insight and in vivifying the vernacular landscape of African American poetry.Born in 1940 in Clinton, Mississippi, Plumpp has been living in Chicago since 1962. Home/Bass received the 2014 American Book Award. The finest blues poet of his generation, Plumpp became a model for contemporary poetry and poetics and a leading figure in the tradition of blues/jazz poetry. He continues to reinvent the language while exploring the registers of individual and communal memory and of local, national, and global history. His poetry is important in attempts to define the black aesthetic from the era of the Harlem Renaissance to the seminal Black Arts Movement. It is also important for its re-articulation of the Great Migration, especially expressed by blues musicians who left Mississippi for Chicago.Conversations with Jay Parini (Literary Conversations Series)
Par Michael Lackey. 2014
Jay Parini (b. 1948) is best known for his novel about Leo Tolstoy's last year, The Last Station, which has…
been translated into more than twenty-five languages and made into a Hollywood film. But he has also published numerous volumes of poetry; biographies of William Faulkner, Robert Frost, and John Steinbeck; novels; and literary and cultural criticism. This book contains the most important interviews with the former Guggenheim fellow; former Fowler Hamilton Fellow at Christ Church, Oxford; and former fellow of the Institute for Advanced Studies at the University of London. Parini's work is valuable not just because of its high quality and intellectual range. Parini's life and writings often seem like a seminar table, with friends gathered, talking and trading stories. He has openly written poems in conversation with writers he knew personally: Robert Penn Warren, Gore Vidal, Jorge Luis Borges, and others. He has, in his own life, kept an ongoing conversation with many literary friends over the years—Alastair Reid, Seamus Heaney, Anne Stevenson, Ann Beattie, Julia Alvarez, Peter Ackroyd, A. N. Wilson, and countless others. These interviews offer a more comprehensive understanding of Parini's work as a poet, scholar, public intellectual, literary critic, intellectual historian, biographer, novelist, and biographical novelist. More importantly, these interviews will contribute to our understanding of the history of ideas, the condition of knowledge, and the state of literature, all of which Parini has played an important role in shaping.Faulkner: A Biography (Southern Icons Series #3)
Par Joseph Blotner. 1991
William Faulkner (1897-1962) remains the pre-eminent literary chronicler of the American South and a giant of American arts and letters.…
Creatively obsessed with problems of race, identity, power, politics, and family dynamics, he wrote novels, stories, and lectures that continue to shape our understanding of the region's promises and problems. His experiments and inventions in form and style have influenced generations of writers. Originally published in 1974 as a two-volume edition and extensively updated and condensed in a 1991 reissue, Joseph Blotner's Faulkner: A Biography remains the quintessential resource on the Nobel laureate's life and work. The Chicago Tribune said, "This is an overwhelming book, indispensable for anyone interested in the life and works of our greatest contemporary novelist." That invaluable 1991 edition is now back in print.Blotner, a friend and one-time colleague of Faulkner's, brings a vivid, personalized tone to the biography, as well as a sense of masterful, comprehensive scholarship. Using letters, inter-views, reminiscences, critical work, and other primary sources, Blotner creates a detailed and nuanced portrait of Faulkner from his birth to his death. The revision of the original 1974 biography incorporates commentary on the plethora of Faulkner criticism, family memoirs, and posthumously published works that appeared in the wake of the first version. It also examines collections of letters and other materials that only came to light after the original publication.Featuring a detailed chronology of Faulkner's life and a genealogical chart of his family, Faulkner is authoritative and essential both for literary scholars and for anyone wanting to know about the life of one of the nation's foremost authors. Blotner's masterpiece is the template for all biographical work on the acclaimed writer.Brother-Souls: John Clellon Holmes, Jack Kerouac, and the Beat Generation
Par Ann Charters, Samuel Charters. 2010
John Clellon Holmes met Jack Kerouac on a hot New York City weekend in 1948, and until the end of…
Kerouac’s life they were—in Holmes’s words—“Brother Souls.” Both were neophyte novelists, hungry for literary fame but just as hungry to find a new way of responding to their experiences in a postwar American society that for them had lost its direction. Late one night as they sat talking, Kerouac spontaneously created the term “Beat Generation” to describe this new attitude they felt stirring around them. Brother-Souls: John Clellon Holmes, Jack Kerouac, and the Beat Generation is the remarkable chronicle of this cornerstone friendship and the life of John Clellon Holmes. From 1948 to 1951, when Kerouac’s wanderings took him back to New York, he and Holmes met almost daily. Struggling to find a form for the novel he intended to write, Kerouac climbed the stairs to the apartment in midtown Manhattan where Holmes lived with his wife to read the pages of Holmes’s manuscript for the novel Go as they left the typewriter. With the pages of Holmes’s final chapter still in his mind, he was at last able to crack his own writing dilemma. In a burst of creation in April 1951, he drew all the materials he had been gathering into the scroll manuscript of On the Road. Biographer Ann Charters was close to John Clellon Holmes for more than a decade. At his death in 1988 she was one of a handful of scholars allowed access to the voluminous archive of letters, journals, and manuscripts Holmes had been keeping for twenty-five years. In that mass of material waited an untold story. These two ambitious writers, Holmes and Kerouac, shared days and nights arguing over what writing should be, wandering from one explosive party to the next, and hanging on the new sounds of bebop. Through the pages of Holmes’s journals, often written the morning after the events they recount, Charters discovered and mined an unparalleled trove describing the seminal figures of the Beat Generation: Holmes, Kerouac, Neal Cassady, Allen Ginsberg, William Burroughs, Gregory Corso, and their friends and lovers.In 1924, George McLean, an Ole Miss sophomore and the spoiled son of a judge, attended a YMCA student mission…
conference whose free-thinking organizers aimed to change the world. They changed George McLean's. But not instantly. As vividly recounted in the first biography of this significant figure in southern history, Tupelo Man: The Life and Times of a Most Peculiar Newspaper Publisher, McLean drifted through schools and jobs, always questioning authority, always searching for a way to put his restless vision into practical use. In the Depression's depths, he was fired from a teaching job at what is now Rhodes College in Memphis, Tennessee, over his socialist ideas and labor organizing work. By 1934 he decided he had enough of working for others and that he would go into business for himself. In dirt-poor northeast Mississippi, the Tupelo Journal was for sale, and McLean used his wife's money to buy what he called “a bankrupt newspaper from a bankrupt bank.” As he struggled to keep the paper going, his Christian socialism evolved into a Christian capitalism that transformed the region. He didn't want a bigger slice of the pie for himself, he said; he wanted a bigger pie for all. But McLean (1904–1983) was far from a saint. He prayed about his temper, with little result. He was distant and aloof toward his two children—adopted through a notorious Memphis baby-selling operation. His wife, whom he deeply loved in his prickly way, left him once and threatened to leave again. “I don't know why I was born with this chip on my shoulder,” he told her. Tupelo Man looks at this far-from-ordinary publisher in an intimate way that offers a fascinating story and insight into our own lives and times.Louisiana Creole Literature: A Historical Study
Par Catharine Savage Brosman. 2013
Louisiana Creole Literature is a broad-ranging critical reading of belles lettres—in both French and English—connected to and generally produced by…
the distinctive Louisiana Creole peoples, chiefly in the southeastern part of the state. The book covers primarily the nineteenth and twentieth centuries, the flourishing period during which the term Creole had broad and contested cultural reference in Louisiana. The study consists in part of literary history and biography. When available and appropriate, each discussion—arranged chronologically—provides pertinent personal information on authors, as well as publishing facts. Readers will find also summaries and evaluation of key texts, some virtually unknown, others of difficult access. Brosman illuminates the biographies and works of Kate Chopin, Lafcadio Hearn, George Washington Cable, Grace King, and Adolphe Duhart, among others. In addition, she challenges views that appear to be skewed regarding canon formation. The book places emphasis on poetry and fiction, reaching from early nineteenth-century writing through the twentieth century to selected works by poets still writing in the early twenty-first century. A few plays are treated also, especially by Victor Séjour. Louisiana Creole Literature examines at length the writings of important Francophone figures, and certain Anglophone novelists likewise receive extended treatment. Since much of nineteenth-century Louisiana literature was transnational, the book considers Creole-based works which appeared in Paris as well as those published locally.Backseat Quarterback
Par Perian Conerly. 2003
Before cable television and mega-contracts, professional jocks' lives were little different from those of the fans in the stands. Back…
then, the game they played was much simpler but far rougher than anything seen today. Ever cheering from the sidelines, Perian Conerly, wife of the New York Giants’ star quarterback Charlie Conerly, and the first female sportswriter in the National Sportswriters’ Association, wrote this lighthearted account of pro football during its heyday (1948–1961). Her husband led the Giants for fourteen seasons. As she describes the glory games, the players, and life on the road, she delivers from the inside the kind of personal reportage that fans adore. Her story begins with the hilarious misadventures of her wedding day in Clarksdale, Mississippi, “the Golden Buckle on the Cotton Belt.” It ends thirteen years later with Charlie's retirement at the age of forty. In between, there are vignettes of the closely knit cadre of Giants' wives, most of whom resided in the same Bronx hotel near Yankee Stadium. She also reports locker-room gossip and recounts amusing pro-ball anecdotes of a time before TV made athletes' images familiar in all households. Although their deeds on the gridiron were notable, their faces were not. Back then, players were so anonymous in public that many times they fell prey to imitators who stole their identities to mooch drinks and dinners from unsuspecting fans only for the thrill of passing as “somebody.” Along with her scoop reports on winning games, Mrs. Conerly paints an endearing portrait of her famous husband, an Ole Miss legend who, after retirement, was hired as the first Marlboro Man. Though her style is casual, she moves the reader painlessly through some of the finer points of the game. The Washington Evening Star touted her for “having written the best book on pro football in a long time.” The New York Times, for which Mrs. Conerly wrote occasional sports columns, said “Backseat Quarterback is exactly the kind of book that one would expect Perian Conerly to write. Its pages shine with her charm, gaiety, wit, intelligence, and sparkle.” Newsweek praised its “comic insight.” This reissue of a favorite book of 1963 has a foreword by the Conerlys' friend and teammate Frank Gifford.Touring Literary Mississippi
Par Patti Carr Black, Marion Garrard Barnwell. 2002
By taking the literary traveler on seven preplanned tours—through the Delta, along Highway 61, to the heart of Faulkner’s Yoknapatawpha…
country, to sites near Interstate 55 and the Natchez Trace, to the piney woods of East and South Mississippi, and along the sun-struck Gulf Coast—this book captures the phenomenal abundance and diversity of Mississippi literature. More than a guidebook, this book includes capsule biographies and well over a hundred photographs of writers, their residences, and their literary environments. It also provides maps and gives explicit directions to writers’ homes and other literary sites. The sheer number of writers discovered, recovered, and claimed by Mississippi will astonish travelers both from within and from without the state. Included are not only such major figures in the pantheon of American literature as William Faulkner, Eudora Welty, Tennessee Williams, and Richard Wright but also the less well-known. Every nook and cranny of the state claims a piece of Mississippi’s literary heritage. Literature pervades Yazoo City, Jackson, Greenville, Oxford, Natchez, the Gulf Coast, and the Delta Blues country. Willie Morris, Richard Ford, and Beverly Lowry have declared that a famous writer’s presence in their hometowns convinced them that they too could be writers. As the locations bring to life the connection of ordinary rituals with the stuff of fiction, poetry, and memoir, these hands-on tours make evident the special cross-pollination of writer and community in Mississippi.Conversations with Ken Kesey (Literary Conversations Series)
Par Scott F. Parker. 2014
Ken Kesey (1935–2001) is the author of several works of well-known fiction and other hard-to-classify material. His debut novel, One…
Flew Over the Cuckoo's Nest, was a critical and commercial sensation that was followed soon after by his most substantial and ambitious book, Sometimes a Great Notion. His other books, including Demon Box, Sailor Song, and two children's books, appeared amidst a life of astounding influence. He is maybe best known for his role as the charismatic and proto-hippie leader of the West Coast LSD movement that sparked “The Sixties,” as iconically recounted in Tom Wolfe's The Electric Kool-Aid Acid Test. In the introduction to “An Impolite Interview with Ken Kesey,” Paul Krassner writes, “For a man who says he doesn't like to do interviews, Kesey certainly does a lot of them.” What's most surprising about this statement is not the incongruity between disliking and doing interviews but the idea that Kesey could possibly have been less than enthusiastic about being the center of attention. After his two great triumphs, writing played a lesser role in Kesey's life, but in thoughtful interviews he sometimes regrets the books that were sacrificed for the sake of his other pursuits. Interviews trace his arc through success, fame, prison, farming, and tragedy—the death of his son in a car accident profoundly altered his life. These conversations make clear Kesey's central place in American culture and offer his enduring lesson that the freedom exists to create lives as wildly as can be imagined.Conversations with Gordon Lish (Literary Conversations Series)
Par David Winters and Jason Lucarelli. 2018
Known as "Captain Fiction," Gordon Lish (b. 1934) is among the most influential--and controversial--figures in modern American letters. As an…
editor at Esquire (1969-1977), Alfred A. Knopf (1977-1994), and The Quarterly (1987-1995) and as a teacher both in and outside the university system, he has worked closely with many of the most pioneering writers of recent times, including Raymond Carver, Don DeLillo, Barry Hannah, Amy Hempel, Sam Lipsyte, and Ben Marcus. A prolific author of stories and novels, Lish has also won a cult following for his own fiction, earning comparisons with Gertrude Stein and Samuel Beckett.Conversations with Gordon Lish collects all of Lish's major interviews, covering the entire span of his extraordinary career. Ranging from 1965 to 2015, these interviews document his pivotal role in the period's defining developments: the impact of the Californian counterculture, the rise and decline of so-called literary "minimalism," dramatic transformations in book and magazine publishing, and the ongoing growth of creative writing instruction. Over time, Lish--a self-described "dynamic conversationalist"-- forges an evolving conversation not only with his interviewers, but with the central trends of twentieth-century literary history.This book will be essential reading not only for students and fans of contemporary fiction, but for writers too: included are several interviews in which Lish discusses his legendary writing classes. Indeed, these pieces themselves amount to a masterclass in Lishian literary language--each is a work of art in its own right.Song of My Life: A Biography of Margaret Walker
Par Carolyn J. Brown. 2014
Margaret Walker (1915–1998) has been described as “the most famous person nobody knows.” This is a shocking oversight of an…
award-winning poet, novelist, essayist, educator, and activist as well as friend and mentor to many prominent African American writers. Song of My Life reintroduces Margaret Walker to readers by telling her story, one that many can relate to as she overcame certain obstacles related to race, gender, and poverty. Walker was born in 1915 in Birmingham, Alabama, to two parents who prized education above all else. Obtaining that education was not easy for either her parents or herself, but Walker went on to earn both her master's and doctorate degrees from the University of Iowa. Walker's journey to become a nationally known writer and educator is an incredible story of hard work and perseverance. Her years as a public figure connected her to Richard Wright, Langston Hughes, Alex Haley, and a host of other important literary and historical figures. This biography opens with her family and those who inspired her—her parents, her grandmother, her most important teachers and mentors—all significant influences on her reading and writing life. Chapters trace her path over the course of the twentieth century as she travels to Chicago and becomes a member of the South Side Writers' Group with Richard Wright. Then she is accepted into the newly created Master of Fine Arts Program at the University of Iowa. Back in the South, she pursued and achieved her dream of becoming a writer and college educator as well as wife and mother. Walker struggled to support herself, her sister, and later her husband and children, but she overcame financial hardships, prejudice, and gender bias and achieved great success. She penned the acclaimed novel Jubilee, received numerous lifetime achievement awards, and was a beloved faculty member for three decades at Jackson State University in Jackson, Mississippi.Eleanor Cameron: Dimensions of Amazement
Par Paul V. Allen. 2018
Eleanor Cameron (1912-1996) was an innovative and genre-defying author of children's fiction and children's literature criticism. From her beginnings as…
a librarian, Cameron went on to become a prominent and respected voice in children's literature, writing one of the most beloved children's science fiction novels of all time, The Wonderful Flight to the Mushroom Planet, and later winning the National Book Award for her time fantasy The Court of the Stone Children.In addition, Eleanor Cameron played an often vocal role in critical debates about children's literature. She was one of the first authors to take up literary criticism of children's novels and published two influential books of criticism, including The Green and Burning Tree. One of Cameron's most notable acts of criticism came in 1973, when she wrote a scathing critique of Roald Dahl's Charlie and the Chocolate Factory. Dahl responded in kind, and the result was a fiery imbroglio within the pages of the Horn Book Magazine. Yet despite her many accomplishments, most of Cameron's books went out of print by the end of her life, and her star faded.This biography aims to reinsert Cameron into the conversation by taking an in-depth look at her tumultuous early life in Ohio and California, her unforgettably forceful personality and criticism, and her graceful, heartfelt novels. The biography includes detailed analysis of the creative process behind each of her published works and how Cameron's feminism, environmentalism, and strong sense of ethics are reflected in and represented by her writings. Drawn from over twenty interviews, thousands of letters, and several unpublished manuscripts in her personal papers, Eleanor Cameron is a tour of the most exciting and creative periods of American children's literature through the experience of one of its valiant purveyors and champions.Conversations with Jonathan Lethem (Literary Conversations Series)
Par Jaime Clarke. 2011
Conversations with Jonathan Lethem collects fourteen interviews, conducted over a decade and a half, with the Brooklyn-born author of such…
novels as Girl in Landscape, Motherless Brooklyn, The Fortress of Solitude, Chronic City, and many others. Winner of the National Book Critics' Circle Award, Lethem (b. 1964) covers a wide range of subjects, from what it means to incorporate genre into literature, to the impact of the death of his mother on his life and work, to his being a permanent "sophomore on leave" from Bennington College, as well as his flight from Brooklyn to California and its lasting effect on his fiction. Lethem also reveals the many literary and pop culture influences that have informed his writing life. Readers will find Lethem as charming and generous and intelligent as his work. His examination of what it means to live a creative life will reverberate and enlighten scholars and fans alike. His thoughts on science fiction, intellectual property, literary realism, genre, movies, and rock 'n' roll are articulated with elán throughout the collection, as are his comments on his own development as a craftsman.The Land of Rowan Oak: An Exploration of Faulkner's Natural World
Par Ed Croom. 2016
The plants and landscape at Rowan Oak are the “little postage stamp of soil” that William Faulkner owned, walked, and…
tended for over thirty years during the writing of many of his short stories and novels. Faulkner saw and smelled the earth and listened to sounds from the cultivated grounds and the surrounding woods. This is the place that offered him refuge for writing and provided him food from its garden, fruit and nut trees, and pasture for his horses and a milk cow. Rowan Oak boasts a diverse landscape, encompassing an aristocratic eastern redcedar-lined drive and walk as well as hardy ornamental shrubs, trees, pastures, and a hardwood forest with virgin timber. More than fifty years after Faulkner's death, Rowan Oak remains a sanctuary and a place of mystery and beauty nestled in the midst of Oxford, Mississippi. The photographs in The Land of Rowan Oak are botanist Ed Croom's exploration and documentation of the changes in the plants and landscape over more than a decade. Croom encountered early morning mists, the summer heat and haze, and even rare snowfalls in his near-daily walks on the grounds. His photographs record a decaying fence line, trees and plants that have since disappeared, and the newly restored sunken garden. This book honors the land Faulkner loved. While Faulkner's novels have left an indelible legacy in southern and American letters, the landscape of his beloved home also serves as a record of the botanical history of this most storied corner of the American literary South.Conversations with Vladimir Nabokov (Literary Conversations Series)
Par Robert Golla. 2017
Conversations with Vladimir Nabokov brings together candid, revealing interviews with one of the twentieth century’s master prose writers. Vladimir Nabokov…
(1899–1977) was a Russian American scientist, poet, translator, and professor of literature. Critics throughout the world celebrated him for developing the luminous and enigmatic style that advanced the boundaries of modern literature more than any author since James Joyce. In a career that spanned over six decades, he produced dozens of iconic works, including Lolita, Pale Fire, Ada, and his classic autobiography, Speak, Memory.The twenty-eight interviews and profiles in this collection were drawn from Nabokov’s numerous print and broadcast appearances over a period of nineteen years. Beginning with the controversy surrounding the American publication of Lolita in 1958, he offers trenchant, witty views on society, literature, education, the role of the author, and a range of other topics. He discusses the numerous literary and symbolic allusions in his work, his use of parody and satire, as well as analyses of his own literary influences.Nabokov also provided a detailed portrait of his life—from his aristocratic childhood in prerevolutionary Russia, education at Cambridge, apprenticeship as an émigré writer in the capitals of Europe, to his decision in 1940 to immigrate to the United States, where he achieved renown and garnered an international readership. The interviews in this collection are essential for seeking a clearer understanding of the life and work of an author who was pivotal in shaping the landscape of contemporary fiction.