Résultats de recherche de titre
Articles 1 à 20 sur 1363
Culte, original et créatif, Rolling Stone anticipe les modes, digère les tendances et les met en perspective. Il trouve ainsi…
sa place parmi les magazines musicaux et multiculturels en envisageant la musique comme moteur de société. L'édition française s'attache, entre légende et modernité, à décrypter les tendances marquantes d'une "galaxie rock" toujours en expansion.Culte, original et créatif, Rolling Stone anticipe les modes, digère les tendances et les met en perspective. Il trouve ainsi…
sa place parmi les magazines musicaux et multiculturels en envisageant la musique comme moteur de société. L'édition française s'attache, entre légende et modernité, à décrypter les tendances marquantes d'une "galaxie rock" toujours en expansion.The Dears: Lost in the Plot (Bibliophonic #1)
Par Lorraine Carpenter. 2011
Over a decade after the release of their first album, The Dears have weathered the indie fringes, the collapse of…
the music industry as we knew it and the near implosion of the band itself, with their creative vision and gang dynamic intact. The Dears: Lost in the Plot looks at how The Dears survived the fallout, and helped launch the acclaimed mid-aughts music scene in their hometown of Montréal. The Dears: Lost in the Plot is the first book in Invisible Publishing’s new Bibliophonic series. The Bibliophonic Series is a catalogue of the ongoing history of contemporary music. Each book is a time capsule, capturing artists and their work as we see them, providing a unique look at some of today’s most exciting musicians.Culte, original et créatif, Rolling Stone anticipe les modes, digère les tendances et les met en perspective. Il trouve ainsi…
sa place parmi les magazines musicaux et multiculturels en envisageant la musique comme moteur de société. L'édition française s'attache, entre légende et modernité, à décrypter les tendances marquantes d'une "galaxie rock" toujours en expansion.Culte, original et créatif, Rolling Stone anticipe les modes, digère les tendances et les met en perspective. Il trouve ainsi…
sa place parmi les magazines musicaux et multiculturels en envisageant la musique comme moteur de société. L'édition française s'attache, entre légende et modernité, à décrypter les tendances marquantes d'une "galaxie rock" toujours en expansion.The Revolt Against Humanity: Imagining a Future without Us
Par Adam Kirsch. 2023
In this blistering book about the history of an idea, one of our leading critics draws on his dazzling range…
and calls our attention to a seemingly inconceivable topic that is being seriously discussed: that the end of humanity's reign on Earth is imminent, and that we should welcome it. Kirsch journeys through literature, philosophy, science, and popular culture, to identify two strands of thinking: Anthropocene antihumanism says that our climate destruction has doomed humanity and we should welcome our extinction, while Transhumanism believes that genetic engineering and artificial intelligence will lead to new forms of life superior to humans. Kirsch's introduction of thinkers and writers from Roger Hallam to Jane Bennett, David Benatar to Nick Bostrom, Patricia MacCormack to Ray Kurzweil, Ian McEwan to Richard Powers, will make you see the current moment in a new light. The revolt against humanity has already spread beyond the fringes of the intellectual world, and it can transform politics and society in profound ways--if it hasn't already.Gaia-Ästhetiken entwerfen Figurationen der Erde und ihrer Lebensformen, welche die Menschen dezentrieren und den Fokus auf die Verbindungen zwischen Lebewesen…
untereinander und dem Unbelebten richten. Diese Ästhetiken sind der Gaia-Theorie entlehnt. In den 1970er Jahren bei der NASA entwickelt, wird sie von Bruno Latour und Isabelle Stengers in den Kontext des Anthropozäns gesetzt. Die Erde als Gaia ist eine mehr-als-menschliche Assemblage, in der die Menschen Knotenpunkte der Verantwortlichkeit darstellen. Filmische Ästhetiken können diese Knotenpunkte wahrnehmbar werden lassen, wie die Spielfilme I Am Legend (2007) und Planet of the Apes (2011-2017) zeigen. Die Filme präsentieren ihren Zuschauer_innen eine Welt in der Post/Apokalypse, in der die Filmfiguren mit dem Eindringen Gaias konfrontiert sind. Sie werden in der Post/Apokalypse kompostiert: Viren dringen in ihre Körper ein, zersetzen ihre Menschlichkeit und lassen sie zum Teil des mehr-als-menschlichen Gaia-Komposts werden.Immediacy: Or, The Style of Too Late Capitalism
Par Anna Kornbluh. 2023
Why speed, flow, and direct expression now dominate cultural styleContemporary cultural style boosts transparency and instantaneity. These are values absorbed…
from our current economic conditions of "disintermediation": cutting out the middleman. Like Uber, but for art. Immediacy names this style to make sense of what we lose when the contradictions of twenty-first-century capitalism demand that aesthetics negate mediation. Surging realness as an aesthetic program synchs with the economic imperative to intensify circulation when production stagnates. "Flow" is the ultimate twenty-first-century buzzword, but speedy circulation grinds art down to the nub. And the bad news is that political turmoil and social challenges require more mediation. Collective will, inspiring ideas, and deliberate construction are the only way out, but our dominant style forgoes them. Considering original streaming TV, popular literature, artworld trends, and academic theories, Immediacy explains the recent obsession with immersion and today&’s intolerance of representation, and points to alternative forms in photography, TV, novels, and constructive theory that prioritize distance, impersonality, and big ideas instead.The Epic World (Routledge Worlds)
Par Pamela Lothspeich. 2023
Reconceptualizing the epic genre and opening it up to a world of storytelling, The Epic World makes a timely and bold intervention…
toward understanding the human propensity to aestheticize and normalize mass deployments of power and violence. The collection broadly considers three kinds of epic literature: conventional celebratory tales of conquest that glorify heroism, especially male heroism; anti-epics or stories of conquest from the perspectives of the dispossessed, the oppressed, the despised, and the murdered; and heroic stories utilized for imperialist or nationalist purposes. The Epic World illustrates global patterns of epic storytelling, such as the durability of stories tied to religious traditions and/or to peoples who have largely "stayed put"; the tendency to reimagine and retell stories in new ways over centuries; and the imbrication of epic storytelling and forms of colonialism and imperialism, especially those perpetuated and glorified by Euro-Americans over the past 500 years, resulting in unspeakable and immeasurable harms to humans, other living beings, and the planet Earth. The Epic World is a go-to volume for anyone interested in epic literature in a global framework. Engaging with powerful stories and ways of knowing beyond those of the predominantly white Global North, this field-shifting volume exposes the false premises of "Western civilization" and "Classics," and brings new questions and perspectives to epic studies.Desire in Language presents a selection of Julia Kristeva’s essays that trace the path of an investigation, extending over a…
period of ten years, into the semiotics of literature and the arts. Probing beyond the claims of Sigmund Freud, Jacques Lacan, and others, Kristeva proposes and tests theories centered on the nature and development of the novel, and on what she has defined as a signifying practice in poetic language and pictural works. Desire in Language fully shows what Roman Jakobson has called Kristeva’s “genuine gift of questioning generally adopted ‘axioms,’ and her contrary gift of releasing various ‘damned questions’ from their traditional question marks.”Shakespeare on the Ecological Surface (Spotlight on Shakespeare)
Par Liz Oakley-Brown. 2024
Shakespeare on the Ecological Surface uses the concept of the ‘surface’ to examine the relationship between contemporary performance and ecocriticism.…
Each section looks, in turn, at the 'surfaces' of slick, smoke, sky, steam, soil, slime, snail, silk, skin and stage to build connections between ecocriticism, activism, critical theory, Shakespeare and performance. While the word ‘surface’ was never used in Shakespeare’s works, Liz Oakley-Brown shows how thinking about Shakespearean surfaces helps readers explore the politics of Elizabethan and Jacobean culture. She also draws surprising parallels with our current political and ecological concerns. The book explores how Shakespeare uses ecological surfaces to help understand other types of surfaces in his plays and poems: characters’ public-facing selves; contact zones between characters and the natural world; surfaces upon which words are written; and physical surfaces upon which plays are staged. This book will be an illuminating read for anyone studying Shakespeare, early modern culture, ecocriticism, performance and activism.Valencian Folktales, Volume 2: Enric Valor (Routledge Studies in Twentieth-Century Literature #2)
Par Paul Scott Derrick, Maria-Lluïsa Gea-Valor. 2024
Enric Valor (1911–2000) is one of the most important Valencian authors of the 20th century. He has been, until now,…
almost completely unknown to an English-speaking audience. Following the publication of Valencian Folktales (2023), this second collection of his tales will help to consolidate work done on Valor in English, opening up both his fiction and the specificity of Valencian culture to Anglophone readers. The stories included here offer a sampling of the various types of tales he wrote: magical-theme tales, local-color tales and tales with personified animals. Valor collected these stories from the inhabitants of small towns and villages in the south of the Valencian territory and later gave them a polished, literary reworking. They are characterized by a detailed and lyrical treatment of the landscape and natural habitat of the region and an entertaining sense of humor. The selection begins with an introduction written by Maria-Lluisa Gea-Valor, co-translator and the author’s granddaughter. It provides a brief background to Valor’s biography, discusses the selected tales in the context of the folklore tradition and examines issues of the translation process, ranging from general considerations to more specific aspects.