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Serving the Servant: Remembering Kurt Cobain
Par Danny Goldberg. 2019
NATIONAL BESTSELLEROn the twenty-fifth anniversary of Kurt Cobain’s death comes a new perspective on one of the most compelling icons…
of our timeIn early 1991, top music manager Danny Goldberg agreed to take on Nirvana, a critically acclaimed new band from the underground music scene in Seattle. He had no idea that the band’s leader, Kurt Cobain, would become a pop-culture icon with a legacy arguably at the level of that of John Lennon, Michael Jackson, or Elvis Presley. Danny worked with Kurt from 1990 to 1994, the most impactful period of Kurt’s life. This key time saw the stratospheric success of Nevermind, which turned Nirvana into the most successful rock band in the world and made punk and grunge household terms; Kurt’s meeting and marriage to the brilliant but mercurial Courtney Love and their relationship that became a lightning rod for critics; the birth of their daughter, Frances Bean; and, finally, Kurt’s public struggles with addiction, which ended in a devastating suicide that would alter the course of rock history. Throughout, Danny stood by Kurt’s side as manager, and close friend. Drawing on Goldberg’s own memories of Kurt, files that previously have not been made public, and interviews with, among others, Kurt’s close family, friends, and former bandmates, Serving the Servants sheds an entirely new light on these critical years. Casting aside the common obsession with the angst and depression that seemingly drove Kurt, Serving the Servants is an exploration of his brilliance in every aspect of rock and roll, his compassion, his ambition, and the legacy he wrought—one that has lasted decades longer than his career did. Danny Goldberg explores what it is about Kurt Cobain that still resonates today, even with a generation who wasn’t alive until after Kurt’s death. In the process, he provides a portrait of an icon unlike any that has come before.Beatles '66: The Revolutionary Year
Par Steve Turner. 2016
A riveting look at the transformative year in the lives and careers of the legendary group whose groundbreaking legacy would…
forever change music and popular culture.They started off as hysteria-inducing pop stars playing to audiences of screaming teenage fans and ended up as musical sages considered responsible for ushering in a new era. The year that changed everything for the Beatles was 1966—the year of their last concert and their first album, Revolver, that was created to be listened to rather than performed. This was the year the Beatles risked their popularity by retiring from live performances, recording songs that explored alternative states of consciousness, experimenting with avant-garde ideas, and speaking their minds on issues of politics, war, and religion. It was the year their records were burned in America after John’s explosive claim that the group was "more popular than Jesus," the year they were hounded out of the Philippines for "snubbing" its First Lady, the year John met Yoko Ono, and the year Paul conceived the idea for Sgt. Pepper’s Lonely Hearts Club Band. On the fiftieth anniversary of this seminal year, music journalist and Beatles expert Steve Turner slows down the action to investigate in detail the enormous changes that took place in the Beatles’ lives and work during 1966. He looks at the historical events that had an impact on the group, the music they made that in turn profoundly affected the culture around them, and the vision that allowed four young men from Liverpool to transform popular music and serve as pioneers for artists from Coldplay to David Bowie, Jay-Z to U2. By talking to those close to the group and by drawing on his past interviews with key figures such as George Martin, Timothy Leary, and Ravi Shankar—and the Beatles themselves—Turner gives us the compelling, definitive account of the twelve months that contained everything the Beatles had been and anticipated everything they would still become.Jerry Lee Lewis: His Own Story
Par Rick Bragg. 2014
New York Times BestsellerThe greatest Southern storyteller of our time, New York Times bestselling author Rick Bragg, tracks down the greatest…
rock and roller of all time, Jerry Lee Lewis—and gets his own story, from the source, for the very first time.A monumental figure on the American landscape, Jerry Lee Lewis spent his childhood raising hell in Ferriday, Louisiana, and Natchez, Mississippi; galvanized the world with hit records like “Whole Lotta Shakin’ Goin’ On” and “Great Balls of Fire,” that gave rock and roll its devil’s edge; caused riots and boycotts with his incendiary performances; nearly scuttled his career by marrying his thirteen-year-old second cousin—his third wife of seven; ran a decades-long marathon of drugs, drinking, and women; nearly met his maker, twice; suffered the deaths of two sons and two wives, and the indignity of an IRS raid that left him with nothing but the broken-down piano he started with; performed with everyone from Elvis Presley to Keith Richards to Bruce Springsteen to Kid Rock—and survived it all to be hailed as “one of the most creative and important figures in American popular culture and a paradigm of the Southern experience.”Jerry Lee Lewis: His Own Story is the Killer’s life as he lived it, and as he shared it over two years with our greatest bard of Southern life: Rick Bragg. Rich with Lewis’s own words, framed by Bragg’s richly atmospheric narrative, , this is the last great untold rock-and-roll story, come to life on the page.Directing the Choral Music Program
Par Kenneth H. Phillips. 2016
Directing the Choral Music Program, Second Edition, is a comprehensive introduction to developing and managing choral music programs from elementary…
through high school to adult levels. Broad in scope and practical in orientation, the book is structured around three basic units-the administrative process, rehearsal and performance planning, and choral techniques. In addition to core topics-including recruitment and auditioning, classroom management, vocal development, and curriculum and performance planning-it covers singing pedagogy and its relationship to physical anatomy, the philosophy of choral music education, the history of choral conducting, and the new National Standards for Music Education (2014). The author also presents material on directing show choirs and musicals, teaching sight-reading skills, working with adolescent singers, and organizing choir tours, festivals, and contests.Crescendo: The Story of a Musical Genius Who Forever Changed a Southern Town
Par Allen Cheney, Julie Cantrell. 2019
A hidden story of human triumph, Crescendo takes you on the rare journey of a musical prodigy who changed an entire community…
forever.More than eighty years ago, a musical prodigy with a brilliant mind was born into a poor, uneducated, and abusive family in rural South Georgia. At three years of age, Fred Allen could play Mozart sonatas on the piano without missing a note. But in spite of his obvious talent, Fred&’s parents discouraged him from expressing his creativity and intelligence, even going so far as locking him away from the old piano in their home. Forced to fend for himself through his adolescent years, Fred knew that if he was ever to make something of himself, he would need to find a way to rise above his broken background. With incredible effort, and a few miracles along the way, Fred managed to do just that, eventually earning acceptance into The Julliard School in New York City. While simultaneously attending Juilliard, Union Theological Seminary, and Columbia University, he also began directing a local church choir, where he caught the attention of the music industry.During the musical revolution of the 1960s, Fred earned numerous Grammy nominations and built a growing reputation within the industry. But just as his new career was beginning to take off, Fred was faced with an impossible decision. His wife announced that she no longer wanted to raise their daughter in New York City and was heading home to the South. Fred had come so far from the pain and brokenness of his past, he couldn&’t imagine giving up everything just to return to his childhood home.Trying not to think about what could have been, Fred took a job as a high school music teacher in his hometown of Thomasville, Georgia, a community of only 30,000 people. Far from the executive suites of RCA and the allure of Broadway, Fred never could have imagined that his new role would not only transform his life but also change an entire community forever.Star Guitars: 101 Guitars That Rocked the World
Par Dave Hunter. 2010
These are the guitars so famous that their names are often household words: B. B. King’s Lucille, Eric Clapton’s Blackie,…
Stevie Ray Vaughan’s First Wife, Billy F Gibbons’ Pearly Gates, Neil Young’s Old Black, and many more. Here’s the first-ever illustrated history of the actual guitars of the stars that made the music. Other best-selling guitar histories look at the rank-and-file models, but this book is unique in profiling the actual “star guitars”—the million-dollar babies, such as the 1968 Stratocaster that Jimi Hendrix burned at Woodstock, which sold at Sotheby’s auction house in 1993 for $1,300,000. Amateurs buy guitars to emulate the stars—Clapton’s Strat, Slash’s Les Paul—and this book explains the stars’ modifications, thus showing how others can recreate those famous tones.Bob Marley and the Wailers: The Ultimate Illustrated History
Par Richie Unterberger. 2017
Well over three decades after Marley&’s death, he and his bandmates remain the most famous reggae artists of all time. Bob…
Marley and the Wailers explores their legacy. Illustrated with photos and memorabilia from all phases of their journey, Bob Marley and the Wailers illuminates the lives and times of the man and his collaborators. Indeed, the Wailers are one of the most famous bands of all time, period. Their evolution from early-60s Jamaican ska act to international superstars was not just improbable, but unprecedented for an act from a third-world nation. The entire, incredible journey of Marley and the Wailers is covered in this visual history. You will see the crucial role they played in establishing reggae as a globally popular form of music, and the influence that the Rastafari movement had on their lives and sound. Plus, how Marley's socially conscious lyrics and actions made him a universal symbol of pride and justice. This tribute takes you through the entire story, right up to Marley's untimely death in 1981, and his enduring legacy beyond.Hitchcock's Music
Par Jack Sullivan. 2008
"A wonderfully coherent, comprehensive, groundbreaking, and thoroughly engaging study&” of how the director of Psycho and The Birds used music…
in his films (Sidney Gottlieb, editor of Hitchcock on Hitchcock). Alfred Hitchcock employed more musical styles and techniques than any film director in history, from Marlene Dietrich singing Cole Porter in Stage Fright to the revolutionary electronic soundtrack of The Birds. Many of his films—including Notorious, Rear Window, Vertigo, North by Northwest, and Psycho—are landmarks in the history of film music. Now author and musicologist Jack Sullivan presents the first in-depth study of the role music plays in Hitchcock&’s films. Based on extensive interviews with composers, writers, and actors, as well as archival research, Sullivan discusses how Hitchcock used music to influence his cinematic atmospheres, characterizations, and even storylines. Sullivan examines the director&’s relationships with various composers, especially Bernard Herrmann, and tells the stories behind some of their now-iconic musical choices. Covering the entire director&’s career, from the early British works up to Family Plot, this engaging work will change the way we watch—and listen—to Hitchcock&’s movies.Let's Go Crazy: Prince and the Making of Purple Rain
Par Alan Light. 2014
Alan Light, former writer for Rolling Stone, editor-in-chief of Vibe and Spin magazines, and author of The Holy or the…
Broken, “gets inside Prince’s mind palace in Let’s Go Crazy—a history of the making of his historic, semi-autobiographical musical masterwork, Purple Rain” (Vanity Fair).Purple Rain is a song, an album, and a film—widely considered to be among the most important albums in music history and often named the best soundtrack of all time. It sold over a million copies in its first week of release in 1984 and blasted to #1 on the charts, where it would remain for a full six months and eventually sell over 20 million copies worldwide. It spun off three huge hit singles, won Grammys and an Oscar, and took Prince from pop star to legend—the first artist ever simultaneously to have the #1 album, single, and movie in the country.In Let’s Go Crazy, acclaimed music journalist Alan Light takes a timely look at the making and incredible popularizing of this once seemingly impossible project. With impeccable research and in-depth interviews with people who witnessed and participated in Prince’s audacious vision becoming a reality, Light reveals how a rising but not yet established artist from the Midwest was able not only to get Purple Rain made, but deliver on his promise to conquer the world.“A must-read for the Prince die-hards who have remained devoted through the musical meanderings of the last three decades” (Kirkus Reviews), Let’s Go Crazy examines how the masterpiece that blurred R&B, pop, dance, and rock sounds altered the recording landscape and became an enduring touchstone for successive generations of fans.The Autobiography of Gucci Mane
Par Gucci Mane, Neil Martinez-Belkin. 2017
The New York Times bestselling memoir from the legendary Gucci Mane spares no detail in this &“cautionary tale that ends…
in triumph&” (GQ). For the first time Gucci Mane tells his extraordinary story in his own words. It is &“as wild, unpredictable, and fascinating as the man himself&” (Complex).The platinum-selling recording artist began writing his remarkable autobiography in a federal maximum security prison. Released in 2016, he emerged radically transformed. He was sober, smiling, focused, and positive—a far cry from the Gucci Mane of years past.A critically acclaimed classic, The Autobiography of Gucci Mane &“provides incredible insight into one of the most influential rappers of the last decade, detailing a volatile and fascinating life...By the end, every reader will have a greater understanding of Gucci Mane, the man and the musician&” (Pitchfork).The Autobiography of Gucci Mane
Par Gucci Mane, Neil Martinez-Belkin. 2017
The New York Times bestselling memoir from the legendary Gucci Mane spares no detail in this &“cautionary tale that ends…
in triumph&” (GQ). For the first time Gucci Mane tells his extraordinary story in his own words. It is &“as wild, unpredictable, and fascinating as the man himself&” (Complex).The platinum-selling recording artist began writing his remarkable autobiography in a federal maximum security prison. Released in 2016, he emerged radically transformed. He was sober, smiling, focused, and positive—a far cry from the Gucci Mane of years past.A critically acclaimed classic, The Autobiography of Gucci Mane &“provides incredible insight into one of the most influential rappers of the last decade, detailing a volatile and fascinating life...By the end, every reader will have a greater understanding of Gucci Mane, the man and the musician&” (Pitchfork).The Butterfly Effect: How Kendrick Lamar Ignited the Soul of Black America
Par Marcus J. Moore. 2020
This &“smart, confident, and necessary&” (Shea Serrano, New York Times bestselling author) first cultural biography of rap superstar and &“master…
of storytelling&” (The New Yorker) Kendrick Lamar explores his meteoric rise to fame and his profound impact on a racially fraught America—perfect for fans of Zack O&’Malley Greenburg&’s Empire State of Mind.Kendrick Lamar is at the top of his game.The thirteen-time Grammy Award-winning rapper is just in his early thirties, but he&’s already won the Pulitzer Prize for Music, produced and curated the soundtrack of the megahit film Black Panther, and has been named one of Time&’s 100 Influential People. But what&’s even more striking about the Compton-born lyricist and performer is how he&’s established himself as a formidable adversary of oppression and force for change. Through his confessional poetics, his politically charged anthems, and his radical performances, Lamar has become a beacon of light for countless people.Written by veteran journalist and music critic Marcus J. Moore, this is much more than the first biography of Kendrick Lamar. &“It&’s an analytical deep dive into the life of that good kid whose m.A.A.d city raised him, and how it sparked a fire within Kendrick Lamar to change history&” (Kathy Iandoli, author of Baby Girl) for the better.Let's Go Crazy: Prince and the Making of Purple Rain
Par Alan Light. 2014
Alan Light, former writer for Rolling Stone, editor-in-chief of Vibe and Spin magazines, and author of The Holy or the…
Broken, “gets inside Prince’s mind palace in Let’s Go Crazy—a history of the making of his historic, semi-autobiographical musical masterwork, Purple Rain” (Vanity Fair).Purple Rain is a song, an album, and a film—widely considered to be among the most important albums in music history and often named the best soundtrack of all time. It sold over a million copies in its first week of release in 1984 and blasted to #1 on the charts, where it would remain for a full six months and eventually sell over 20 million copies worldwide. It spun off three huge hit singles, won Grammys and an Oscar, and took Prince from pop star to legend—the first artist ever simultaneously to have the #1 album, single, and movie in the country.In Let’s Go Crazy, acclaimed music journalist Alan Light takes a timely look at the making and incredible popularizing of this once seemingly impossible project. With impeccable research and in-depth interviews with people who witnessed and participated in Prince’s audacious vision becoming a reality, Light reveals how a rising but not yet established artist from the Midwest was able not only to get Purple Rain made, but deliver on his promise to conquer the world.“A must-read for the Prince die-hards who have remained devoted through the musical meanderings of the last three decades” (Kirkus Reviews), Let’s Go Crazy examines how the masterpiece that blurred R&B, pop, dance, and rock sounds altered the recording landscape and became an enduring touchstone for successive generations of fans.See the film Hallelujah: Leonard Cohen, A Journey, A Song from Sony Pictures Classics This &“thoughtful and illuminating&” (The New…
York Times) work of music journalism is an unforgettable, fascinating, and unexpected account of one of the most performed and beloved songs in pop history—Leonard Cohen&’s heartrending &“Hallelujah.&”How did one obscure song become an international anthem for human triumph and tragedy, a song each successive generation seems to feel they have discovered and claimed as uniquely their own? Celebrated music journalist Alan Light follows the improbable journey of “Hallelujah” straight to the heart of popular culture.She Come By It Natural: Dolly Parton and the Women Who Lived Her Songs
Par Sarah Smarsh. 2020
In this Time Top 100 Book of the Year, the National Book Award finalist and New York Times bestselling author…
of Heartland &“analyzes how Dolly Parton&’s songs—and success—have embodied feminism for working-class women&” (People). Growing up amid Kansas wheat fields and airplane factories, Sarah Smarsh witnessed firsthand the particular vulnerabilities—and strengths—of women in working poverty. Meanwhile, country songs by female artists played in the background, telling powerful stories about life, men, hard times, and surviving. In her family, she writes, &“country music was foremost a language among women. It&’s how we talked to each other in a place where feelings aren&’t discussed.&” And no one provided that language better than Dolly Parton. In this &“tribute to the woman who continues to demonstrate that feminism comes in coats of many colors,&” Smarsh tells readers how Parton&’s songs have validated women who go unheard: the poor woman, the pregnant teenager, the struggling mother disparaged as &“trailer trash.&” Parton&’s broader career—from singing on the front porch of her family&’s cabin in the Great Smoky Mountains to achieving stardom in Nashville and Hollywood, from &“girl singer&” managed by powerful men to self-made mogul of business and philanthropy—offers a springboard to examining the intersections of gender, class, and culture. Infused with Smarsh&’s trademark insight, intelligence, and humanity, this is &“an ambitious book&” (The New Republic) about the icon Dolly Parton and an &“in-depth examination into gender and class and what it means to be a woman and a working-class hero that feels particularly important right now&” (Refinery29).This volume explores the possibilities of cognate music theory, a concept introduced by musicologist John Walter Hill to describe culturally…
and historically situated music theory.Cognate music theories offer a new way of thinking about music theory, music history, and the relationship between insider and outsider perspectives when researchers mediate between their own historical and cultural position, and that of the originators of the music they are studying. With contributions from noted scholars of musicology, music theory, and ethnomusicology, this volume develops a variety of approaches using the cognate music theory framework and shows how this concept enables more nuanced and critical analyses of music in historical context.Addressing topics in music from the seventeenth to nineteenth centuries, this volume will be relevant to musicologists, music theorists, and all researchers interested in reflecting critically on what it means to construct a theory of music.Musical Topics and Musical Performance (Routledge Research in Music)
Par Julian Hellaby. 2023
The principal purpose of topics in musicology has been to identify meaning-bearing units within a musical composition that would have…
been understood by contemporary audiences and therefore also by later receivers, albeit in a different context and with a need for historically aware listening. Since Leonard Ratner (1980) introduced the idea of topics, his relatively simple ideas have been expanded and developed by a number of distinguished authors. Topic theory has now become a well-established branch of musicology, often embracing semiotics, but its relationship to performance has received less attention. Musical Topics and Musical Performance thus focuses on the interface of theory and practice, and investigates how an appreciation of topical presence in a work may prompt interpretative thoughts for a potential performer as well as how performers have responded to such a presence in practice. The chapters focus on music from the nineteenth, twentieth and twenty-first centuries with case studies drawn from composers as diverse as Beethoven, Scriabin and Péter Eötvös. Using both scores and recordings, the book presents a variety of original and innovative perspectives on the subject from a range of distinguished authors, and addresses a neglected area of musicology and musical performance.Marguerite Long, the most important French female pianist of the 20th century, left her stamp on a whole epoch of…
musical life in Paris. The Pedagogical Writings of Marguerite Long presents English translations of the two major contributions of Marguerite Long to the literature of piano pedagogy. These translations of her pedagogical works, Le Piano and La Petite Méthode de piano, provide a window to the old French school of pianism as modernized by Long. Le Piano is a remarkable text offering piano playing techniques and pragmatic and philosophical musings and observations about life, musicians, careers, and more. La Petite Méthode de piano is a personal manifesto about how to introduce children to music. Both works are treasures revealing Long's lifelong commitment to teaching and they are still stunningly relevant. In addition, John Ellis analyzes each work and puts it in historical context. He places special emphasis on Long's illustrious international career, her teaching, her rivalry with Alfred Cortot, and the impact of sexism on her life and work. Ellis addresses the eclipse of Long's reputation by that of Cortot and fills a gap in the knowledge of Long's place in the history of pedagogical heritage.Well into the new millennium, the analog cassette tape continues to claw its way back from obsolescence. New cassette labels…
emerge from hipster enclaves while the cassette’s likeness pops up on T-shirts, coffee mugs, belt buckles, and cell phone cases. In Unspooled, Rob Drew traces how a lowly, hissy format that began life in office dictation machines and cheap portable players came to be regarded as a token of intimate expression through music and a source of cultural capital. Drawing on sources ranging from obscure music zines to transcripts of Congressional hearings, Drew examines a moment in the early 1980s when music industry representatives argued that the cassette encouraged piracy. At the same time, 1980s indie rock culture used the cassette as a symbol to define itself as an outsider community. Indie’s love affair with the cassette culminated in the mixtape, which advanced indie’s image as a gift economy. By telling the cassette’s long and winding history, Drew demonstrates that sharing cassettes became an acceptable and meaningful mode of communication that initiated rituals of independent music recording, re-recording, and gifting.Blacksound: Making Race and Popular Music in the United States
Par Matthew D. Morrison. 2024
A new concept for understanding the history of the American popular music industry. Blacksound explores the sonic history of blackface…
minstrelsy and the racial foundations of American musical culture from the early 1800s through the turn of the twentieth century. With this namesake book, Matthew D. Morrison develops the concept of "Blacksound" to uncover how the popular music industry and popular entertainment in general in the United States arose out of slavery and blackface. Blacksound as an idea is not the music or sounds produced by Black Americans but instead the material and fleeting remnants of their sounds and performances that have been co-opted and amalgamated into popular music. Morrison unpacks the relationship between performance, racial identity, and intellectual property to reveal how blackface minstrelsy scripts became absorbed into commercial entertainment through an unequal system of intellectual property and copyright laws. By introducing this foundational new concept in musicology, Blacksound highlights what is politically at stake—for creators and audiences alike—in revisiting the long history of American popular music.