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Lysistrata, The Women's Festival, and Frogs (Oklahoma Series in Classical Culture #Volume Forty-Two)
Par Aristophanes, Michael Ewans. 2010
Most readers nowadays encounter the plays of Aristophanes in the classroom, not the theater. Yet the "father of comedy" wrote…
his plays for the stage, not as literary texts. Many English translations of the plays were written decades ago, and in their outdated language, they fail to capture the dramatic liveliness of the original comedies. Now Michael Ewans offers new and lively translations of three of Aristophanes' finest plays: Lysistrata, The Women's Festival, and Frogs. While remaining faithful to the original Greek, these translations are accessible to a modern audience--and actable on stage. Here readers will discover--in all its uncensored glory--the often raw sexual and scatological language Aristophanes used in his fantastically inventive works. This edition also contains all that a reader needs to understand the plays within a broader context. In his comprehensive introduction, Ewans discusses the political and social aspects of Aristophanic comedy, the conventions of Greek theater, and the challenges of translating ancient Greek into modern English. In his theatrical commentaries--a unique feature of this edition--Ewans draws on his own experience of directing the plays in a replica of the original theater. In scene-by-scene analysis, he provides insight into the major issues each play raises in performance. The volume concludes with two glossaries--one of proper names and the other of Greek terms--as well as a bibliography that includes the most recent scholarship on Aristophanic comedy.Slang from Shakespeare: Together with Literary Expressions
Par Anderson M. Baten. 2023
“It was Greek to me.” This handy reference showcases William Shakespeare’s genius, compiling over 1,500 of his most famous epigrams, invectives,…
literary expressions, and philosophical poems that have found their way into our everyday vernacular.Performance Art: Education and Practice
Par Angeliki Avgitidou. 2023
Performance Art: Education and Practice is an introduction to performance art through activities and practice prompts that are framed by…
seminal moments in the history of the medium as well as the current theoretical discussions surrounding performance. The book begins by introducing the terminology related to performance art and its early history. The basic elements of performance, including the body, objects, space, the public, and the public sphere are approached through thematic and conceptual correlations such as objects as autobiography, body as an expression of gendered identity, performance and the everyday, the augmented body, the archive of performance, and public space as space for intervention. Case studies analysed in each chapter are accompanied by reflective questions and discussion topics. The book proposes a wide range of exercises and comprehensive practice prompts that aim to enhance performance skills, promote experimentation, and encourage an experiential understanding of the theory, history, and concepts relating to performance art. Performance Art: Education and Practice is addressed to students of Fine Arts and Performance Studies from beginner to intermediate level, performance and visual artists who are interested in expanding their knowledge base and creative range, and artist-teachers who are interested in developing their own curriculum and workshop content.Shakespeare in Tehran: Meeting the Mothers of Those Who Lead the Iranian Revolution of Woman, Life, Freedom
Par Mahmood Karimi Hakak. 2024
Shakespeare in Tehran is a personal history of Iran through the eyes of an award-winning Iranian American artist. Drawing on…
parallels between life and the stage, it uses A Midsummer Night’s Dream as a roadmap to explore social, political, economic, and cultural aspects of Iran before and after the revolution of 1979. Through first-person accounts, interspersed with emotional reflections of the universal human experience, it delves into the historical and sociological context of a divided country. Storytelling, flashbacks, and flashforwards paint an intimate picture of public life in Iran in a time of uncertainty. Accessible, engaging, and nuanced, this volume will be of interest to scholars and researchers of politics, history, theater and performance studies, and West Asian studies.There is Violence and There is Righteous Violence and There is Death or, The Born-Again Crow
Par Caleigh Crow. 2023
Grocery-store clerk Beth has had a hell of a week. A hell of a life, actually, full of people squashing…
her soul. And after pushing back at life—stabbing a steak to her boss’s desk and lighting a magazine rack on fire, for instance—freshly unemployed Beth regroups at her mom’s suburban home. Just when Beth starts to think she’s to blame for systemic limits, the gift of a bird feeder sparks a relationship with a talking Crow who reconnects her with her true power.This sly chamber piece from new voice Caleigh Crow turns post-capitalism ennui on its head with a righteous fury. It unearths the subtle (and not so subtle) ways we gaslight the marginalized, especially Indigenous women, people living with mental-health afflictions, and anyone struggling to make ends meet in low-income service jobs. There Is Violence captures the vivacity and humour of one truly remarkable woman not meant for this earth, and brings her to her own glorious transcendence.Ba mo nyakele kae
Par Mj Mokaba. 2013
"Nepokgolo ya padi ye ke go re ruta se sengwe ka ga bophelo le go kgala mekgwa ya go se…
loke yeo batho ba e dirago. Ga se sephiri gore tšeo di tšweletšwago ka mo gare ga padi ye ke ditiragalo tšeo di diregago bathong ebile di diregelago batho".Ba mo nyakele kae: UBC Uncontracted
Par Mj Mokaba. 2013
"Nepokgolo ya padi ye ke go re ruta se sengwe ka ga bophelo le go kgala mekgwa ya go se…
loke yeo batho ba e dirago. Ga se sephiri gore tšeo di tšweletšwago ka mo gare ga padi ye ke ditiragalo tšeo di diregago bathong ebile di diregelago batho".The Life and Times of Call the Midwife: The Official Companion to Season One and Two
Par Heidi Thomas. 2012
The real stories, lives and dramas behind the smash hit BBC series Call the Midwife which premieres on PBS September…
30, 2012.The official companion to seasons one and two, The Life and Times of Call the Midwife, gives fans a deeper insight into the period, the stories and the characters, and how Call the Midwife, based on the bestselling memoirs by Jennifer Worth, was brought to the screen. With never before seen photographs taken on set as well as unique sketches and exclusive interviews and anecdotes, this book truly takes you behind the scenes. Discover the hidden secrets of the nurses and nuns of Nonnatus House and delve deeper into the historical context of the series with chapters detailing birth, health, faith, fashion, beauty, street life and food. From the team who brought you The World of Downton Abbey, high production values and attention to detail will create the ultimate and beautifully packaged gift purchase this Christmas that no fan of the show could bare to be without.Why Torture Is Wrong, and the People Who Love Them: And Other Political Plays
Par Christopher Durang. 2012
&“[A] hilarious and disturbing new comedy about all-American violence&” and other whip-smart political satires by the Tony Award-winning playwright (Ben…
Branley, The New York Times). Christopher Durang, who The New York Observer called &“Jonathan Swift&’s nicer, younger brother,&” became one of America&’s most beloved and acclaimed playwrights by marrying gonzo farce with incisive social critique. Now collected in Why Torture Is Wrong, and the People Who Love Them and Other Political Plays are Durang&’s most revealing satirical plays. Why Torture Is Wrong, and the People Who Love Them is the story of a young woman in crisis: Is her new husband, whom she married when drunk, a terrorist? Or just crazy? Or both? Is her father&’s hobby of butterfly collecting really a cover for his involvement in a shadow government? Does her mother frequent the theater for mental escape, or is she just insane? Add in a minister who directs porno, and a ladylike operative whose underwear just won&’t stay up, and this black comedy will make us laugh all the way to the waterboarding room. Also included in this volume are: Excerpts from Sex and LongingCardinal O&’ConnorThe Book of Leviticus ShowEntertaining Mr. HelmsThe Doctor Will See You NowUnder Duress: Words on FireAn Alter Boy Talks to GodThe Hardy Boys and the Mystery of Where Babies Come FromThe Routledge Anthology of Renaissance Drama
Par Hilary Hinds, Simon Barker. 2003
This anthology offers a full introduction to Renaissance theatre in its historical and political context, along with newly edited and…
thoroughly annotated texts of the following plays:* The Spanish Tragedy (Thomas Kyd)* Arden of Faversham (Anon.)* Edward II (Christopher Marlowe)* A Woman Killed with Kindness (Thomas Heywood)* The Tragedy of Mariam (Elizabeth Cary)* The Masque of Blackness (Ben Jonson)* The Knight of the Burning Pestle (Francis Beaumont)* Epicoene, or the Silent Woman (Ben Jonson)* The Roaring Girl (Thomas Middleton & Thomas Dekker)* The Changeling (Thomas Middleton & William Rowley)* 'Tis Pity She's a Whore (John Ford).Each play is prefaced by an introductory headnote discussing the thematic focus of the play and its textual history, and is cross-referenced to other plays of the period that relate thematically and generically.An accompanying website contains a wide selection of contextual documents which supplement the anthology: www.routledge.com/textbooks/0415187346The Performance Arts in Africa: A Reader
Par Frances Harding. 2002
The Performance Arts in Africa is the first anthology of key writings on African performance from many parts of the…
continent. As well as play texts, off the cuff comedy routines and masquerades, this exciting collection encompasses community-based drama, tourist presentations, television soap operas, puppet theatre, dance, song, and ceremonial ritualised performances. Themes discussed are: * theory * performers and performing * voice, language and words * spectators, space and time. The book also includes an introduction which examines some of the crucial debates, past and present, surrounding African performance. The Performance Arts of Africa is an essential introduction for those new to the field and is an invaluable reference source for those already familiar with African performance.Sophocles: The Classical Heritage (Routledge Revivals)
Par Roger Dawe. 1996
Sophocles: The Classical Heritage, first published in 1996, contains a diverse collection of reflection, ranging from the 16th century to…
the 20th, on one of the three great Attic tragedians, the author of perhaps the most famous play of all time. With the entire notion of ‘Western culture’ under duress, the need to establish continuity from antiquity to modernity is as pressing as ever. Each essay, selected by Professor Dawe, explores a theme or concept derived from the tragic vision of the Sophoclean universe which is still of relevance today. An enormous range of topics is investigated, in a variety of modes and styles: the linguistic challenges of translation, the psychology of Sigmund Freud, Enlightenment critiques, the history of performance conventions, dramatic structure and technique, and issues facing the modern director. Overall, Professor Dawe offers a staggering selection of responses, which cumulatively demonstrate the continuing importance and fascination of Sophocles’ legacy.A Preface to Shakespeare's Comedies (Preface Books)
Par Michael Mangan. 1996
This is an informative and interesting guide to the comedies of love - The Two Gentlemen of Verona, The Taming…
of the Shrew, Love's Labour's Lost, A Midsummer Nights Dream, Much Ado About Nothing, As You Like it and Twelfth Night - which were written in the early part of Shakespeare's career. As well as supplying dramatic and critical analysis, this study sets the plays within their wider social and artistic context.Michael Mangan begins by considering the social function of laughter, the use of humour in drama for handling social tensions in Elizabethan and Jacobean society and the resulting expectations the audience would have had about comedy in the theatre. In the second section he discusses the individual plays in the light of recent critical and theoretical research. The useful reference section at the end gives the reader a short bibliographic guide to key historical figures relevant to a study of Shakespeare's comedies and a detailed critical bibliography.This book explores the notion that the emergent language of contemporary theatre, and more generally of modern culture, has links…
to much earlier forms of storytelling and an ancient worldview. This volume looks at our diverse and amalgamative theatrical inheritance and discusses various practitioners and companies whose work reflects and recapitulates ideas, approaches, and structures original to theatre’s ritual roots. Drawing together a range of topics and examples from the early Middle Ages to the modern day, Chadwick focuses in on a theatrical language which includes an emphasis on the psychosomatic, the non-linear, the symbolic, the liminal, the collective, and the sacred. This interdisciplinary work draws on approaches from the fields of anthropology, philosophy, historical and cognitive phenomenology, and neuroscience, making the case for the significance of historically responsive modes in theatre practice and more widely in our society and culture.EleanorStagecraft in Euripides (Routledge Revivals)
Par Michael Halleran. 1985
In Stagecraft in Euripides, first published in 1985, Professor Michael Halleran examines certain aspects of the dramaturgy of the most…
extensively preserved Attic tragedian. Although the ancient dramatic texts do not contain performance directions, they do imply stage actions. This work explores the ways Euripides utilises the latter to make a point: to underline some issue, to suggest a contrast, or to shift the focus of the drama. Specifically, Halleran investigates the rearrangement of characters on stage at the major structural junctures of the play: entrances and their announcements; preparation for and surprise in entrances; and dramatic connections between exits and entrances. Three plays from the same era – Herakles, Trojan Women and Ion – are discussed in greater detail to reveal the potential of this approach for illuminating Euripides’ ‘grammar of dramatic technique’. Stagecraft in Euripides will thus appeal to students of theatre and drama as well as classicists.Performance Art in Portugal (Routledge Advances in Theatre & Performance Studies)
Par Cláudia Madeira. 2023
This book explores histories which have only recently been rediscovered by artists and researchers. This study explores the history of…
Portuguese performance art, in its various "speculative" and "performative" forms. The author approaches this relationship with the re-emergence and centrality of these (semi-)peripheral histories at an international level, whilst identifying some of their unique traits: their cycles of emergence and retraction in Portuguese history; their multiple and complex ontologies; the intertwined relations between the art of performance and the social performance of the Portuguese (regarding topics as sensitive and fracturing as those of the long dictatorship, the colonial war and the revolutionary process, or even the integration of Portugal in the European Community and, more recently, the various 21st century social, political and economic crises). This reading in turn covers the development of the relationship between performance and hybridism, namely, analyzing the recent dimension of meta-hybridism, in the processes of artistic homage that contemporary Portuguese creators have been establishing through access to the histories and archives of this historical genre. This book will be of great interest to students and scholars in theatre and performance studies, performance art and arts in general.Assessment in the Drama Classroom: A Culturally Responsive and Student-Centered Approach
Par Jonathan Jones. 2024
This textbook offers a practical approach for designing and implementing assessment for learning in the drama classroom. Assessment in the…
Drama Classroom begins with a theoretical overview that covers the purpose of assessment with student-centered, culturally responsive methods. The following chapters present an in-depth analysis of how to organize drama curriculum, develop measurable learning objectives, and implement a backward planning approach to summative assessment. Models and tools for generating diagnostic, formative, and summative assessments for various grade levels invite the reader to adapt these approaches to their classrooms. Ideal for drama education and pedagogy courses, this book is an accessible tool for drama educators to engage in critical reflection on assessment. Drama educators will find methods and suggestions for reimagining their assessment practices and be empowered to meet the learning needs of their students.Innovation & Digital Theatremaking: Rethinking Theatre with “The Show Must Go Online”
Par Valerie Clayman Pye, Robert Myles. 2024
Innovation & Digital Theatremaking introduces a blueprint for how to think differently about Theatre, how to respond creatively in uncertainty,…
and how to wield whatever resources are available to create new work in new ways. In 2020, the COVID-19 pandemic had a colossal impact on theatre across the world. At a time when even the wealthiest and best-supported theatre companies in the world ceased all operations and shuttered their stages, the theatre company The Show Must Go Online (TSMGO) forged its way into a new frontier: the highly accessible digital landscape of online performance. In this book, TSMGO creator Robert Myles and Valerie Clayman Pye explore the success of TSMGO from a practical standpoint, offering insights and strategies that can help theatremakers at every level respond proactively to the future of Theatre in the digital era. Each chapter addresses a different aspect of the creative process and concludes with take-homes so readers can learn how to innovate rapidly, undertake research and development in order to create their own models, and cultivate their own theatrical communities. Written for theatremakers, directors, producers, and creatives of all levels of experience, this book will help readers to think critically and creatively about theatre and theatre pedagogues to understand how to train their students for the theatre of the future.All Play and No Work: American Work Ideals and the Comic Plays of the Federal Theatre Project
Par Paul Gagliardi. 2024
Many of the Federal Theatre Project (FTP) plays Paul Gagliardi analyzes in All Play and No Work feature complex portrayals…
of labor and work relief at a time when access to work was difficult. Gagliardi asks, what does it mean that many plays produced by the FTP celebrated forms of labor like speculation and swindling? All Play and No Work directly contradicts the promoted ideals of work found in American society, culture, and within the broader New Deal itself. Gagliardi shows how comedies of the Great Depression engaged questions of labor, labor history, and labor ethics. He considers the breadth of the FTP’s production history, staging plays including Ah, Wilderness!, Help Yourself, and Mississippi Rainbow. Gagliardi examines backstage comedies, middle-class comedies, comedies of chance, and con-artist comedies that employed diverse casts and crew and contained radical economic and labor ideas. He contextualizes these plays within the ideologically complicated New Deal, showing how programs like the Social Security Act straddled progressive ideals and conservative, capitalist norms. Addressing topics including the politicization of theatrical labor and the real dangers of unchecked economic con artists, the comic plays of the FTP reveal acts of political resistance and inequality that reflected the concerns of their audiences.Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics (Routledge Advances in Theatre & Performance Studies)
Par Sirkku Aaltonen, Areeg Ibrahim. 2016
This study of Egyptian theatre and its narrative construction explores the ways representations of Egypt are created of and within…
theatrical means, from the 19th century to the present day. Essays address the narratives that structure theatrical, textual, and performative representations and the ways the rewriting process has varied in different contexts and at different times. Drawing on concepts from Theatre and Performance Studies, Translation Studies, Cultural Studies, Postcolonial Studies, and Diaspora Studies, scholars and practitioners from Egypt and the West enter into dialogue with one another, expanding understanding of the different fields. The articles focus on the ways theatre texts and performances change (are rewritten) when crossing borders between different worlds. The concept of rewriting is seen to include translation, transformation, and reconstruction, and the different borders may be cultural and national, between languages and dramaturgies, or borders that are present in people’s everyday lives. Essays consider how rewritings and performances cross borders from one culture, nation, country, and language to another. They also study the process of rewriting, the resulting representations of foreign plays on stage, and representations of the Egyptian revolution on stage and in Tahrir Square. This assessment of the relationship between theatre practices, exchanges, and rewritings in Egyptian theatre brings vital coverage to an undervisited area and will be of interest to developments in theatre translation and beyond.