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Queer little nightmares
Par David Ly. 2023
The fiction and poetry of Queer Little Nightmares reimagines monsters old and new through a queer lens, subverting the horror…
gaze to celebrate ideas and identities canonically feared in monster lit. Throughout history, monsters have appeared in popular culture as stand-ins for the non-conforming, the marginalized of society. Pushed into the shadows as objects of fear, revulsion, and hostility, these characters have long conjured fascination and self-identification in the LGBTQ+ community, and over time, monsters have become queer icons. In Queer Little Nightmares , creatures of myth and folklore seek belonging and intimate connection, cryptids challenge their outcast status, and classic movie monsters explore the experience of coming into queerness. The characters in these stories and poems — the Minotaur camouflaged in a crowd of cosplayers, a pubescent werewolf, a Hindu revenant waiting to reunite with her lover, a tender-hearted kaiju, a lagoon creature aching for the swimmers above him, a ghost of Pride past — relish their new sparkle in the spotlight. Pushing against tropes that have historically been used to demonize, the queer creators of this collection instead ask: What does it mean to be (and to love) a monster? Contributors include Amber Dawn, David Demchuk, Hiromi Goto, jaye simpson, Eddy Boudel Tan, Matthew J. Trafford, and Kai Cheng ThomScreams from the dark: 29 tales of monsters and the monstrous
Par Ellen Datlow. 2022
"|Screams From the Dark| is a chilling anthology featuring 29 all-original tales of monsters from bestselling and award-winning authors, edited…
by Ellen Datlow, one of the top editors in horror. From werewolves and vampires, to demons and aliens, the monster is one of the most recognizable figures in horror. But what makes something, or someone, monstrous? In |Screams From the Dark|, award-winning and up-and-coming authors like Stephen Graham Jones, Richard Kadrey, Cassandra Khaw, and Gemma Files attempt to answer this question. These stories run the gamut from traditional to modern, from mainstream to literary, from familiar monsters to the unknown and unimaginable. This bone-chilling collection has something to please-and spook-everyone, so lock your doors, turn off your lights, and try not to scream. Contributors include: Ian Rogers, Fran Wilde, Gemma Files, Daryl Gregory, Priya Sharma, Brian Hodge, Joyce Carol Oates, Indrapramit Das, Siobhan Carroll, Richard Kadrey, Norman Partridge, Garry Kilworth, Caitli´n R. Kiernan, Chikodili Emelumadu, Glen Hirshberg, A. C. Wise, Stephen Graham Jones, Kaaron Warren, Livia Llewellyn, Carole Johnstone, Margo Lanagan, Joe R. Lansdale, Brian Evenson, Nathan Ballingrud, Cassandra Khaw, Laird Barron, Kristi DeMeester, Jeffrey Ford, and John Langan." -- Provided by publisherShift (Shifters #05)
Par Rachel Vincent. 2010
"Being the first female werecat enforcer isn't easy. Scars accumulate, but I'm stronger in so many ways. As for my…
personal life? It's complicated. Choices worth making always are. Ever since my brother's death and my father's impeachment, it's all I can do to prevent more blood from spilling. Now our Pride is under attack by a flight of vicious thunderbirds. And making peace with our new enemies may be the only way to get the best of our old foe. With the body count rising and treachery everywhere, my instincts tell me to look before I leap. But sometimes a leap of faith is the only real option." -- Provided by publisherInferno: Tales of Terror and the Supernatural
Par Pat Cadigan, Lucius Shepard, K. W. Jeter, Christopher Fowler, Joyce Carol Oates, P. D. Cacek, Jeffrey Ford, Elizabeth Bear, Terry Dowling, Stephen Gallagher, John Grant, Laird Barron, Nathan Ballingrud, Conrad Williams, Mark Samuels, Glen Hirshberg, Lee Thomas, Paul Finch, Simon Bestwick, Mike O'Driscoll. 2007
This multiple award-winning anthology of twenty psychological and supernatural horror stories explores the outer limits of fear. To create this…
volume, renowned horror editor Ellen Datlow wrote to her favorite authors asking for stories that would &“provide the reader with a frisson of shock, or a moment of dread so powerful it might cause the reader outright physical discomfort; or a sensation of fear so palpable that the reader feels impelled to turn up the lights very bright and play music or seek the company of others to dispel the fear.&” Mission accomplished. The resulting collection draws together some of the most powerful voices in the field: Pat Cadigan, Terry Dowling, Jeffrey Ford, Christopher Fowler, Glen Hirshberg, K. W. Jeter, Joyce Carol Oates, and Lucius Shepard, to name a few. Each author approaches fear in a different way, but all of the stories&’ characters toil within their own hell.Winner of the 2008 World Fantasy Award, International Horror Guild Award, and Shirley Jackson Award for Best Anthology.Little Deaths: 22 Tales of Horror and Sex
Par Douglas Clegg, Pat Cadigan, Barry N. Malzberg, Lucius Shepard, K. W. Jeter, Nicola Griffith, Joyce Carol Oates, M. John Harrison, Kelley Eskridge, Kathe Koja, Melanie Tem, Harry Crews, Stephen Dedman, Richard Christian Matheson, Nicholas Royle, Lucy Taylor, Joel Lane, Jack Womack, J. Calvin Pierce, Sarah Clemens, Wayne Allen Sallee. 1994
A World Fantasy Award–winning anthology of erotic horror stories, including dark tales of desire by Joyce Carol Oates, Stephen Dedman,…
Harry Crews, and others. The title of this acclaimed anthology comes from the French term &“la petite mort,&” a seventeenth-century euphemism for orgasm. It was thought that part of a man&’s life-force was drained from him each time he climaxed. In Little Deaths, renowned horror editor Ellen Datlow collects twenty-two stories that explore the connection between sex and death. These stories range from the erotic to the psychological, all against a backdrop of horror. Authors include Lucy Taylor, Nicola Griffith, Kathe Koja, Richard Christian Matheson, Lucius Shepard, and many more.The Dark: Ghost Stories
Par Tanith Lee, Lucius Shepard, Charles L. Grant, Joyce Carol Oates, Ramsey Campbell, Jeffrey Ford, Kelly Link, Daniel Abraham, Kathe Koja, Terry Dowling, Stephen Gallagher, Jack Cady, Glen Hirshberg, Sharyn McCrumb, Gahan Wilson, Mike O'Driscoll. 2014
This award-winning horror anthology is the &“yardstick by which future ghost fiction will be measured&”—featuring Tanith Lee, Joyce Carol Oates,…
and others (Publishers Weekly, starred review). Award-winning anthologist Ellen Datlow—praised by William Gibson as &“the genre&’s sharpest assembler of strange, dark fictions&”—is determined to prove that ghost stories still possess the power to chill modern readers to the marrow. So she reached out to a list of varied and talented authors and invited them to scare the heck out of her. The resulting anthology redefines the ghost story, venturing beyond the accustomed tropes and into horror&’s true realm: the unknown. The Dark takes a nuanced and disquieting look at the tormented and unquiet dead; the darkness in us, the living; and the sometimes tenuous boundary between the two. Under the covers of The Dark, you will find a gathering of sixteen unique ghost stories, deftly penned by authors versed in the argot of the damned, including Ramsey Campbell, Jeffrey Ford, Glen Hirshberg, Kelly Link, Sharyn McCrumb, Lucius Shepard, and Gahan Wilson. This is the stuff nightmares are made of.Winner of the International Horror Guild Award for Best Anthology of the YearPassing Strange: True Tales Of New England Hauntings And Horrors
Par Joseph Citro. 1997
New England's dark hills, fogbound coasts, and hidden villages have inspired generations of writers such as Hawthorne, Lovecraft, and King.…
But these authors' dark imaginings pale when compared to little-known but well-documented and true tales. In this delightfully spine-tingling tour of all six New England states, Citro chronicles the haunted history and folklore of a region steeped in hardship and horror, humor and pathos.Haunted Legends
Par Pat Cadigan, Ramsey Campbell, Jeffrey Ford, Kit Reed, Joe Lansdale, Ekaterina Sedia, Catherynne Valente, Laird Barron, Kaaron Warren, M. K. Hobson, John Mantooth, Stephen Dedman, Caitlín Kiernan, Richard Bowes, Gary Braunbeck, Lily Hoang, Carrie Laben, Steven Pirie, Catherine Turgeon, Erzebet YellowBoy. 2010
A Bram Stoker Award–winning anthology featuring twenty stories based on local legends and ghost stories from around the world. Wherever…
you&’re from, there are local stories of ghosts, unexplained phenomena, or some thing that people are afraid to talk about. You can dismiss them as old wives&’ tales, and yet they stay with us, haunting our everyday lives. In Haunted Legends, these tales are brought disturbingly to life by some of the best horror and dark fantasy writers in the world. Among the contributors are award-winners Ramsey Campbell, Caitlín R. Kiernan, and many others. Here are stories from America&’s big cities and small towns, as well as far-flung corners of the globe. Discover the fox spirits of Vietnam, the specter of communism still haunting Russia in the form of Comrade Beria&’s ghost, the famed vampires of Rhode Island, a haunted amusement park in the Pacific Northwest, the Indian ghost city of Fatehpur Sikri, and more.A Darker Shade of Noir: New Stories Of Body Horror By Women Writers
Par Joyce Carol Oates. 2023
Joyce Carol Oates assembles an outstanding cast of authors—including Margaret Atwood, Tananarive Due, and Megan Abbott—to explore, subvert, and reinvent…
one of the most vital subgenres of horror WHILE THE COMMON BELIEF is that "body horror" as a subgenre of horror fiction dates back to the 1970s, Joyce Carol Oates suggests that Medusa, the snake-haired gorgon in Greek mythology, is the "quintessential emblem of female body horror." In A Darker Shade of Noir: New Stories of Body Horror by Women Writers, Oates has assembled a spectacular cast to explore this subgenre focusing on distortions to the human body in the most fascinating of ways. "Should we know nothing of the female monsters of antiquity," Oates writes in her introduction to the volume, "still we would know that body horror in its myriad manifestations speaks most powerfully to women and girls. To be female is to inhabit a body that is by nature vulnerable to forcible invasion, susceptible to impregnation and repeated pregnancies, condemned to suffer childbirth, often in the past early deaths in childbirth and in the aftermath of childbirth."The Midnight Washerwoman and Other Tales of Lower Brittany (Oddly Modern Fairy Tales Ser. #28)
Par Francois-Marie Luzel. 2024
Twenty-nine Breton tales, as told over a series of long winter nights, featuring an ingenious miller, a Jerusalem-bound ant, a…
mad dash at midnight, and moreIn the late nineteenth century, the folklorist François-Marie Luzel spent countless winter evenings listening to stories told by his neighbors, local Breton farmers and villagers. At these social gatherings, known as veillées, Luzel recorded the tales in unusual detail, capturing a storytelling tradition that is now almost forgotten. The Midnight Washerwoman and Other Tales of Lower Brittany collects twenty-nine stories gathered by Luzel, many translated into English for the first time. The tales are presented in a series of five imaginary veillées, giving readers a unique opportunity to listen in on a long-ago winter&’s night of storytelling.Some of the stories mix the apparently supernatural with the everyday—as in the title tale, when a mysteriously nocturnal washerwoman causes three handsome lads to flee so quickly they lose their clogs in the process. Others invite listeners to root for the underdog, as when a simple miller outwits a powerful seigneur. Another tale must have been greeted with raucous laughter as it recounts an ascending ladder of obstacles—from a mouse to a cat to a man to God (or the Devil) himself—confronted by a traveling ant. Michael Wilson, the volume&’s editor and translator, provides a substantive introduction that discusses Luzel&’s work and the significance of Breton storytelling.Dark Duets: All-New Tales of Horror and Dark Fantasy
Par Christopher Golden. 2014
Charlaine Harris and Rachel Caine enter a shadowy world of demons and angels in "Dark Witness" while Sarah Rees Brennan,…
Cassandra Clare, and Holly Black look at three weird sisters who face challenges beyond magic in "Sisters Before Misters." Sarah MacLean and Carrie Ryan explore the exquisite agony of eternal love in "She, Doomed Girl," and "Welded" by Tom Piccirilli and T. M. Wright offers an unsettling vision of an evil that infects and destroys lives. Mixing the ordinary—parents, teenagers, lovers—with the extraordinary—angels, demons, serial killers—these captivating and vivid tales delve deep into the shadowy, unexplored realms of the imagination.The Original Folk and Fairy Tales of the Brothers Grimm: The Complete First Edition
Par Jacob Grimm, Wilhelm Grimm. 2014
The original vision of Grimms' tales in English for the first timeWhen Jacob and Wilhelm Grimm published their Children's and…
Household Tales in 1812, followed by a second volume in 1815, they had no idea that such stories as "Rapunzel," "Hansel and Gretel," and "Cinderella" would become the most celebrated in the world. Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, The Original Folk and Fairy Tales of the Brothers Grimm makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezsö.From "The Frog King" to "The Golden Key," wondrous worlds unfold—heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique—they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms' later, more embellished collections of tales. Zipes's introduction gives important historical context, and the book includes the Grimms' prefaces and notes.A delight to read, The Original Folk and Fairy Tales of the Brothers Grimm presents these peerless stories to a whole new generation of readers.Blood Lite II: Overbite
Par Kelley Armstrong, L. A. Banks, Allison Brennan. 2010
From the Horror Writers Association comes a brand-new collection of darkly humorous tales! The Big Questions of Life (and Death)…
Can a killer’s basement blood-feast be a tax write-off (under Entertainment)? Not if Vlad the IRS agent nails him first in Heather Graham’s "Death and Taxes." What does a pack of hungry she-wolves do to solve their man troubles? Ladies Night Out takes a wicked turn in "Dog Tired (of the Drama!)" by L. A. Banks. How far will an elite call girl go to beat a murder rap? Stuck with a dead client in a luxury L.A. hotel room, she might strike a costly bargain with a woman of unearthly powers in Allison Brennan’s "Her Lucky Day." Who actually writes those tabloid stories about Bigfoot? Meet a journalist of the unexplained (she’s 50 percent demon) and her boyfriend (he’s 100 percent thief), as they heat up a museum exhibition that’s also a soul-snatching battleground in "Lucifer’s Daughter" by Kelley Armstrong. Plus tales from KEVIN J. ANDERSON & JANIS IAN • SAM W. ANDERSON • MIKE BARON EDWARD BRYANT • AMY STERLING CASIL • DEREK CLENDENING DON D’AMMASSA • BRIAN J. HATCHER • NINA KIRIKI HOFFMAN NANCY KIRKPATRICK • J. A. KONRATH • JOHN R. LITTLE • SHARYN MCCRUMB SCOTT NICHOLSON • MARK ONSPAUGH • AARON POLSON • DANIEL PYLE MIKE RESNICK & LEZLI ROBYN • JEFF RYAN • D. L. SNELL • LUCIEN SOULBAN ERIC JAMES STONE • JEFF STRAND • JORDAN SUMMERS JOEL A. SUTHERLAND • STEVE RASNIC TEM • CHRISTOPHER WELCHIndian Ghost Stories (Ghost Stories)
Par Flame Tree. 2024
Spirits, ghosts, demons and jackals, all conjure the tales of the unique and original culture of South Asia.A delightful collection…
of stories from South Asia, some extending back to early cultures of the Indus river. Include Life&’s Secret; The Story of Prince Sobur; The Ghost-Brahman; The Origin of Rubies; The Match-Making Jackal; The Ghost Who Was Afraid of Being Bagged; The Field of Bones; The Boy Who Had a Moon on His Forehead and a Star on His Chin; Why the Fish Laughed; The Demon With the Matted Hair; The Ivory City and Its Fairy Princess; Sun, Moon and Wind Go Out to Dinner.FLAME TREE 451: From myth to mystery, the supernatural to horror, fantasy and science fiction, Flame Tree 451 offers a healthy diet of werewolves and mechanical men, blood-lusty vampires, dastardly villains, mad scientists, secret worlds, lost civilizations and escapist fantasies. Discover a storehouse of tales gathered specifically for the reader of the fantastic.Djeha, the North African Trickster
Par Christa C. Jones. 2023
Djeha—also known as Juha, Jeh’a, and Ch’ha, among many variations—is an iconic figure, the trickster hero of an oral folktale…
tradition that has existed for centuries. The famous Maghrebian prankster is a poor, cunning, and resourceful character that delights in immoral behavior. Orientalists Auguste Mouliéras (1855-1931) and René Basset (1855-1924) were among the first Frenchmen to collect and translate popular Berber folktales. Today, trickster folktales from Algeria’s mountainous Kabylia region are not well known in the Anglophone world, even though they continue to be highly popular in France and in North Africa. Djeha, the North African Trickster is an annotated, critical translation of Auguste Mouliéras’s folktale collection Les Fourberies de Si Djeh’a, first published in French in 1892.The volume contains sixty tales and an in-depth introduction in which Christa C. Jones discusses jocular literature in Islam, the widespread oral folktale tradition linked to Djeha and his Turkish twin brother Nasreddin Hoca, and the impact of colonialism on the gathering and dissemination of the tales. The trickster is at the center of six themed chapters: “Family and Kinship”; “Animal Tales"; “Faces, Places, or Daily Life in the Village"; “Foodways”; “The Intricacies of Hospitality: Beware of Friends and Foes!"; and “Religion, Death, and the Afterlife.” Each chapter contains ten folktales preceded by a short introduction that contextualizes the pieces using historical, folkloristic, literary, and ethnographical sources. Ultimately, the book contributes to the preservation of an ancestral oral heritage, delivering this enduring character to new audiences.The Complete Folktales of A. N. Afanas'ev, Volume II
Par Jack V. Haney. 2015
Up to now, there has been no complete English-language version of the Russian folktales of A. N. Afanas’ev. This translation…
is based on L. G. Barag and N. V. Novikov’s edition, widely regarded as the authoritative Russian-language edition. The present edition includes commentaries to each tale as well as its international classification number. This second volume of 140 tales continues the work started in Volume I, also published by University Press of Mississippi. A third planned volume will complete the first English-language set. The folktales of A. N. Afanas’ev represent the largest single collection of folktales in any European language and perhaps in the world. Widely regarded as the Russian Grimm, Afanas’ev collected folktales from throughout the Russian Empire in what are now regarded as the three East Slavic languages, Byelorusian, Russian, and Ukrainian. The result of his own collecting, the collecting of friends and correspondents, and in a few cases his publishing of works from earlier and forgotten collections is truly phenomenal. In his lifetime, Afanas’ev published more than 575 tales in his most popular and best-known work, Narodnye russkie skazki. In addition to this basic collection, he prepared a volume of Russian legends, many on religious themes; a collection of mildly obscene tales, Russkie zavetnye skazki; and voluminous writings on Slavic folk life and mythology. His works were subject to the strict censorship of ecclesiastical and state authorities that lasted until the demise of the Soviet Union in the 1990s. Overwhelmingly, his particular emendations were stylistic, while those of the censors mostly concerned content. The censored tales are generally not included in this volume.Cinderella in America: A Book of Folk and Fairy Tales
Par William Bernard Mccarthy. 2007
For years, many folklorists have denied the possibility of a truly American folk or fairy tale. They have argued that…
the tales found in the United States are watered-down derivatives of European fare. With this gathering, William Bernard McCarthy compiles evidence strongly to the contrary. Cinderella in America: A Book of Folk and Fairy Tales represents these tales as they have been told in the United States from Revolutionary days until the present. To capture this richness, tales are grouped in chapters that represent regional and ethnic groups, including Iberian, French, German, British, Irish, other European, African American, and Native American. These tales are drawn from published collections, journals, and archives, and from fieldwork by McCarthy and his colleagues. Created along the nationalist model of the Brothers Grimm yet as diverse in its voices and themes as the nation it represents, Cinderella in America shows these tales truly merit the designation American.The Complete Folktales of A. N. Afanas’ev: Volume I
Par Jack V. Haney. 2014
The folktales of A. N. Afanas’ev represent the largest single collection of folktales in any European language and perhaps in…
the world. Widely regarded as the Russian Grimm, Afanas’ev collected folktales from throughout the Russian Empire in what are now regarded as the three East Slavic languages, Byelorusian, Russian, and Ukrainian. The result of his own collecting, the collecting of friends and correspondents, and in a few cases his publishing of works from earlier and forgotten collections is truly phenomenal. In his lifetime, Afanas’ev published more than 575 tales in his most popular and best-known work, Narodnye russkie skazki. In addition to this basic collection he prepared a volume of Russian legends, many on religious themes, an anthology of mildly obscene tales, and voluminous writings on Slavic folk life and Slavic mythology. His works were subject to the strict censorship of ecclesiastical and state authorities that lasted until the demise of the Soviet Union at the end of the twentieth century. Overwhelmingly, his particular emendations were of a stylistic nature, while those of the censors mostly concerned content. The censored tales are generally not included. Up to now, there has been no complete English-language version of the Russian folktales of Afanas’ev. This translation is based on L. G. Barag and N. V. Novikov’s edition (Moscow: Nauka, 1984-1986), widely regarded as the authoritative edition. The present edition includes commentaries to each tale as well as its international classification number.Long, Long Tales from the Russian North
Par Jack V. Haney. 2013
This volume of folktales from the Far North of European Russia features seventeen works by five narrators of the Russian…
tale, all recorded in the twentieth century. The tales, distinguished by their extraordinary length and by the manner in which they were commonly told, appear to have flourished only in the twentieth century and only in Russian Karelia. Although the tales are easily recognized as wondertales, or fairy tales, their treatment of the traditional matter is anything but usual. In these tales one encounters such topics as regicide, matricide, patricide, fratricide, premarital relations between the sexes and more, all related in the typical manner of the Russian folktale. The narrators were not educated beyond a rudimentary level. All were middle-aged or older, and all were men. Crew members of a fishing or hunting vessel plying the White Sea or lumberjacks or trappers in the vast northern forests, they frequently began the narration of a tale in an evening, then broke off at an appropriate moment and continued at a subsequent gathering. Such tales were thus told serially. Given their length, their thematic and narrative complexity, and their stylistic proficiency, one might even refer to them as orally delivered Russian short stories or novellas.The Complete Folktales of A. N. Afanas'ev, Volume III
Par Jack V. Haney and Sibelan Forrester. 2021
Up to now, there has been no complete English-language version of the Russian folktales of A. N. Afanas’ev. This translation…
is based on L. G. Barag and N. V. Novikov’s edition, widely regarded as the authoritative Russian-language edition. The present edition includes commentaries to each tale as well as its international classification number. This third volume contains 305 tales, those numbered 319–579, as well as forty-five additional tales from among those denied publication by the Russian censors. The folktales of A. N. Afanas’ev represent the largest single collection of folktales in any European language and perhaps in the world. Widely regarded as the Russian Grimm, Afanas’ev collected folktales from throughout the Russian Empire in what are now regarded as the three East Slavic languages, Belarusian, Russian, and Ukrainian. In his lifetime, Afanas’ev published more than 575 tales in his most popular and best-known work, Narodnye russkie skazki. In addition to this basic collection, he prepared a volume of Russian legends, many on religious themes; a collection of mildly obscene tales, Russkie zavetnye skazki; and voluminous writings on Slavic folklife and mythology. His works were subject to the strict censorship of ecclesiastical and state authorities that lasted until the demise of the Soviet Union in the 1990s. Overwhelmingly, his particular emendations were stylistic, while those of the censors mostly concerned content.