Résultats de recherche de titre
Articles 1 à 13 sur 13
The figure of the detective: a literary history and analysis
Par Charles Brownson. 2014
"This book begins with a history of the detective genre, coextensive with the novel itself, identifying the attitudes and institutions…
needed for the genre to emerge in its mature form around 1880. The theory of the genre is laid out along with its central theme of the getting and deployment of knowledge. Sherlock Holmes, the English Classic stories and their inheritors are examined in light of this theme and the balance of two forms of knowledge used in fictional detection--cool or rational, and warm or emotional. The evolution of the genre formula is driven by changes in the social climate in which it is embedded. These changes explain the decay of the English Classic and its replacement by noir, hardboiled and spy stories, to end in the cul-de-sac of the thriller and the nostalgic Neo-Classic. Possible new forms of the detective story are suggested." -- Provided by publisherThe art of mystery: the search for questions (Art Of... Ser.)
Par Maud Casey. 2018
Where does mystery reside in a work of fiction Maud Casey takes us into the Land of Un a space…
of uncertainty and unknowing to find out and looks at the variety of ways mystery is created through character, image, structure, and haunted texts, including the novels of Shirley Jackson, Paul Yoon, J. M. Coetzee, and more. Casey's wide-ranging discussion encompasses spirit photography, the radical nature of empathy, and contradictory characters, as she searches for questions rather than answers. Adult. UnratedThis book explores how three Anglo-Irish writers, J.C. Mangan, J.S. Le Fanu and Bram Stoker, use settings in their short…
fictions to recreate, depict and confront Ireland’s colonial situation in the nineteenth century. This study provides an innovative approach by targeting a genre (the short story) which has not been explored in its entirety— certainly not within nineteenth century Ireland - much less using a postcolonial approach to the short story. Added to this is the fact that it analyses how these writers used settings as an anticolonial tool. To do so, the book is divided into two major sections, an analysis of Irish settings and non-Irish ones. It works on the premise that all three writers used the idea of displacement to target colonialism and its effects on Irish society. In short, this book addresses a gap in scholarship, as the Irish Gothic short story as a decolonizing tool has not been sufficiently and globally studied.Jane Austen and Vampires: Love, Sex and Immortality in the New Millennium (Palgrave Gothic)
Par Eric Parisot. 2024
Jane Austen and Vampires is the first book to investigate the literary convergence of Jane Austen and vampires in Austen…
fanfic after the success of Stephenie Meyer’s Twilight (2005) and Seth Grahame-Smith’s Pride and Prejudice and Zombies (2009). It asks how the shifting cultural values of Austen and the vampire have aligned, and what their connection might mean for their respective contemporary legacies. It also makes a case for reading “low brow” Austen fanfic attentively, as a way to gain meaningful insight directly from Austen fans into the tensions and anxieties surrounding contemporary notions of love, sex, femininity, and Austen’s modern currency. Offering close readings of Austen’s vampire-slaying heroines, vampiric retellings of Pride and Prejudice, and the transformation of Austen herself into a vampire, this book reveals Austen-vampire mashups as messy, complex entanglements that creatively and self-reflexively interrogate modern fantasies of vampire romance. By its unique intersection of Jane Austen with the vampire, the Gothic, fan culture and popular romance, Jane Austen and Vampires adds a new chapter to the history of Austen’s reception, for fans, students and scholars alike.Southland
Par Nina Revoyr. 2003
A compelling story of race, love, murder, and history against the backdrop of an ever-changing Los Angeles. "I'm an LA…
native with a lot of love for LA crime fiction, but instead of preaching to the noir choir about The Long Goodbye, I'd like to gush about Southland by Nina Revoyr. It's a brilliant, ambitious, moving literary crime novel about two families in South Los Angeles and their tangled history between the 1930s and the 1990s. The central mystery is the death of four black boys in a Japanese-American man's store during the Watts Rebellion of 1965. It's a powerful book, one that I think about often, as well as a huge influence on my work. Right up there with Chandler." --Stephanie Cha (of the LARB) in GQ on "The Greatest Crime Novelists on Their Favorite Crime Novels Ever" "A story about injustice dressed up as a detective novel, Southland reminds us that activism is both an ongoing project and a deeply personal choice." --Vallaire Wallace in Electric Lit on "The Novel That Shows Us How to Face our Past to Change Our Future" "Jackie Ishida's grandfather had a store in Watts where four boys were killed during the riots in 1965, a mystery she attempts to solve." --New York Times Book Review, Ross MacDonald on "Where Noir Lives in the City of Angels" "It is the kind of saga that often epitomizes and shocks LA--friction and violence between races and cultures." --Los Angeles Times, named one of the 20 Essential LA Crime Books "When I started working on Your House Will Pay, I hoped to write something that was half as smart and affecting as Southland. Revoyr's novel takes place in the Crenshaw district of Los Angeles, following two families--one black, one Japanese--over several decades. It's a character-driven saga with the engine of a crime novel, unravelling a horrific multiple murder that took place in the chaotic days of the Watts Rebellion in 1965." --The Guardian (UK), one of Steph Cha's Top 10 Books About Trouble in Los Angeles "[A]n absolutely compelling story of family and racial tragedy. Revoyr's novel is honest in detailing southern California's brutal history, and honorable in showing how families survived with love and tenacity and dignity." --Susan Straight, author of Highwire Moon Southland brings us a fascinating story of race, love, murder and history, against the backdrop of an ever-changing Los Angeles. A young Japanese-American woman, Jackie Ishida, is in her last semester of law school when her grandfather, Frank Sakai, dies unexpectedly. While trying to fulfill a request from his will, Jackie discovers that four African-American boys were killed in the store Frank owned during the Watts Riots of 1965. Along with James Lanier, a cousin of one of the victims, Jackie tries to piece together the story of the boys' deaths. In the process, she unearths the long-held secrets of her family's history. Southland depicts a young woman in the process of learning that her own history has bestowed upon her a deep obligation to be engaged in the larger world. And in Frank Sakai and his African-American friends, it presents characters who find significant common ground in their struggles, but who also engage each other across grounds--historical and cultural--that are still very much in dispute. Moving in and out of the past--from the internment camps of World War II, to the barley fields of the Crenshaw District in the 1930s, to the streets of Watts in the 1960s, to the night spots and garment factories of the 1990s--Southland weaves a tale of Los Angeles in all of its faces and forms.The Uncomfortable Dead
Par Subcomandante Marcos, Paco Ignacio Taibo II. 1999
A stylized reissue of the acclaimed, surreal noir collaboration between Mexico's greatest writer and its most courageous revolutionary. "Great writers…
by definition are outriders, raiders of a sort, sweeping down from wilderness territories to disturb the peace, overrun the status quo and throw into question everything we know to be true. . . . On its face, the novel is a murder mystery, and at the book’s heart, always, is a deep love of Mexico and its people.” —Los Angeles Times Subcomandante Marcos is a spokesperson and strategist for the Zapatistas, an indigenous insurgency movement based in Mexico. Paco Ignacio Taibo II is the author of numerous works of award-winning fiction and nonfiction, which have been published in many languages around the world. He lives in Mexico City.Neo-Victorian Young Adult Narratives
Par Sarah E. Maier. 2024
Neo-Victorian Young Adult Narratives examines the neo-Victorian themes and motifs currently appearing in young adult fiction—specifically addressing the themes of authorship,…
sexuality, and criminality in the context of the Victorian age in British and American cultures. This book explicates the complicated relationship between the Victorian past and the turn to Victorian modes of thought on literature, history, and morality. Additionally, Sarah E. Maier aims to determine if the appeal of neo-Victorian young adult fiction rests in or resists nostalgia, parody, and revision. Given the overwhelming prevalence of the Victorian in the young adult genres of biofiction, juvenile writings, gothic, sensation, mystery, and crime fiction, there is much to investigate in terms of the friction between the past and the present.The Routledge Introduction to Canadian Crime Fiction
Par Pamela Bedore. 2024
Who are the most important Canadian crime and detective writers? How do they help represent Canada as a nation? How…
do they distinguish Canada’s approach to questions of crime, detection, and social justice from those of other countries? The Routledge Introduction to Canadian Crime Fiction provides a much-needed investigation into how crime and detection have been, are, and will be represented within Canada’s national literature, with an attention to contemporary popular and literary texts. The book draws together a representative set of established Canadian authors who would appear in most courses on Canadian crime and detective fiction, while also introducing a few authors less established in the field. Ultimately, the book argues that crime fiction is a space of enormously productive hybridity that offers fresh new approaches to considering questions of national identity, gender, race, sexuality, and even genre.Studying Crime in Fiction: An Introduction
Par Eric Sandberg. 2024
The primary aim of Studying Crime in Fiction: An Introduction is to introduce the emerging cross-disciplinary area of study that…
combines the fields of crime fiction studies and criminology. The study of crime fiction as a genre has a long history within literary studies, and is becoming increasingly prominent in twenty-first-century scholarship. Less attention, however, has been paid to the ways in which elements of criminology, or the systematic study of crime and criminal behaviour from a wide range of perspectives, have influenced the production and reception of crime narratives. Similarly, not enough attention has been paid to the ways in which crime fiction as a genre can inform and enliven the study of criminology. Written largely for undergraduate and graduate students, but also for scholars of crime fiction and criminology interested in thinking across disciplinary boundaries, Studying Crime in Fiction: An Introduction provides full coverage of the backgrounds of the related fields of crime fiction studies and criminology, and explores the many ways they are reciprocally illuminating. The four main chapters in Section 1 (Orient You) familiarize readers with the history and contours of the broad fields within which Studying Crime in Fiction: An Introduction operates. It introduces the history of crime and criminology, as well the history of crime fiction and the academic field dedicated to its study. In its final chapter it looks at the ways these areas of study can be conceptually interrelated. Section 2 of the book (Equip You) is dedicated to examining aspects of criminological theory in relation to various forms of crime fiction. It highlights a range of the most relevant theories, paradigms, and problematics of criminology that appear in, shed light on, or can be effectively illuminated through reference to crime fiction. Its five chapters deal with the definition of crime; explanations for crime and criminal behaviour; investigations into crime; the experience of crime; and, finally, punishments for crime. All of these areas are examined alongside examples of crime fiction drawn from across the genre’s history. Section 3 (Enable You) presents six case studies. Each of these reads a work of crime fiction alongside one or more criminological approaches. Each case study is supplemented with a set of questions addressing issues central to the study of crime in fiction.The Ambivalent Detective in Victorian Sensation Novels studies how the detective as a literary character evolved through the mid-nineteenth century…
in England, as seen in sensation novels. In contrast to most assumptions about the English detective, Yoon argues that the detective was more often tolerated than admired following the establishment of professional detectives in the London Metropolitan Police Force in 1842. Through studying the historical and literary contexts between the 1840s to the 1860s, Yoon argues that the detective was seen as a suspicious, even mistrusted and disdained, figure who was nonetheless viewed as necessary to combat rising levels of crime. The detective as a literary character responded to the often contradictory values and aspirations of the middle class, representing an independent masculinity and laying claim to scientific authority. This study surveys novels by Charles Dickens, Mary Elizabeth Braddon, and Wilkie Collins, alongside lesser-known writers like William Russell, James Redding Ware (pseudonym Andrew Forrester), and William Stephens Hayward. This book contributes to the study of mid-nineteenth-century Victorian culture and connects with broader studies of the detective fiction genre.The Modern Library: The 200 Best Novels in English Since 1950
Par Carmen Callil, Colm Toibin. 2011
For Colm Toíbín and Carmen Callil there is no difference between literary and commercial writing - there is only the…
good novel: engrossing, inspirational, compelling. In their selection of the best 200 novels written since 1950, the editors make a case for the best and the best-loved works and argue why each should be considered a modern classic. Enlightening, often unexpected and always engaging this tour through the world of fiction is full of surprises, forgotten masterpieces and a valuable guide to what to read next. Authors in the collection include Agatha Christie, Georgette Heyer, Daphne du Maurier, Patrick Hamilton, Carson McCullers, J. D. Salinger, Bernard Malamud; Flannery O'Connor, Mulk Raj Anand, Raymond Chandler, L. P. Hartley, Amos Tutuola, Sylvia Townsend Warner, Samuel Beckett, Patricia Highsmith, Chinua Achebe, Isak Dineson, Alan Sillitoe, Ivy Compton-Burnett, Grace Paley, Harper Lee, Olivia Manning and Mordecai Richler.The Italian
Par Ann Radcliffe. 2000
From the first moment Vincentio di Vivaldi, a young nobleman, sets eyes on the veiled figure of Ellena, he is…
captivated by her enigmatic beauty and grace. But his haughty and manipulative mother is against the match and enlists the help of her confessor to come between them. Schedoni, previously a leading figure of the Inquisition, is a demonic, scheming monk with no qualms about the task, whether it entails abduction, torture - or even murder. The Italian secured Ann Radcliffe's position as the leading writer of Gothic romance of the age, for its atmosphere of supernatural and nightmarish horrors, combined with her evocation of sublime landscapes and chilling narrative.The Fall of the House of Usher and Other Writings: Poems, Tales, Essays, And Reviews
Par Edgar Allan Poe. 2003
The Fall of the House of Usher and Other Writings is a collection that displays the full force of Edgar…
Allen Poe's mastery of both Gothic horror and the short story form. This Penguin Classics edition is edited with an introduction and notes by David Galloway.This selection of Poe's critical writings, short fiction and poetry demonstrates his intense interest in aesthetic issues, and the astonishing power and imagination with which he probed the darkest corners of the human mind. 'The Fall of the House of Usher' is a slow-burning Gothic horror, describing the final hours of a family tormented by tragedy and the legacy of the past. In 'The Tell-Tale Heart', a murderer's insane delusions threaten to betray him, while stories such as 'The Pit and the Pendulum', 'The Raven' and 'The Cask of Amontillado' explore extreme states of decadence, fear and hate. In his introduction David Galloway re-examines the myths surrounding Poe's life and reputation. This edition includes a new chronology and suggestions for further reading.Although dissipated in his youth and plagued by mental instability towards the end of his life, Boston-born Edgar Allan Poe (1809-49) had a variety of occupations, including service in the US army and magazine editor, as well as his remarkable literary output.If you enjoyed The Fall of the House of Usher, you might like Horace Walpole's The Castle of Otranto, also available in Penguin Classics.'The most original genius that America has produced'Alfred, Lord Tennyson'Poe has entered our popular consciousness as no other American writer'The New York Times Book Review