After his death, a public figure leaves behind an astonishing manuscript – an embarrassment to his godson, the executor of…
his estate. What should be done with these disconcerting essays, which touch on disparate topics, jumping from the iconoclastic to the ironic, from the moving to the provocative, from the highbrow to the eccentric, at times preposterous and ridiculous, but all fundamentally contradictory? It is a difficult question to answer, especially as none of these essays seem to match the persona he hid behind and seem to have been written against everything he stood for. Is this really a tribute to procrastination from a workaholic? Or a tribute to the tavern from someone who never frequented them? Are these truly tributes? Or are they pranks instead, farcical tricks, intended to be ironic, a full-on hoax, allowing the author to strip away all pretence in order to communicate authentically?There was only one thing left to do: publish them. Que sera sera.
Oeuvres littéraires (romans)Arts et divertissement
Audio avec voix de synthèse, Braille automatisé
Julian Mann, the hard drinking, preening, and sexually provocative star of the TV sitcome Richard the Nerd, feels caught on…
the horns of a dilemma: should he be concentrating on his career, which is on the slide after an unseemly bout of fisticuffs at the BAFTA awards; or following his baser instincts and bedding every young girl in sight?His twin dreams of comic immortality and a penthouse flat full of booze and young models seem to be frustrated by his wife and children; by Tom, his wife's best friend from university days, a pretentious 'National Theatre Player' who appears to be competing with Julian on the small sreen and in the bedroom; by the tax man, who's chasing him for sixty thousand pounds; and by Lillith, a psychotic fan, and member of a strange Herculean cult whose eight-year cycle of death and regeneration might augur Julian's imminent nemesis...