Résultats de recherche de titre
Articles 1 à 7 sur 7
Like a Hurricane
Par Jonathan Bécotte. 2023
The Fifth Beatle: The Brian Epstein Story (Anniversary Edition)
Par Vivek Tiwary. 2023
&“Heartbreaking, exhilarating and unexpected . . . A complete triumph.&”—The Hollywood Reporter &“10/10. A masterpiece . . . Brilliant in…
every aspect.&”—IGN&’s Best Original Graphic Novel, 2013The Fifth Beatle brings to life the true story of visionary Beatles manager Brian Epstein—the man who launched the Beatles to worldwide stardom.This 10th Anniversary edition of the critically acclaimed, award-winning international bestseller features a new cover, an accompanying musical soundtrack/playlist curated by writer Vivek J. Tiwary, a new introduction by legendary music manager Kelly Curtis (Pearl Jam), and an expanded sketchbook section.A visionary artist manager, Brian Epstein engineered Beatlemania—guiding the Beatles from basement gigs to unprecedented international stardom while wrestling with personal demons and the trappings of massive ambition and success. An award-winning, uplifting and inspiring human story about chasing your dreams, The Fifth Beatle also reveals an important, unsung chapter in the Beatles' history.Whether you&’re discovering the Brian Epstein story for the first time or an old fan revisiting this groundbreaking graphic novel, now a part of the Rock and Roll Hall of Fame Library and Archives Permanent Collection, a splendid time is guaranteed for all.Super Late Bloomer: My Early Days in Transition (Up and Out Collection)
Par Julia Kaye. 2018
Instead of a traditional written diary, Julia Kaye has always turned to art as a means of self-reflection. So when…
she began her gender transition in 2016, she decided to use her popular webcomic, Up and Out, to process her journey and help others with similar struggles realize they weren&’t alone. Julia&’s poignant, relatable comics honestly depict her personal ups and downs while dealing with the various issues involved in transitioning—from struggling with self-acceptance and challenging societal expectations, to moments of self-love and joy. Super Late Bloomer both educates and inspires, as Julia faces her difficulties head-on and commits to being wholly, authentically who she was always meant to be.My Life in Transition: A Super Late Bloomer Collection
Par Julia Kaye. 2020
My Life in Transition is a story that&’s not often told about trans lives: what happens beyond the early days of transition. Both deeply personal…
and widely relatable, this collection illustrates six months of Julia's life as an out trans woman—about the beauty and pain of love and heartbreak, struggling to find support from bio family and the importance of chosen family, moments of dysphoria and misgendering, learning to lean on friends in times of need, and finding peace in the fact that life keeps moving forward.After the nerve-wracking, anxiety-ridden early transition period has ended and the hormones have done their thing, this book shows how you can be trans and simply exist in society. You can be trans and have a successful future. You can be trans and have a normal life full of ups and downs. In our current political and social climate, this hopeful, accessible narrative about trans lives is both entertaining and vital.I'm So Glad We Had This Time Together: A Memoir
Par Maurice Vellekoop. 2024
&“Maurice Vellekoop's beautiful graphic memoir feels painfully honest. It's about art and life and families and belief, about who we…
are and what forms us, the magic and the hurt, and it evokes times that are well-lost while reminding us of the battles still being fought every day. Most of all, I think, it's about love.&” —Neil GaimanFor fans of Fun Home by Alison Bechdel, I&’m So Glad We Had This Time Together is an epic graphic memoir about a queer illustrator surviving his intensely Christian childhood in 1970s Toronto.Meet little Maurice Vellekoop, the youngest of four children raised by Dutch immigrants in the 1970s in a blue-collar suburb of Toronto. Despite their working-class milieu, the Vellekoops are devoted to art, music, and film, and they instill a deep reverence for the arts in young Maurice—except for literature. He&’d much rather watch Cher and Carol Burnett on TV than read a book. He also loves playing with his girlfriends&’ Barbie dolls and helping his Mum in her hair salon, which she runs out of the basement of their house. In short, he is really, really gay. Which is a huge problem, because the family is part of the Christian Reformed Church, a strict Calvinist sect. They go to church twice on Sunday, and they send their kids to a private Christian school, catechism classes, and the Calvinist Cadet Corps. Needless to say, the church is intolerant of homosexuality. Though she loves her son deeply, Maurice&’s mother, Ann, cannot accept him, setting the course for a long estrangement. Vellekoop struggles through all of this until he graduates from high school and is accepted into the Ontario College of Art in the early 1980s. Here he finds a welcoming community of bohemians, including a brilliant, flamboyantly gay professor who encourages him to come out. But just as he&’s dipping his toes into the waters of gay sex and love, a series of romantic disasters, followed by a violent attack, sets him back severely. And then the shadow of the AIDS era descends. Maurice reacts by retreating to the safety of childhood obsessions, and seeks to satisfy his emotional needs with film- and theatre-going, music, boozy self-medication, and prolific art-making. When these tactics inevitably fail, Vellekoop at last embarks on a journey towards his heart&’s true desire. In psychotherapy, the spiderweb of family, faith, guilt, sexuality, mental health, the intergenerational fallout of World War II, King Ludwig II of Bavaria, French Formula Hairspray, and much more at last begins to untangle. But it&’s going to be a long, messy, and occasionally hilarious process. I&’m So Glad We Had This Time Together is an enthralling portrait of what it means to be true to yourself, to learn to forgive, and to be an artist.Gender Queer: A Memoir (Gender Queer Ser.)
Par Maia Kobabe. 2019
In 2014, Maia Kobabe, who uses e/em/eir pronouns, thought that a comic of reading statistics would be the last autobiographical…
comic e would ever write. At the time, it was the only thing e felt comfortable with strangers knowing about em. Now, Gender Queer is here. Maia’s intensely cathartic autobiography charts eir journey of self-identity, which includes the mortification and confusion of adolescent crushes, grappling with how to come out to family and society, bonding with friends over erotic gay fanfiction, and facing the trauma and fundamental violation of pap smears. Started as a way to explain to eir family what it means to be nonbinary and asexual, Gender Queer is more than a personal story: it is a useful and touching guide on gender identity—what it means and how to think about it—for advocates, friends, and humans everywhere.Gender Queer: A Memoir Deluxe Edition (Gender Queer)
Par Maia Kobabe. 2022
In 2014, Maia Kobabe, who uses e/em/eir pronouns, thought that a comic of reading statistics would be the last autobiographical…
comic e would ever write. At the time, it was the only thing e felt comfortable with strangers knowing about em. Then e created Gender Queer. Maia’s intensely cathartic autobiography charts eir journey of self-identity, which includes the mortification and confusion of adolescent crushes, grappling with how to come out to family and society, bonding with friends over erotic gay fan fiction, and facing the trauma and fundamental violation of pap smears. Started as a way to explain to eir family what it means to be nonbinary and asexual, Gender Queer is more than a personal story: It is a useful and touching guide on gender identity—what it means and how to think about it—for advocates, friends, and humans everywhere. This special deluxe hardcover edition of Gender Queer features a brand-new cover, exclusive art and sketches, a foreword from ND Stevenson, Lumberjanes writer and creator of She-Ra and the Princesses of Power, and an afterword from Maia Kobabe.