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Catherine Girard-Audet (Raconte-moi #54)
Par Hélène Gagnon. 2023
L'enfance de Catherine se passe dans le bonheur auprès de sa famille. Introvertie et passionnée par la lecture, elle se…
sent comblée avec son chien Pollux, Annie, sa best, et Pilu, son amie imaginaire. Au secondaire, tout bascule. L'intimidation et le placotage derrière son dos sont au rendez-vous. Rien ne va plus ! Catherine pleure et se réfugie dans son journal intime. Puis, un changement d'école illumine à nouveau sa vie. L'amour, les amitiés et les voyages forment la jeune femme qu'elle devient. Son diplôme universitaire en poche, Catherine est loin de se douter qu'un jour, elle imaginera un personnage qu'elle baptisera Léa Olivier et qui fera d'elle une auteure des plus populairesHope Leslie, or, Early times in the Massachusetts: Or, Early Times In The Massachusetts (American Women Writers Ser.)
Par Catharine Maria Sedgwick. 1987
Set in seventeenth-century New England, Hope Leslie portrays early American life and celebrates the role of women in history. At…
the heart of the story is a cross-cultural friendship between Hope-Leslie, a spirited thinker in a repressive Puritan society and Magawisca, the passionate daughter of a Pequot chief. It challenges the conventional view of Indians, tackles interracial marriage and claims for women their rightful place in history. Adult. UnratedThe myth of Perseus, told through the story of the three women who knew him best - his mother Danae,…
his wife Andromeda, and his victim, Medusa.History remembers him as a hero. But the women who knew him best remember a different man...Perseus grows up wanting to be a hero, but he cannot become one if his mother Danae still sees him as a boy. When his stepfather Polydektes casts him away on a voyage across the sea, Perseus is determined to fulfil the great destiny of the son of a god and the grandson of a king. But the line between heroism and monstrosity is thin, and when Perseus attempts to seduce first gentle Medusa and then beautiful Andromeda, before finally reuniting with Danae, they each learn of the dangers of resisting a boy prepared to risk it all for greatness . . .(p) 2023 Hodder & Stoughton LimitedInto the Jungle!: A Boy's Comic Strip History of World War II (Cultures of Childhood)
Par Jimmy Kugler. 2023
Near the end of World War II and after, a small-town Nebraska youth, Jimmy Kugler, drew more than a hundred…
double-sided sheets of comic strip stories. Over half of these six-panel tales retold the Pacific War as fought by “Frogs” and “Toads,” humanoid creatures brutally committed to a kill-or-be-killed struggle. The history of American youth depends primarily on adult reminiscences of their own childhoods, adult testimony to the lives of youth around them, or surmises based on at best a few creative artifacts. The survival then of such a large collection of adolescent comic strips from America’s small-town Midwest is remarkable. Michael Kugler reproduces the never-before-published comics of his father’s adolescent imagination as a microhistory of American youth in that formative era. Also included in Into the Jungle! A Boy's Comic Strip History of World War II are the likely comic book models for these stories and inspiration from news coverage in newspapers, radio, movies, and newsreels. Kugler emphasizes how US propaganda intended to inspire patriotic support for the war gave this young artist a license for his imagined violence. In a context of progressive American educational reform, these violent comic stories, often in settings modeled on the artist’s small Nebraska town, suggests a form of adolescent rebellion against moral conventions consistent with comic art’s reputation for “outsider” or countercultural expressions. Kugler also argues that these comics provide evidence for the transition in American taste from war stories to the horror comics of the late 1940s and early 1950s. Kugler’s thorough analysis of his father’s adolescent art explains how a small-town boy from the plains distilled the popular culture of his day for an imagined war he could fight on his audacious, even shocking terms.King Harald's Saga
Par Snorri Sturluson. 1996
This compelling Icelandic history describes the life of King Harald Hardradi, from his battles across Europe and Russia to his…
final assault on England in 1066, less than three weeks before the invasion of William the Conqueror. It was a battle that led to his death and marked the end of an era in which Europe had been dominated by the threat of Scandinavian forces. Despite England's triumph, it also played a crucial part in fatally weakening the English army immediately prior to the Norman Conquest, changing the course of history. Taken from the Heimskringla - Snorri Sturluson's complete account of Norway from prehistoric times to 1177 - this is a brilliantly human depiction of the turbulent life and savage death of the last great Norse warrior-king.Hrafnkel's Saga and Other Icelandic Stories
Par Anonymous. 1971
Written around the thirteenth century AD by Icelandic monks, the seven tales collected here offer a combination of pagan elements…
tightly woven into the pattern of Christian ethics. They take as their subjects figures who are heroic, but do not fit into the mould of traditional heroes. Some stories concern characters in Iceland - among them Hrafknel's Saga, in which a poor man's son is murdered by his powerful neighbour, and Thorstein the Staff-Struck, which describes an ageing warrior's struggle to settle into a peaceful rural community. Others focus on the adventures of Icelanders abroad, including the compelling Audun's Story, which depicts a farmhand's pilgrimage to Rome. These fascinating tales deal with powerful human emotions, suffering and dignity at a time of profound transition, when traditional ideals were gradually yielding to a more peaceful pastoral lifestyle.The Gods Will Have Blood: (Les Dieux Ont Soif)
Par Anatole France, Frederick Davies. 1979
It is April 1793 and the final power struggle of the French Revolution is taking hold: the aristocrats are dead…
and the poor are fighting for bread in the streets. In a Paris swept by fear and hunger lives Gamelin, a revolutionary young artist appointed magistrate, and given the power of life and death over the citizens of France. But his intense idealism and unbridled single-mindedness drive him inexorably towards catastrophe. Published in 1912, The Gods Will Have Blood is a breathtaking story of the dangers of fanaticism, while its depiction of the violence and devastation of the Reign of Terror is strangely prophetic of the sweeping political changes in Russia and across Europe.Egil's Saga
Par Leifur Eiriksson. 1997
Egil's Saga tells the story of the long and brutal life of tenth-century warrior-poet and farmer Egil Skallagrimsson: a morally…
ambiguous character who was at once the composer of intricately beautiful poetry, and a physical grotesque capable of staggering brutality. The saga recounts Egil's progression from youthful savagery to mature wisdom as he struggles to avenge his father's exile from Norway, defend his honour against the Norwegian King Erik Bloodaxe, and fight for the English King Athelstan in his battles against Scotland. Exploring issues as diverse as the question of loyalty, the power of poetry, and the relationship between two brothers who love the same woman, Egil's Saga is a fascinating depiction of a deeply human character.The Master of Ballantrae
Par Adrian Poole, Robert Louis Stevenson. 1996
Set at the time of the Jacobite uprising, The Master of Ballantrae tells of a family divided. James Durie, Master…
of Ballantrae, abandons his ancestral home to support the Scottish rebellion - leaving his younger brother Henry, who is faithful to the English crown, to inherit the title of Lord Durrisdeer. But he is to return years later, embittered by battles and a savage life of piracy on the high seas, to demand his inheritance. Turning the people against the Lord, he begins a savage feud with his brother that will lead the pair from the Scottish Highlands to the American Wilderness. Satanic and seductive, the Master was regarded by Stevenson as 'all I know of the devil'; his darkly manipulative schemes dominate this subtle and compelling tragedy.This edition takes as its text the Edinburgh Edition of the novel, the last approved by the author. The introduction considers the novel's inspiration and its place as one of Stevenson's greatest studies in cruelty.