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Machine of death: a collection of stories about people who know how they will die
Par Ryan North, Matthew Bennardo, David Malki. 2010
Machine of Death tells thirty-four different stories about people who know how they will die. Prepare to have your tears…
jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprise. Because even when people have perfect knowledge of the future, there's no telling exactly how things will turn out. Adult. Some explicit descriptions of sex. Some violence and strong languageLove & mr. lewisham: The story of a very young couple
Par H. G Wells. 2023
The world of young Mr. Lewisham is one day turned upside down when he meets and falls in love with…
Ethel Henderson, a young woman from London who is visiting relatives in Sussex. Their brief and innocent rendezvous has significant implications when Lewisham's job is threatened. Some time later, Lewisham moves to London, where he decides to go search of Ethel, but finding her proves to be more complicated than expected ... This book is said to closely resemble events in H. G. Wells's own lifeThe myth of Perseus, told through the story of the three women who knew him best - his mother Danae,…
his wife Andromeda, and his victim, Medusa.History remembers him as a hero. But the women who knew him best remember a different man...Perseus grows up wanting to be a hero, but he cannot become one if his mother Danae still sees him as a boy. When his stepfather Polydektes casts him away on a voyage across the sea, Perseus is determined to fulfil the great destiny of the son of a god and the grandson of a king. But the line between heroism and monstrosity is thin, and when Perseus attempts to seduce first gentle Medusa and then beautiful Andromeda, before finally reuniting with Danae, they each learn of the dangers of resisting a boy prepared to risk it all for greatness . . .(p) 2023 Hodder & Stoughton LimitedSentimental Tales (Russian Library)
Par Mikhail Zoshchenko. 2018
&“Dralyuk&’s new translation of Sentimental Tales, a collection of Zoshchenko&’s stories from the 1920s, is a delight that brings the author&’s…
wit to life.&”—The EconomistMikhail Zoshchenko&’s Sentimental Tales are satirical portraits of small-town characters on the fringes of Soviet society in the first decade of Bolshevik rule. The tales are narrated by one Kolenkorov, a writer not very good at his job, who takes credit for editing the tales in a series of comic prefaces. Yet beneath Kolenkorov&’s intrusive narration and sublime blathering, the stories are genuinely moving. They tell tales of unrequited love and amorous misadventures among down-on-their-luck musicians, provincial damsels, aspiring poets, and liberal aristocrats hopelessly out of place in the new Russia, against a backdrop of overcrowded apartments, scheming, and daydreaming. Zoshchenko&’s deadpan style and sly ventriloquy mask a biting critique of Soviet life—and perhaps life in general. An original perspective on Soviet society in the 1920s and simply uproariously funny, Sentimental Tales at last shows Anglophone readers why Zoshchenko is considered among the greatest humorists of the Soviet era. &“A book that would make Gogol guffaw.&”—Kirkus Reviews &“If you find Chekhov a bit tame and want a more bite to your fiction, then you need a dose of Zoshchenko, the premier Russian satirist of the twentieth century . . . Snap up this thin volume and enjoy.&”—Russian Life &“Mikhail Zoshchenko masterfully exhibits a playful seriousness. . . . Juxtaposing joyful wit with the bleakness of Soviet Russia, Sentimental Tales is a potent antidote for Russian literature&’s dour reputation.&”—Foreword Reviews &“Superb.&”—Los Angeles Review of BooksThe Midnight Washerwoman and Other Tales of Lower Brittany (Oddly Modern Fairy Tales Ser. #28)
Par Francois-Marie Luzel. 2024
Twenty-nine Breton tales, as told over a series of long winter nights, featuring an ingenious miller, a Jerusalem-bound ant, a…
mad dash at midnight, and moreIn the late nineteenth century, the folklorist François-Marie Luzel spent countless winter evenings listening to stories told by his neighbors, local Breton farmers and villagers. At these social gatherings, known as veillées, Luzel recorded the tales in unusual detail, capturing a storytelling tradition that is now almost forgotten. The Midnight Washerwoman and Other Tales of Lower Brittany collects twenty-nine stories gathered by Luzel, many translated into English for the first time. The tales are presented in a series of five imaginary veillées, giving readers a unique opportunity to listen in on a long-ago winter&’s night of storytelling.Some of the stories mix the apparently supernatural with the everyday—as in the title tale, when a mysteriously nocturnal washerwoman causes three handsome lads to flee so quickly they lose their clogs in the process. Others invite listeners to root for the underdog, as when a simple miller outwits a powerful seigneur. Another tale must have been greeted with raucous laughter as it recounts an ascending ladder of obstacles—from a mouse to a cat to a man to God (or the Devil) himself—confronted by a traveling ant. Michael Wilson, the volume&’s editor and translator, provides a substantive introduction that discusses Luzel&’s work and the significance of Breton storytelling.The Original Folk and Fairy Tales of the Brothers Grimm: The Complete First Edition
Par Jacob Grimm, Wilhelm Grimm. 2014
The original vision of Grimms' tales in English for the first timeWhen Jacob and Wilhelm Grimm published their Children's and…
Household Tales in 1812, followed by a second volume in 1815, they had no idea that such stories as "Rapunzel," "Hansel and Gretel," and "Cinderella" would become the most celebrated in the world. Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, The Original Folk and Fairy Tales of the Brothers Grimm makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezsö.From "The Frog King" to "The Golden Key," wondrous worlds unfold—heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique—they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms' later, more embellished collections of tales. Zipes's introduction gives important historical context, and the book includes the Grimms' prefaces and notes.A delight to read, The Original Folk and Fairy Tales of the Brothers Grimm presents these peerless stories to a whole new generation of readers.Djeha, the North African Trickster
Par Christa C. Jones. 2023
Djeha—also known as Juha, Jeh’a, and Ch’ha, among many variations—is an iconic figure, the trickster hero of an oral folktale…
tradition that has existed for centuries. The famous Maghrebian prankster is a poor, cunning, and resourceful character that delights in immoral behavior. Orientalists Auguste Mouliéras (1855-1931) and René Basset (1855-1924) were among the first Frenchmen to collect and translate popular Berber folktales. Today, trickster folktales from Algeria’s mountainous Kabylia region are not well known in the Anglophone world, even though they continue to be highly popular in France and in North Africa. Djeha, the North African Trickster is an annotated, critical translation of Auguste Mouliéras’s folktale collection Les Fourberies de Si Djeh’a, first published in French in 1892.The volume contains sixty tales and an in-depth introduction in which Christa C. Jones discusses jocular literature in Islam, the widespread oral folktale tradition linked to Djeha and his Turkish twin brother Nasreddin Hoca, and the impact of colonialism on the gathering and dissemination of the tales. The trickster is at the center of six themed chapters: “Family and Kinship”; “Animal Tales"; “Faces, Places, or Daily Life in the Village"; “Foodways”; “The Intricacies of Hospitality: Beware of Friends and Foes!"; and “Religion, Death, and the Afterlife.” Each chapter contains ten folktales preceded by a short introduction that contextualizes the pieces using historical, folkloristic, literary, and ethnographical sources. Ultimately, the book contributes to the preservation of an ancestral oral heritage, delivering this enduring character to new audiences.The Complete Folktales of A. N. Afanas'ev, Volume II
Par Jack V. Haney. 2015
Up to now, there has been no complete English-language version of the Russian folktales of A. N. Afanas’ev. This translation…
is based on L. G. Barag and N. V. Novikov’s edition, widely regarded as the authoritative Russian-language edition. The present edition includes commentaries to each tale as well as its international classification number. This second volume of 140 tales continues the work started in Volume I, also published by University Press of Mississippi. A third planned volume will complete the first English-language set. The folktales of A. N. Afanas’ev represent the largest single collection of folktales in any European language and perhaps in the world. Widely regarded as the Russian Grimm, Afanas’ev collected folktales from throughout the Russian Empire in what are now regarded as the three East Slavic languages, Byelorusian, Russian, and Ukrainian. The result of his own collecting, the collecting of friends and correspondents, and in a few cases his publishing of works from earlier and forgotten collections is truly phenomenal. In his lifetime, Afanas’ev published more than 575 tales in his most popular and best-known work, Narodnye russkie skazki. In addition to this basic collection, he prepared a volume of Russian legends, many on religious themes; a collection of mildly obscene tales, Russkie zavetnye skazki; and voluminous writings on Slavic folk life and mythology. His works were subject to the strict censorship of ecclesiastical and state authorities that lasted until the demise of the Soviet Union in the 1990s. Overwhelmingly, his particular emendations were stylistic, while those of the censors mostly concerned content. The censored tales are generally not included in this volume.Cinderella in America: A Book of Folk and Fairy Tales
Par William Bernard Mccarthy. 2007
For years, many folklorists have denied the possibility of a truly American folk or fairy tale. They have argued that…
the tales found in the United States are watered-down derivatives of European fare. With this gathering, William Bernard McCarthy compiles evidence strongly to the contrary. Cinderella in America: A Book of Folk and Fairy Tales represents these tales as they have been told in the United States from Revolutionary days until the present. To capture this richness, tales are grouped in chapters that represent regional and ethnic groups, including Iberian, French, German, British, Irish, other European, African American, and Native American. These tales are drawn from published collections, journals, and archives, and from fieldwork by McCarthy and his colleagues. Created along the nationalist model of the Brothers Grimm yet as diverse in its voices and themes as the nation it represents, Cinderella in America shows these tales truly merit the designation American.The Complete Folktales of A. N. Afanas’ev: Volume I
Par Jack V. Haney. 2014
The folktales of A. N. Afanas’ev represent the largest single collection of folktales in any European language and perhaps in…
the world. Widely regarded as the Russian Grimm, Afanas’ev collected folktales from throughout the Russian Empire in what are now regarded as the three East Slavic languages, Byelorusian, Russian, and Ukrainian. The result of his own collecting, the collecting of friends and correspondents, and in a few cases his publishing of works from earlier and forgotten collections is truly phenomenal. In his lifetime, Afanas’ev published more than 575 tales in his most popular and best-known work, Narodnye russkie skazki. In addition to this basic collection he prepared a volume of Russian legends, many on religious themes, an anthology of mildly obscene tales, and voluminous writings on Slavic folk life and Slavic mythology. His works were subject to the strict censorship of ecclesiastical and state authorities that lasted until the demise of the Soviet Union at the end of the twentieth century. Overwhelmingly, his particular emendations were of a stylistic nature, while those of the censors mostly concerned content. The censored tales are generally not included. Up to now, there has been no complete English-language version of the Russian folktales of Afanas’ev. This translation is based on L. G. Barag and N. V. Novikov’s edition (Moscow: Nauka, 1984-1986), widely regarded as the authoritative edition. The present edition includes commentaries to each tale as well as its international classification number.Long, Long Tales from the Russian North
Par Jack V. Haney. 2013
This volume of folktales from the Far North of European Russia features seventeen works by five narrators of the Russian…
tale, all recorded in the twentieth century. The tales, distinguished by their extraordinary length and by the manner in which they were commonly told, appear to have flourished only in the twentieth century and only in Russian Karelia. Although the tales are easily recognized as wondertales, or fairy tales, their treatment of the traditional matter is anything but usual. In these tales one encounters such topics as regicide, matricide, patricide, fratricide, premarital relations between the sexes and more, all related in the typical manner of the Russian folktale. The narrators were not educated beyond a rudimentary level. All were middle-aged or older, and all were men. Crew members of a fishing or hunting vessel plying the White Sea or lumberjacks or trappers in the vast northern forests, they frequently began the narration of a tale in an evening, then broke off at an appropriate moment and continued at a subsequent gathering. Such tales were thus told serially. Given their length, their thematic and narrative complexity, and their stylistic proficiency, one might even refer to them as orally delivered Russian short stories or novellas.The Complete Folktales of A. N. Afanas'ev, Volume III
Par Jack V. Haney and Sibelan Forrester. 2021
Up to now, there has been no complete English-language version of the Russian folktales of A. N. Afanas’ev. This translation…
is based on L. G. Barag and N. V. Novikov’s edition, widely regarded as the authoritative Russian-language edition. The present edition includes commentaries to each tale as well as its international classification number. This third volume contains 305 tales, those numbered 319–579, as well as forty-five additional tales from among those denied publication by the Russian censors. The folktales of A. N. Afanas’ev represent the largest single collection of folktales in any European language and perhaps in the world. Widely regarded as the Russian Grimm, Afanas’ev collected folktales from throughout the Russian Empire in what are now regarded as the three East Slavic languages, Belarusian, Russian, and Ukrainian. In his lifetime, Afanas’ev published more than 575 tales in his most popular and best-known work, Narodnye russkie skazki. In addition to this basic collection, he prepared a volume of Russian legends, many on religious themes; a collection of mildly obscene tales, Russkie zavetnye skazki; and voluminous writings on Slavic folklife and mythology. His works were subject to the strict censorship of ecclesiastical and state authorities that lasted until the demise of the Soviet Union in the 1990s. Overwhelmingly, his particular emendations were stylistic, while those of the censors mostly concerned content.Beowulf (Legends from the Ancient North)
Par Petra Borner. 2013
Part of a new series Legends from the Ancient North, Beowulf is one of the classic books that influenced JRR…
Tolkien's The Hobbit and The Lord of the Rings'So the company of men led a careless life,All was well with them: until One beganTo encompass evil, an enemy from hell.Grendel they called this cruel spirit...'J.R.R. Tolkien spent much of his life studying, translating and teaching the great epic stories of northern Europe, filled with heroes, dragons, trolls, dwarves and magic. He was hugely influential for his advocacy of Beowulf as a great work of literature and, even if he had never written The Hobbit and The Lord of the Rings, would be recognised today as a significant figure in the rediscovery of these extraordinary tales.Legends from the Ancient North brings together from Penguin Classics five of the key works behind Tolkien's fiction.They are startling, brutal, strange pieces of writing, with an elemental power brilliantly preserved in these translations.They plunge the reader into a world of treachery, quests, chivalry, trials of strength.They are the most ancient narratives that exist from northern Europe and bring us as near as we will ever get to the origins of the magical landscape of Middle-earth (Midgard) which Tolkien remade in the 20th century.Arthurian Romances
Par Chrétien De Troyes. 1991
Taking the legends surrounding King Arthur and weaving in new psychological elements of personal desire and courtly manner, Chrétien de…
Troyes fashioned a new form of medieval Romance. The Knight of the Cart is the first telling of the adulterous relationship between Lancelot and Arthur's Queen Guinevere, and in The Knight with the Lion Yvain neglects his bride in his quest for greater glory. Erec and Enide explores a knight's conflict between love and honour, Cligés exalts the possibility of pure love outside marriage, while the haunting The Story of the Grail chronicles the legendary quest. Rich in symbolism, these evocative tales combine closely observed detail with fantastic adventure to create a compelling world that profoundly influenced Malory, and are the basis of the Arthurian legends we know today.The Arabian Nights: Volume 3 (The Arabian Nights #3)
Par Malcolm C. Lyons, Ursula Lyons, Robert Irwin. 2008
Every night for three years the vengeful King Shahriyar sleeps with a different virgin, executing her next morning. To end…
this brutal pattern and to save her own life, the vizier's daughter, Shahrazad, begins to tell the king tales of adventure, love, riches and wonder - tales of mystical lands peopled with princes and hunchbacks, the Angel of Death and magical spirits, tales of the voyages of Sindbad, of Ali Baba's outwitting a band of forty thieves and of jinnis trapped in rings and in lamps. The sequence of stories will last 1,001 nights.The Arabian Nights: Volume 2 (The Arabian Nights #2)
Par Malcolm C. Lyons, Ursula Lyons, Robert Irwin. 2008
Every night for three years the vengeful King Shahriyar sleeps with a different virgin, executing her next morning. To end…
this brutal pattern and to save her own life, the vizier's daughter, Shahrazad, begins to tell the king tales of adventure, love, riches and wonder - tales of mystical lands peopled with princes and hunchbacks, the Angel of Death and magical spirits, tales of the voyages of Sindbad, of Ali Baba's outwitting a band of forty thieves and of jinnis trapped in rings and in lamps. The sequence of stories will last 1,001 nights.African Myths of Origin
Par Stephen Belcher. 2005
Gathering a wide range of traditional African myths, this compelling new collection offers tales of heroes battling mighty serpents and…
monstrous birds, brutal family conflict and vengeance, and desperate migrations across vast and alien lands. From impassioned descriptions of animal-creators to dramatic stories of communities forced to flee monstrous crocodiles, all the narratives found here concern origins - whether of the universe, peoples or families. Together, they create a kaleidoscopic picture of the rich and varied oral traditions that have shaped the culture and society of successive generations of Africans for thousands of years, throughout the long struggle to survive and explore this massive and environmentally diverse continent.King Arthur's Last Battle
Par Thomas Malory. 2006
He was born to be King. But he would die for his people ...From the moment he draws the sword…
Excalibur from a magic stone, King Arthur is hailed as the saviour of England. With his loyal band of brothers, the Knights of the Round Table, he reigns over a golden age of chivalry and enchantment.But dark forces are stirring in the land. Sir Launcelot's fatal attraction to Arthur's beautiful wife Guenever threatens to divide the realm. And when the scheming Mordred tries to usurp the King, one last epic battle must be fought on English soil ...Jason and the Golden Fleece
Par Apollonius Of Rhodes. 1971
A hero will have his day ...It is a task that no man has ever completed: to bring back a…
magical ram's fleece that lies hidden in a far-off land, guarded by an all-seeing serpent. But one man, Jason, must try. His life depends on it. Upon the orders of the King, Jason must cross deadly seas with the crew of his ship, the Argo, negotiate treacherous clashing rocks, fight fire-breathing bulls and confront the terror of the harpies before claiming his prize - and winning the heart of the witch-princess Medea.The Hitopadesa
Par M Narayana. 1998
Composed between 800 and 950 AD, Narayana's Hitopadesa is one of the best-known of all works in Sanskrit literature. A…
fascinating collection of fables, maxims and sayings in verse, it combines a wide variety of writings from earlier authors in one volume - a 'garden of pleasing stories' created to provide guidance, wisdom and political advice to the reader. With elegance and great humour, Narayana weaves a framework for the classic tales, here narrated by animals who quote from and reflect on stories from the Pancatantra and other traditional sources. At once an anthology of folk wisdom and an original and satirical work in its own right, the Hitopadesa has been deeply admired and widely read for more than a thousand years for its humorous and profound reflections on human lives, loves, follies and philosophies.