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Oeuvres littéraires (romans)Critiques , Environnement, Nature
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This book presents an innovative and imaginative reading of contemporary Australian literature in the context of unprecedented ecological crisis. The Australian…
continent has seen significant, rapid changes to its cultures and land-use from the impact of British colonial rule, yet there is a rich history of Indigenous land-ethics and cosmological thought. By using the age-old idea of ‘cosmos’—the order of the world—to foreground ideas of a good order and chaos, reciprocity and more-than-human agency, this book interrogates the Anthropocene in Australia, focusing on notions of colonisation, farming, mining, bioethics, technology, environmental justice and sovereignty. It offers ‘cosmological readings’ of a diverse range of authors—Indigenous and non-Indigenous—as a challenge to the Anthropocene’s decline-narrative. As a result, it reactivates ‘cosmos’ as an ethical vision and a transculturally important counter-concept to the Anthropocene. Kathrin Bartha-Mitchell argues that the arts can help us envision radical cosmologies of being in and with the planet, and to address the very real social and environmental problems of our era. This book will be of particular interest to scholars and students of Ecocriticism, Environmental Humanities, and postcolonial, transcultural and Indigenous studies, with a primary focus on Australian, New Zealand, Oceanic and Pacific area studies.Éloge de la procrastination et autres facéties (Essais et fiction)
Par Robert Major. 2022
Braille (abrégé), Braille électronique (abrégé), DAISY Audio (CD), DAISY Audio (Téléchargement Direct), DAISY Audio (Zip), DAISY texte (Téléchargement direct), DAISY texte (Zip), Word (Zip), ePub (Zip)
Oeuvres littéraires (romans), Sensations (romans à), Littérature générale (romans)Philosophie
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After his death, a public figure leaves behind an astonishing manuscript – an embarrassment to his godson, the executor of…
his estate. What should be done with these disconcerting essays, which touch on disparate topics, jumping from the iconoclastic to the ironic, from the moving to the provocative, from the highbrow to the eccentric, at times preposterous and ridiculous, but all fundamentally contradictory? It is a difficult question to answer, especially as none of these essays seem to match the persona he hid behind and seem to have been written against everything he stood for. Is this really a tribute to procrastination from a workaholic? Or a tribute to the tavern from someone who never frequented them? Are these truly tributes? Or are they pranks instead, farcical tricks, intended to be ironic, a full-on hoax, allowing the author to strip away all pretence in order to communicate authentically?There was only one thing left to do: publish them. Que sera sera.