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Salterton Trilogy Omnibus: Tempest-tost; Leaven Of Malice; A Mixture Of Frailties (Salterton Trilogy)
Par Robertson Davies. 2011
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Available in one volume, all three books of the award-winning Salterton Trilogy: Tempest-Tost, Leaven of Malice, and A Mixture of…
Frailties.Visit the quaint town of Salterton, Ontario, and the enigmatic lives of those who inhabit it . . .Tempest-Tost. An amateur production of The Tempest provides a colorful backdrop for a hilarious look at unrequited love. Mathematics teacher Hector Mackilwraith, stirred and troubled by Shakespeare&’s play, falls in love with the beautiful heiress Griselda Webster. When Griselda shows she has plans of her own, Hector despairs on the play&’s opening night.Leaven of Malice. Winner of the Leacock Medal, awarded for the best in Canadian literary humor. A malicious false engagement notice between locals Solly Bridgetower and Pearl Vambrace leads to permanent changes, for good or ill, in the lives of many citizens of Salterton.A Mixture of Frailties. Louisa Bridgetower, the imposing Salterton matron, has died. The substantial income from her estate is to be used to send an unmarried young woman to Europe to pursue an education in the arts. Monica Gall, an almost entirely unschooled singer soon finds herself in England, as she gradually blossoms from a Canadian rube to a cosmopolitan soprano with a unique—and tragicomic—career.Praise for the Salterton Trilogy&“Full of zest, wit and urbanity.&”—The New York Times &“High comedy with a spice of satire to give it savor.&”—Montreal Gazette &“An exercise in puckish persiflage.&”—Toronto Star &“Hilarious, satirical, witty and clever.&”—Edmonton JournalSwinging the Maelstrom: A Critical Edition (Canadian Literature Collection)
Par Malcolm Lowry. 2013
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Swinging the Maelstrom is the story of a musician enduring existence in the Bellevue psychiatric hospital in New York. Written during…
his happiest and most fruitful years, this novella reveals the deep healing influence that the idyllic retreat at Dollarton had on Lowry. This long-overdue scholarly edition will allow scholars to engage in a genetic study of the text and reconstruct, step by step, the creative process that developed from a rather pessimistic and misanthropic vision of the world as a madhouse (The Last Address, 1936), via the apocalyptic metaphors of a world on the brink of Armageddon (The Last Address, 1939), to a world that, in spite of all its troubles, leaves room for self-irony and humanistic concern (Swinging the Maelstrom,1942–1944). - This book is published in English.
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Un vieux, un jeune ; un conteur, un auditeur ; des heures d’un travail routinier, propice aux histoires et aux réflexions. La…
table est mise pour ces courts essais anecdotiques.Que peut bien raconter le concierge d’un évêché, dans le Témiscamingue ontarien des années soixante ? Pas mal de choses, en vérité, quand il est un observateur sagace de la réalité qui l’entoure, quand il est amateur d’histoire régionale, quand il a un passé riche et diversifié, quand il a une personnalité forte et un verbe truculent, quand il a un auditeur privilégié en la présence d’un jeune qui ne demande pas mieux que de le faire parler ! Voici monsieur Terrien, conteur haut en couleur, bourru mais attachant, digne représentant du Témiscamingue d’autrefois. Robert Major consacre son essai Témiscamingue, réparti en 17 chapitres, à ces récits dont il a été auditeur et qui font partie de l’histoire orale de ce coin de pays.In Ballast to the White Sea (Canadian Literature Collection)
Par Malcolm Lowry. 2014
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In Ballast to the White Sea is Malcolm Lowry’s most ambitious work of the mid-1930s. Inspired by his life experience,…
the novel recounts the story of a Cambridge undergraduate who aspires to be a writer but has come to believe that both his book and, in a sense, his life have already been “written.” After a fire broke out in Lowry’s squatter’s shack, all that remained of In Ballast to the White Sea were a few sheets of paper. Only decades after Lowry’s death did it become known that his first wife, Jan Gabrial, still had a typescript. This scholarly edition presents, for the first time, the once-lost novel. Patrick McCarthy’s critical introduction offers insight into Lowry’s sense of himself while Chris Ackerley’s extensive annotations provide important information about Lowry’s life and art in an edition that will captivate readers and scholars alike.