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Come, Read With Me
Par Margriet Ruurs, Christine Wei. 2021
Marvel Can The Hulk Lift a House?: And 50 more Super Questions for Super Heroes
Par Melanie Scott. 2021
A fun fact book that answers more than 50 burning questions for young Marvel fans!Discover everything you've always wanted to…
know about your favorite Super Heroes! How much weight can the Hulk lift? What's the farthest distance Spider-Man can sling a web? Can Iron Man fly faster than a space rocket? Young Marvel Super Hero fans want to know everything about their favorite characters from how hard Thor can slam his hammer to the size of the smallest hole Wasp can fly through—and much more. Whether they are obsessed with Marvel comic books or they've only heard about Super Heroes in the playground, young fans will love discovering the fascinating answers to wild, wacky, and wonderful questions about Marvel Super Heroes.© 2020 MARVELMarvel Monsters: Creatures Of The Marvel Universe Explored
Par Kelly Knox. 2021
All Super Heroes need a monster to fight, or a monstrous sidekick to help them. Some are even monsters themselves. This…
comprehensive field guide to Marvel flora, fauna, and beasts great and small shows off claws, teeth, tails, and wings in sumptuous, never-seen-before detail. From tyrannosaurus rexes from alternative worlds and genetically modified deinonychuses from the future to purple cat-sized dragons and swamp monsters, the Marvel multiverse is brimming with creatures both heroic and villainous. Explore swamps and the Savage Lands and more. Discover aerial beasts, artificially created creatures, and even monster team-ups. This anthology is a beautifully curated guide to the best and the worst and ensures you will never get Fin Fang Foom and Tim Boom Ba mixed up again! © 2021 MARVELMarvel Spider-Man: Meet the amazing web-slinger! (Dk Readers Level 1 Ser.)
Par David Fentiman. 2021
Learn to read with Marvel's Spider-Man!Miles Morales might seem like just a young kid from Brooklyn, but he has a…
few secrets. Firstly, he actually came from another Universe. Secondly - he is really Spider-Man!Exciting images, simple vocabulary, and a fun quiz will engage young fans of Marvel Super Heroes and help them build confidence in reading. © 2020 MARVELDjeha, the North African Trickster
Par Christa C. Jones. 2023
Djeha—also known as Juha, Jeh’a, and Ch’ha, among many variations—is an iconic figure, the trickster hero of an oral folktale…
tradition that has existed for centuries. The famous Maghrebian prankster is a poor, cunning, and resourceful character that delights in immoral behavior. Orientalists Auguste Mouliéras (1855-1931) and René Basset (1855-1924) were among the first Frenchmen to collect and translate popular Berber folktales. Today, trickster folktales from Algeria’s mountainous Kabylia region are not well known in the Anglophone world, even though they continue to be highly popular in France and in North Africa. Djeha, the North African Trickster is an annotated, critical translation of Auguste Mouliéras’s folktale collection Les Fourberies de Si Djeh’a, first published in French in 1892.The volume contains sixty tales and an in-depth introduction in which Christa C. Jones discusses jocular literature in Islam, the widespread oral folktale tradition linked to Djeha and his Turkish twin brother Nasreddin Hoca, and the impact of colonialism on the gathering and dissemination of the tales. The trickster is at the center of six themed chapters: “Family and Kinship”; “Animal Tales"; “Faces, Places, or Daily Life in the Village"; “Foodways”; “The Intricacies of Hospitality: Beware of Friends and Foes!"; and “Religion, Death, and the Afterlife.” Each chapter contains ten folktales preceded by a short introduction that contextualizes the pieces using historical, folkloristic, literary, and ethnographical sources. Ultimately, the book contributes to the preservation of an ancestral oral heritage, delivering this enduring character to new audiences.Boys Love Manga and Beyond: History, Culture, and Community in Japan
Par Mark McLelland, Kazumi Nagaike, Katsuhiko Suganuma, James Welker. 2015
Boys Love Manga and Beyond looks at a range of literary, artistic and other cultural products that celebrate the beauty…
of adolescent boys and young men. In Japan, depiction of the “beautiful boy” has long been a romantic and sexualized trope for both sexes and commands a high degree of cultural visibility today across a range of genres from pop music to animation. In recent decades, “Boys Love” (or simply BL) has emerged as a mainstream genre in manga, anime, and games for girls and young women. This genre was first developed in Japan in the early 1970s by a group of female artists who went on to establish themselves as major figures in Japan's manga industry. By the late 1970s many amateur women fans were getting involved in the BL phenomenon by creating and self-publishing homoerotic parodies of established male manga characters and popular media figures. The popularity of these fan-made products, sold and circulated at huge conventions, has led to an increase in the number of commercial titles available. Today, a wide range of products produced both by professionals and amateurs are brought together under the general rubric of “boys love,” and are rapidly gaining an audience throughout Asia and globally. This collection provides the first comprehensive overview in English of the BL phenomenon in Japan, its history and various subgenres and introduces translations of some key Japanese scholarship not otherwise available. Some chapters detail the historical and cultural contexts that helped BL emerge as a significant part of girls' culture in Japan. Others offer important case studies of BL production, consumption, and circulation and explain why BL has become a controversial topic in contemporary Japan.The Complete Folktales of A. N. Afanas'ev, Volume II
Par Jack V. Haney. 2015
Up to now, there has been no complete English-language version of the Russian folktales of A. N. Afanas’ev. This translation…
is based on L. G. Barag and N. V. Novikov’s edition, widely regarded as the authoritative Russian-language edition. The present edition includes commentaries to each tale as well as its international classification number. This second volume of 140 tales continues the work started in Volume I, also published by University Press of Mississippi. A third planned volume will complete the first English-language set. The folktales of A. N. Afanas’ev represent the largest single collection of folktales in any European language and perhaps in the world. Widely regarded as the Russian Grimm, Afanas’ev collected folktales from throughout the Russian Empire in what are now regarded as the three East Slavic languages, Byelorusian, Russian, and Ukrainian. The result of his own collecting, the collecting of friends and correspondents, and in a few cases his publishing of works from earlier and forgotten collections is truly phenomenal. In his lifetime, Afanas’ev published more than 575 tales in his most popular and best-known work, Narodnye russkie skazki. In addition to this basic collection, he prepared a volume of Russian legends, many on religious themes; a collection of mildly obscene tales, Russkie zavetnye skazki; and voluminous writings on Slavic folk life and mythology. His works were subject to the strict censorship of ecclesiastical and state authorities that lasted until the demise of the Soviet Union in the 1990s. Overwhelmingly, his particular emendations were stylistic, while those of the censors mostly concerned content. The censored tales are generally not included in this volume.The Complete Folktales of A. N. Afanas’ev: Volume I
Par Jack V. Haney. 2014
The folktales of A. N. Afanas’ev represent the largest single collection of folktales in any European language and perhaps in…
the world. Widely regarded as the Russian Grimm, Afanas’ev collected folktales from throughout the Russian Empire in what are now regarded as the three East Slavic languages, Byelorusian, Russian, and Ukrainian. The result of his own collecting, the collecting of friends and correspondents, and in a few cases his publishing of works from earlier and forgotten collections is truly phenomenal. In his lifetime, Afanas’ev published more than 575 tales in his most popular and best-known work, Narodnye russkie skazki. In addition to this basic collection he prepared a volume of Russian legends, many on religious themes, an anthology of mildly obscene tales, and voluminous writings on Slavic folk life and Slavic mythology. His works were subject to the strict censorship of ecclesiastical and state authorities that lasted until the demise of the Soviet Union at the end of the twentieth century. Overwhelmingly, his particular emendations were of a stylistic nature, while those of the censors mostly concerned content. The censored tales are generally not included. Up to now, there has been no complete English-language version of the Russian folktales of Afanas’ev. This translation is based on L. G. Barag and N. V. Novikov’s edition (Moscow: Nauka, 1984-1986), widely regarded as the authoritative edition. The present edition includes commentaries to each tale as well as its international classification number.Long, Long Tales from the Russian North
Par Jack V. Haney. 2013
This volume of folktales from the Far North of European Russia features seventeen works by five narrators of the Russian…
tale, all recorded in the twentieth century. The tales, distinguished by their extraordinary length and by the manner in which they were commonly told, appear to have flourished only in the twentieth century and only in Russian Karelia. Although the tales are easily recognized as wondertales, or fairy tales, their treatment of the traditional matter is anything but usual. In these tales one encounters such topics as regicide, matricide, patricide, fratricide, premarital relations between the sexes and more, all related in the typical manner of the Russian folktale. The narrators were not educated beyond a rudimentary level. All were middle-aged or older, and all were men. Crew members of a fishing or hunting vessel plying the White Sea or lumberjacks or trappers in the vast northern forests, they frequently began the narration of a tale in an evening, then broke off at an appropriate moment and continued at a subsequent gathering. Such tales were thus told serially. Given their length, their thematic and narrative complexity, and their stylistic proficiency, one might even refer to them as orally delivered Russian short stories or novellas.The Complete Folktales of A. N. Afanas'ev, Volume III
Par Jack V. Haney and Sibelan Forrester. 2021
Up to now, there has been no complete English-language version of the Russian folktales of A. N. Afanas’ev. This translation…
is based on L. G. Barag and N. V. Novikov’s edition, widely regarded as the authoritative Russian-language edition. The present edition includes commentaries to each tale as well as its international classification number. This third volume contains 305 tales, those numbered 319–579, as well as forty-five additional tales from among those denied publication by the Russian censors. The folktales of A. N. Afanas’ev represent the largest single collection of folktales in any European language and perhaps in the world. Widely regarded as the Russian Grimm, Afanas’ev collected folktales from throughout the Russian Empire in what are now regarded as the three East Slavic languages, Belarusian, Russian, and Ukrainian. In his lifetime, Afanas’ev published more than 575 tales in his most popular and best-known work, Narodnye russkie skazki. In addition to this basic collection, he prepared a volume of Russian legends, many on religious themes; a collection of mildly obscene tales, Russkie zavetnye skazki; and voluminous writings on Slavic folklife and mythology. His works were subject to the strict censorship of ecclesiastical and state authorities that lasted until the demise of the Soviet Union in the 1990s. Overwhelmingly, his particular emendations were stylistic, while those of the censors mostly concerned content.A Pre-Columbian Bestiary: Fantastic Creatures of Indigenous Latin America
Par Ilan Stavans. 2020
An encyclopedic collaboration between award-winning Mexican American scholar Ilan Stavans and illustrator Eko, A Pre-Columbian Bestiary features lively and informative…
descriptions of forty-six religious, mythical, and imaginary creatures from the Nahua, Aztec, Maya, Tabasco, Inca, Aymara, and other cultures of Latin America.From the siren-like Acuecuéyotl and the water animal Chaac to the class-conscious Oc and the god of light and darkness Xólotl, the magnificent entities in this volume belong to the same family of real and invented creatures imagined by Dante, Franz Kafka, C. S. Lewis, Jorge Luis Borges, Umberto Eco, and J. K. Rowling. They are mined from indigenous religious texts, like the Popol Vuh, and from chronicles, both real and fictional, of the Spanish conquest by Diego Durán, Bernal Díaz del Castillo, and Fernando de Zarzamora, among others. In this playful compilation, Stavans distills imagery from the work of magic realist masters such as Juan Rulfo and Gabriel García Márquez; from songs of protest in Mexico, Guatemala, and Peru; and from aboriginal beasts in Jewish, Muslim, European, British, and other traditions. In the spirit of imaginative invention, even the bibliography is a mixture of authentic and concocted material.An inspiring record of resistance and memory from a civilization whose superb pantheon of myths never ceases to amaze, A Pre-Columbian Bestiary will delight anyone interested in the history and culture of Latin America.Gods and Myths of Northern Europe
Par H. Davidson. 1964
Surveys the pre-Christian beliefs of the Scandinavian and Germanic peoples. Provides an introduction to this subject, giving basic outlines to…
the sagas and stories, and helps identify the charachter traits of not only the well known but also the lesser gods of the age.Early Irish Myths and Sagas
Par Jeffrey Gantz. 1981
First written down in the eighth century AD, these early Irish stories depict a far older world - part myth,…
part legend and part history. Rich with magic and achingly beautiful, they speak of a land of heroic battles, intense love and warrior ideals, in which the otherworld is explored and men mingle freely with the gods. From the vivid adventures of the great Celtic hero Cu Chulaind, to the stunning 'Exile of the Sons of Uisliu' - a tale of treachery, honour and romance - these are masterpieces of passion and vitality, and form the foundation for the Irish literary tradition: a mythic legacy that was a powerful influence on the work of Yeats, Synge and Joyce.Ever gotten lost in a book? Or on your bicycle? Or both at once, by falling through a portal on…
the page? Anything is possible in this collection of fifteen very short stories and one comic. Ranging from science fiction to fantasy and traveling in time from a reimagined past to the heat death of the universe, these stories combine the personal and popular power of spokes and words. Meet a young graduate who rides off to become a velo-archivist, a bookstore owner who must learn to bike after cars are banned, a daredevil messenger who makes a harrowing textbook delivery run, a talented scribe who creates a braille bicycle guide, and many more adventurous souls in disparate realities, united by their love for spinning wheels and the written word.Includes stories by Kathryn Reilly, Kiera Jessica Bain, Julie Brooks, Aaron M. Wilson, Elizabeth Frazier, Annie Carl, Grace Gorski, Gretchin Lair, Cherise Fong, L. Y. Gu, Remy Chartier, Mariah Southworth, Dawn Vogel, Summer Jewel Keown, and Aidan Zingler, and a comic by Allison Bannister.Gloucestershire Folk Tales for Children
Par Anthony Nanson, Kirsty Hartsiotis. 2020
Why do giants throw stones? Where does the immortal cat lurk? Who cooks old boots in stews? Why do the…
fairies guard the wells? Why does a rolling wheel help the sun shine? Dive into these tales from forest, vale and high, high hill and go on a journey that will take you far into the past, deep into other worlds, and through the festivals of the year – all without leaving Gloucestershire! These strange and fabulous tales from all over the county are brought to life by Stroud storytellers Anthony Nanson and Kirsty Hartsiotis.Writings on Irish Folklore, Legend and Myth (Penguin Modern Classics)
Par William Yeats. 1993
This collection brings together all of W. B. Yeats’s published prose writings on Irish folklore, legend and myth, with pieces…
on subjects including ghosts, kidnappers, fairies, ancient tribes, precious stones and Gaelic love songs. Through his researches on Irish folklore, Yeats attempted to create a movement in literature that was enriched by and rooted in a vital native tradition. In this volume Yeats’s essays, introductions and sketches are presented chronologically, giving a clear picture of how his analysis developed, increasing in its depth and complexity in his quest to create an Ireland of the imagination.