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Small Pleasures: Longlisted for the Women's Prize for Fiction
Par Clare Chambers. 2020
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Littérature générale (romans), Multiculturalisme (romans), Famille (récits), Histoire (romans), Guerre (romans), Oeuvres littéraires (romans), Policiers (romans), Intrigue amoureuse historique , Intrigue amoureusePasse-temps et artisanat, Famille et relations familiales , Parental (rôle), Grossesse et accouchement, Maisons et jardins , Médecine
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LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2021'A WORD-OF-MOUTH HIT' Evening Standard 'A very fine book... It's witty and sharp…
and reads like something by Barbara Pym or Anita Brookner, without ever feeling like a pastiche'David Nicholls'Perfect'India Knight 'Beautiful' Jessie Burton'Wonderful'Richard Osman 'Miraculous'Tracy Chevalier 'A wonderful novel. I loved it'Nina Stibbe 'Effortless to read, but every sentence lingers in the mind' Lissa Evans 'This is one of the most beautiful books I have ever read. I honestly don't want you to be without it'Lucy Mangan'Gorgeous... If you're looking for something escapist and bittersweet, I could not recommend more' Pandora Sykes'Remarkable... Small Pleasures is no small pleasure'The Times'An irresistible novel - wry, perceptive and quietly devastating'Mail on Sunday'Chambers' eye for undemonstrative details achieves a Larkin-esque lucidity' Guardian'An almost flawlessly written tale of genuine, grown-up romantic anguish' The Sunday Times 1957, the suburbs of South East London. Jean Swinney is a journalist on a local paper, trapped in a life of duty and disappointment from which there is no likelihood of escape. When a young woman, Gretchen Tilbury, contacts the paper to claim that her daughter is the result of a virgin birth, it is down to Jean to discover whether she is a miracle or a fraud. As the investigation turns her quiet life inside out, Jean is suddenly given an unexpected chance at friendship, love and - possibly - happiness. But there will, inevitably, be a price to pay.Book of the Year for: The Times, Daily Telegraph, Evening Standard, Daily Express, Metro, Spectator, Red Magazine and Good HousekeepingThe True Friend: English translation of Il vero amico
Par Carlo Goldoni. 2009
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Classiques (romans), Intrigue amoureuseDrame, Arts et divertissement
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True to Goldoni's mixture of comic wit and farce, the plot is a breathtakingly fast succession of twists and turns…
which only unravel in the final lines with a surprise ending.Two friends are in love with the same young woman. Neither wants to place their friendship in jeopardy. How can love triumph without breaking off their friendship? Goldoni explores the conflicts brought about when Florindo has to choose between Lelio, his best friend, and Rosaura, his friend's fiancée. Added to this conundrum are the issues of whether Ottavio, the old miser, will provide a dowry and the mature Beatrice's unashamed incessant pursuit of Florindo.The play is set in Bologna in Lelio's house. Florindo is a guest along with his faithful manservant. From the opening of the play, Florindo seeks to return home to Venice in order not to damage his friend's relationship. However, his departure is obstructed by his hosts, leading to one complication after another.From the beginning, the plot is intense and fast-moving with inversions fed into the action in quick succession. This creates suspense which continues throughout the play as potential marriage partners are switched back and forth until the very ending when the audience finally discovers what the main characters' destiny will be. Will love or friendship prevail?The Venetian element is brought into this play through Florindo and his manservant, both Venetians. Apart from these two characters, all the others are portrayed as self-seeking, selfish and sly - whether servants or masters. The tension is kept at a constantly high level by the struggles between the characters. These struggles are not just brought about through love and friendship but are also generational and social. Furthermore, there is the added complication in the contrast of the characters' ideas of reality as they deceive one another. This creates dramatic irony and humour as the audience know more than any of the characters on stage.